19th century
David Nice
Fast is fine in Beethoven, so long as you find breathing-spaces, expressive lines and crisp articulation within it. The Scottish Chamber Orchestra's febrile new chief conductor, Maxim Emelyanychev, started the "Pastoral" Symphony last night with a brisk but detailed walk which was interesting in itself, especially given the level of commitment from the players, but a breathless rapidity saw diminishing returns even in a symphony which ought to be able to take it, the Seventh. There's clearly an excitement about what's going on in the new partnership, but is it enough?It should have been a joy Read more ...
David Nice
Emblazoned on a drop-curtain in front of a mirror-image of the auditorium, the three great tenets of the French revolution seem to be mocking us right at the start, above all the second of them: equality, really, given the make-up of the Royal Opera stalls? But the last, more bitter laugh is on both the audience and the director, Tobias Kratzer, who cheats Beethoven's admittedly lopsided liberation opera of its significant events and, ultimately, some fine singers, above all the eagerly-awaited Lise Davidsen and Jonas Kaufmann, along with their conductor, Antonio Pappano, of what has to be Read more ...
Nick Hasted
“Nothing you’re about to see is true,” this adaptation of Peter Carey’s novel about Australia’s iron-clad Victorian outlaw Ned Kelly declares. Justin Kurzel’s wild investigation of the Kelly myth, Australian manhood and nationhood carves out its own truths anyway.Kelly grows up in an impoverished, outback Irish family led by necessarily feral mother Ellen (The Babadook’s Essie Davis, pictured below left). This maternal Lady Macbeth is glamorous, cunning, hopelessly defiant and fearsomely vicious. First recalled by Ned pragmatically giving a blowjob to the local policeman, she later violently Read more ...
Robert Beale
Honouring Beethoven in Manchester is a united enterprise, at least between the Hallé and BBC Philharmonic, two symphony orchestras that have worked out a series of Beethoven specials between them. Last night’s Hallé concert even had two conductors – the Hallé’s music director Sir Mark Elder to direct Act Two of Fidelio and the vocal trio with orchestra Tremate, Empi, Tremate, and the Philharmonic’s principal guest conductor Ben Gernon in charge for the Eighth Symphony.There’s a theme here: all of them were (in their final versions) first performed in 1814 – but they come from very different Read more ...
Adam Sweeting
Jack London’s original novel was a brutal and Darwinian account of a dog's life in the Klondike during the gold rush at the end of the 19th century. Chris Sanders’s film, on the other hand, with a screenplay by Michael Green, is a family-friendly entertainment in the Saturday matinee tradition, delivering a message of lump-in-the-throat positivity reminiscent of earlier canine classics like Old Yeller or The Incredible Journey.Harrison Ford gets top billing and delivers the somewhat sententious voice-over which pushes the story along, but the real star is Buck (pronunciation of whose name Read more ...
David Nice
Those who booed the production team last night - there was nothing but generous cheering for singers, conductor and orchestra - might reflect that this was at least regietheater, that singular brand of not-all-bad director's opera in Germany, with discipline and purpose close enough to its subject. There were some cliches and the occasional question-mark - who's the trembling, plastic-wrapped youth in underpants and why the nearby oil drum? - but you had to hand it to Barbora Horáková for making everything connect, in however stylised a way.Think back to Daniel Kramer's party nightmare in La Read more ...
Sarah Kent
It looks as if vandals have ransacked Whistler's Peacock Room. The famous interior was commissioned in the 1870s by shipping magnate, Frederick Richard Leyland to show off his collection of fine porcelain. The specially designed shelves have been broken and their contents smashed; shards of pottery lie strewn across the floor.The destruction seems also to be coming from within, though; it’s as if some form of vile corruption were infecting the very substance of the exotic room. Over the mantelpiece hangs a painting of a princess by James McNeill Whistler; circles of mould have infected Read more ...
Demetrios Matheou
A creepy lighthouse on a remote island, a blistering storm, a mermaid languishing on the shore and two fabulously bewhiskered actors chewing up the scenery like there’s no tomorrow. The Lighthouse feels like it’s been washed up in a bottle, a film from another time with a story sprung from ghost stories or nightmares.The American writer/director Robert Eggers really knows how to create mystery and a particular sense of unease. He follows his outstanding debut, the pre-Salem horror film The Witch, with another deeply atmospheric concoction, which doesn’t really feel like horror Read more ...
Demetrios Matheou
Armando Iannucci’s move away from the contemporary political satires that made his name, first signalled by his bold, uproariously brilliant Death of Stalin, continues apace with a Dickens adaptation that feels quietly radical. It’s not just the colour-blind casting, which includes Dev Patel playing the young hero; the most striking thing about Iannucci’s Copperfield is how gloriously exuberant it is. While not turning away from the social concerns and personal cruelties that permeate Dickens’ work, Iannucci cranks up the comedy, humanity and sense of community of David Read more ...
Robert Beale
Finding one piece for marimba soloist and string orchestra would tax the powers of many concert planners, never mind coming up with two, so the Northern Chamber Orchestra is to be congratulated on its first Manchester performance of 2020 – especially since they found two concerto-style works from almost the same point in recent time: 2009 and 2010. Qualify that by adding that one has a second soloist, a clarinet, but impressive nonetheless.Colin Currie was the star marimba soloist for both Stephen Barlow’s Nocturne for clarinet, marimba and strings and Kurt Schwertsik’s marimba concerto Read more ...
Charlie Stone
Nathalie Léger’s superbly original Exposition is a biographical novel meditating on the nature of biography itself. Its plot – if indeed its 150 pages of intense reflection bordering continuously on stream of consciousness can be called a plot – is an account of the life of Virginia Oldoïni, better known as the Countess of Castiglione. Specifically, the narrator (a half-fictional version of Léger herself) is fascinated by the visits Castiglione made to be photographed in the same Paris studio over four decades – turbulent years which saw her reach the height of power and influence and Read more ...
Adam Sweeting
If you came to this expecting to be reminded of such ghosts of Scrooges past as Alastair Sim or Bill Murray, you will have been reaching either for the brandy or the defibrillator. In the hands of screenwriter Steven Peaky Blinders Knight and director Nick Murphy (from BBC One in partnership with the American FX network ), Dickens’s perennial tale of seasonal repentance has been transformed into a gruelling journey of cathartic horror.Having said that, it was frustrating that the opening episode (with the final two following on consecutive nights) is the least compelling of the three. It took Read more ...