1980s
Fiona Sturges
Praise be, they’ve kept the title sequence. Dallas, the mama of all American soap operas, is famous for a lot of things – Stetsons, satin sheets, surreal shower scenes, the slow disintegration of Priscilla Presley’s nose – but perhaps the most memorable component in its Eighties incarnation was the opening credits in which mirrored skyscrapers were juxtaposed with the bucolic idyll of Southfork, and split-screens showed JR, Bobby, Sue-Ellen et al pulling panto poses to a histrionic orchestral soundtrack. Such things are sacred.The new show is billed not as a remake but a sequel, the exhuming Read more ...
bruce.dessau
One of the current tropes in stand-up comedy is the way that television appropriates music to manipulate emotions. Sean Hughes employs a flurry of Snow Patrol when he acts out buying some bread, while newcomer David Trent has Sigur Rós on his soundtrack as he celebrates winning a piffling £10 on the Lottery. Which brings us to The xx. The young band's Mercury Prize-winning 2009 debut album became a dinner party staple and a default promo choice, plugging everything from the BBC's Election coverage to teen tosh 90210. Their sequel must be as eagerly anticipated by creatively moribund marketing Read more ...
theartsdesk
Lee Hazlewood: A House Safe for TigersGraham RicksonLee Hazlewood’s voice can still invoke awe. It's gravelly, sonorous, rasping, but incredibly affecting – even when he’s scraping around in the depths it always sounds musical. A reissue of a hard-to-find 1975 LP, A House Safe for Tigers was originally the soundtrack to a Swedish TV movie directed by Hazlewood’s friend Torbjörn Axelman. Hazlewood had moved to Sweden in 1970, partly to ensure that his son wouldn’t be drafted to Vietnam. He continued to record and release new material, most of which slipped under the radar.A House Safe Read more ...
Kieron Tyler
The fright wig is instantly recognisable. Even with her back turned, it’s obviously Tina Turner on stage. Except it isn’t. It’s actress Emi Wokoma playing the singer in a performance virtually guaranteed to turn her into a star. Casualty and EastEnders will soon be distant memories for Wokoma. Good for her, maybe, but she’s the best thing about the otherwise wafer-thin Soul Sister.Soul Sister could have been a game of two halves. The first on the Ike and Tina partnership, his abuse of her and their divorce; the second beginning with her 1983 comeback and solo career. Instead, the solo years Read more ...
joe.muggs
Although the Eighties revival has now been going on for longer than the actual Eighties, it shows no sign of abating – to the point where maybe it would be more sensible to refer to it as a tradition or a palette of techniques rather than than considering it as retro at all. However you see it, Jessie Ware and her production team do it with style.Ware was initially best known for her collaborations with UK electronic artists like Joker and SBTRKT, and producers Dave Okumu of The Invisible and Julio Bashmore normally deal in post-Radiohead experimentalism and classic house music respectively, Read more ...
Thomas H. Green
Nik Kershaw (b 1958) is best known for a run of hits in the mid-Eighties, songs such as “Wouldn’t It Be Good”, “I Won’t Let The Sun Go Down on Me”, “The Riddle” and “Wide Boy”. He achieved international success and played Live Aid in 1985. Raised in Ipswich, he had a background in local bands before his breakthrough came with 1984’s Human Racing album. His look from the era, all mullet, snood and casual suit, has become definitive Eighties imagery.Kershaw spent much of the Nineties working with and writing for others. As well as playing with Elton John, he wrote hits including Chesney Hawkes Read more ...
Kieron Tyler
Various Artists: Trojan Presents Freedom Sounds, a Celebration of Jamaican MusicKieron TylerThree-and-a-half minutes in, a heavily reverbed drum suddenly rattles and the track heads off into outer space. Morse-code bass dominates, the hi-hat swishes and odd bits of the full instrumental track waft in and out. Something like a home fire alarm bleeps. “None Shall Escape the Judgement” begins normally enough, a mid-tempo two-step reggae shuffler with a swooning, devotional vocal from Johnny Clarke. But really, it's two songs in one, that second half the creation of sonic auteur King Tubby and Read more ...
theartsdesk
Blur: 21Bruce DessauThe recent closure of Word magazine has been seen by some as linked to the demise of "Fifty Quid Man". Who can afford such a wallet-frightening splurge these days on the kind of music the monthly's writers wrote so eloquently about? Well, have a chat with your friendly bank manager because this lavish tribute to the winners of the Britpop long game retails at £134.99 and is just about worth it. Every stage of Blur’s career is here – apart from, annoyingly, one their recent new tracks, "The Puritan" – charting the band's evolution from pre-Madchester incarnation Seymour to Read more ...
theartsdesk
Jimmy Page: Lucifer Rising and Other SoundtracksKieron TylerWith Led Zeppelin established as world-beaters in 1971, Jimmy Page was probably entitled to take some time off. Instead, in the wake of the release of their fourth album, they criss-crossed the world in 1972. When at home, Page somehow found time to work on the soundtrack for the Kenneth Anger film Lucifer Rising. It’s been bootlegged and the first official appearance of this mysterious chapter in Page’s musical life plugs a gap. Page himself has released it on his own label and contributes brief liner notes.Strictly speaking, this Read more ...
bruce.dessau
The first time I interviewed Marc Almond back in the late 1980s he had a pet snake with him, just one of the many things that sets him apart from today's stars. These days the only reptiles one sees around chart-toppers are the publicists. Almond has been part of the pop furniture for three decades but it was still something of a surprise to discover that he was celebrating his 55th birthday last night. Tempus fugit and all that. Or as the still-nimble black-clad crooner said to his mostly similarly-aged audience, "we are all in it together, dear".A decade ago Almond might have celebrated by Read more ...
theartsdesk
Various Artists: Sound System - The Story of Jamaican MusicThomas H Green This is lovely, a box-set celebration of Jamaican music, marking 50 years of the country’s independence. In a brooks-no-argument fashion, it reminds the forgetful that the Caribbean island punches so, so far above its geographical weight that gobs remain fully smacked over 30 years after the death of the man who gave reggae a global profile in the first place, Bob Marley (who is, incidentally, absent). Aside from the music, though, Sound System’s eight CDs arrive in a chunky 12 x 12in box that contains a coffee table Read more ...
theartsdesk
The Searchers: Hearts in Their EyesKieron TylerAlthough second to The Beatles as Liverpool’s most consistent Sixties chart presence, The Searchers have never previously been given the box set treatment. Like the Fabs, they were innovative and influential. They presaged folk rock, and without them there would have been no Byrds and maybe even no Tom Petty. The subtitle, celebrating 50 years of harmony & jangle, says it well. The four CDS and 121 tracks take the story from 1963, before they signed with Pye Records, to the present day via their Seventies new wave-inclined recordings for Sire Read more ...