Theatre
aleks.sierz
The prolific Mike Bartlett – from whose pen have leapt television series such as Doctor Foster and Press, as well as stage hits such as King Charles III – has two things to celebrate tonight. On ITV his new three-part psychological drama, Sticks and Stones, begins, and this is also the opening night of his new play at the Kiln. Originally staged in Oxford a year ago, its title, Snowflake, alludes both to the old idea of a white Christmas and to the current derogatory sneer about young people being too fragile to cope with the heat of life.Set on Christmas Eve, in what looks like a draughty Read more ...
Rachel Halliburton
History has corseted Elizabeth I with the title of “Virgin Queen” for centuries, but in Ella Hickson’s laceratingly witty new play she is revealed as nothing less than a lioness on a hot tin roof. In this pacy, dagger-sharp production we watch Elizabeth asses the dangers and contradictions of her inheritance, before ruthlessly reinventing herself so that she will not fall victim to the court’s deadly political undercurrents. “My mother seduced a man so successfully that he altered the constitutional history of this country.” Abigail Cruttenden’s crisp enunciation cuts the air Read more ...
Matt Wolf
If good intentions were everything, Teenage Dick would be the play of the year. As it is, this British premiere at the Donmar of an Off Broadway entry from summer 2018 grants centre-stage, and not before time, to two disabled actors, one of whom – the mesmerically fearless Daniel Monks – plays the Shakespeare-inspired figure of the title. But viewed purely in terms of text, author Mike Lew's nod towards the Bard's most charismatically demonic anti-hero feels some way still from finished and is so busy changing gears that even Michael Longhurst, the director, has to struggle to make Read more ...
aleks.sierz
The trouble with prejudice is that you can't control how other people see you. At the start of her career, playwright Gurpreet Kaur Bhatti's work was set in her own Sikh community. But, like other playwrights from similar backgrounds, she has tended to be pigeonholed in the category of "Asian playwright", and expected to write about clichéd subjects such as arranged marriage or religion. Now, however, she vigorously breaks free with this new play at the Royal Court, a story about life in contemporary Britain. This time she has expanded her cast of characters by creating a wonderfully Read more ...
Rachel Halliburton
This scary, electrically beautiful adaptation of Neil Gaiman’s book about living on the faultline between imagination and reality is a fantastically alternative offering for the festive season. While the parameters of the story are dark, it’s an edgy, stunningly thought through tribute to the wild and wonderful life of the mind, and its ability to help us engage with the horrors that life flings at us. Though there is no shortage of Gothic special effects, the success of the production is due in no small part to Samuel Blenkin’s superb, comically gawky turn as the “Boy” at the Read more ...
Veronica Lee
When Qdos brought back pantomime to the Palladium three years ago after an absence of nearly 30 years, it set the bar high with superb production values, a large ensemble, a live band – and a stage stuffed with stars. Now those stars – Julian Clary, Paul O'Grady, Paul Zerdin, Nigel Havers and Gary Wilmot – have become a sort of panto ensemble in their own right and reassemble for this year's outing, Goldilocks and the Three Bears.Traditionalists will quibble – perhaps fairly – as it's several minutes into the show before it even looks like a panto, when O'Grady's baddie, Baron von Savage Read more ...
Tom Birchenough
Inua Ellams’ Three Sisters plays Chekhov in the shadow of war, specifically the Nigerian-Biafran secessionist conflict of the late 1960s which so bitterly divided that newly independent nation. It’s a bold move that adds decided new relevance to the action, grounding proceedings that are more often generalised in their listless disappointment to a very particular time and place. We certainly view the travails of the Chekhov’s eponymous protagonists – instead of Olga, Masha and Irina, here they are Lolo, Nne Chukwu and Udo – in a different light when starving refugees and the battle Read more ...
The Duchess of Malfi, Almeida Theatre review - a radically original perspective on Webster's tragedy
Heather Neill
This play can be a challenge for modern audiences: a woman who is ostensibly in a position of power, "a prince" in Renaissance terms, is nevertheless constrained by social expectations and a prisoner of the will of her overbearing brothers. A widow, she defies them to marry her steward Antonio in secret and tragedy ensues. The action can seem to move from one set-piece of madness or terror to the next, including scenes of visceral violence, while the onlooker is expected to accept unlikely possibilities such as that the Duchess (who is never named) could have given birth to three children in Read more ...
aleks.sierz
Actor James McAvoy is much in demand: in the BBC's His Dark Materials he is busy saving a parallel world, while in the poetic universe of Edmond Rostand's Cyrano de Bergerac he is tasked with soothing more than one aching heart. Opening at the Playhouse Theatre, in a brilliant new version by master penman Martin Crimp, this classic tale is directed by Jamie Lloyd, whose company's revival of Harold Pinter's Betrayal – starring Tom Hiddleston – has this year wowed both West End and Broadway. This time, McAvoy comes up with a breathtaking career-best performance, and the entire evening is a Read more ...
Tom Birchenough
Jackie Sibblies Drury’s Fairview comes to the Young Vic with the 2019 Pulitzer Prize for Drama under its belt, and a reputation for putting audiences on their mettle through a build-up of theatrical surprises that culminate in a denouement about which the playwright has urged all who have seen the play to keep silent. It certainly delivers a final act that places viewers in a theatrical position that they have probably never experienced before, one that will prompt reflection long after the impassioned note on which the play's frenetic 90 minutes conclude.The result is ingenious in every way Read more ...
Marianka Swain
We’ve had Chess the musical; now, here’s Chess the play. Tom Morton-Smith, who has experience wrestling recent history into dramatic form with the acclaimed Oppenheimer, turns his attention to the 1972 World Chess Championship in Reykjavík, in which American challenger Bobby Fischer battled the Soviet Union’s Boris Spassky. The event gained outsize importance from the Cold War propaganda battle – the two men pawns in their countries’ games, and the match characterised as the lone hero versus the Soviet machine.The play follows the tournament through, as both Fischer (Robert Emms, pictured Read more ...
Heather Neill
"Dickensian" commonly means both sentimental Victorian, apple-cheeked family perfection (especially at Christmas) and abject poverty. The story of Scrooge encompasses both as the old curmudgeon learns to mend his miserly ways and open his heart to others in a tale of redemption.Matthew Warchus's enveloping production has already had two successful outings here (with Rhys Ifans in the "Bah Humbug" role in 2017 and Stephen Tompkinson last year) and another iteration of it has just opened on Broadway.This version, by Jack Thorne (a writer whose work is familiar to all-age audiences for Harry Read more ...