Theatre
Sam Marlowe
Forked lightning glimpsed through an aeroplane window, a silken dancer spilling stars in a snow-filled sky, a dragon tattoo etched on a man’s back: we’ve grown to expect seductive alchemy of images from the work of Quebecois master of visual theatre Robert Lepage, and in his latest show he doesn’t disappoint.For all that, The Blue Dragon – which picks up the action of director, writer and actor Lepage’s Eighties breakthrough The Dragons' Trilogy 25 years on, and is co-written with a collaborator on that piece, Marie Michaud – is a comparatively distilled piece for a theatre-maker who Read more ...
aleks.sierz
Men. They say these strange creatures never leave the playground. Even when the years have passed, boys stubbornly remain boys, chatting rubbish, competing manfully and finally burning out. In Enda Walsh’s Penelope, which was a hit at the Edinburgh Festival last year and now visits London, four men compete for the love of one woman, and they are as likely to be found bickering over a small barbecued sausage as they are to be seen fighting to the death with knives. The only question is: can they also work together?Penelope, produced by Galway’s Druid theatre company, was commissioned by Read more ...
Ismene Brown
Chichester Festival has unveiled its 2011 season running from May to November, and priority booking opened yesterday. Terence Rattigan's centenary is celebrated in style, including two famous and fine plays, The Deep Blue Sea and The Browning Version, and a first-ever showing of a script he wrote for television about Nijinsky and Diaghilev, now written into a new play by Nicholas Wright. Other world premieres are David Hare’s South Downs and a new version of Eduardo De Filippo's The Syndicate, starring Ian McKellen. Three musicals - She Loves Me, Singin’ in the Rain and Sweeney Todd - and two Read more ...
hilary.whitney
A burgeoning North London art scene, which includes the Zabludowicz Collection in Chalk Farm and one of the London outposts of the Gagosian Gallery, suggests that the art world has the North firmly in its sights and tomorrow sees the opening of its latest addition, Cob Studios & Gallery, based in the heart of Camden Town. Cob is jointly run by playwright Polly Stenham and Victoria Williams and aims to be a truly collaborative venue exhibiting work by emerging and established artists and comprising a large ground-floor gallery, a communal first-floor studio with enough space for four Read more ...
tanika.gupta
A few years ago my brother and I were stuck in a traffic jam somewhere in London and a Rolls Royce drew up next to us with an elderly Asian gentleman at the wheel. He turned to us both and smiled sweetly before gliding on. For a blink of an eye, the driver morphed into our dad who died 20 years ago. My brother and I turned to each other and both said out loud, “Great Expectations.” It was our father’s dream to come to London and end up with a Rolls Royce and both myself and my brother mentally saluted the Asian gentleman’s smug realisation of our father’s ambition.Of all the Dickens novels I Read more ...
aleks.sierz
The story revolves around the character played by Stevenson, Dr Diane Cassell, an academic who specialises in sea-level rises, and works at an Earth Sciences university department. Although she is seen by some as a climate change sceptic, a heretic who deserves the death threats she is beginning to receive, she has a more attractive view of her role. For her, scientists are meant to be sceptical: knowledge only advances when people ask questions. People who “believe” in climate change are merely the newly religious.Such attitudes put Diane on a collision course with Kevin, her head of Read more ...
theartsdesk
It is one of the most hotly anticipated new productions at the National Theatre in years, for which all but day seats have long since been sold out. Danny Boyle has been lured back to the stage to direct a version of Mary Shelley’s Frankenstein. In a rare and daring instance of double casting, Benedict Cumberbatch and Jonny Lee Miller will share the duties of playing Victor Frankenstein and the creature which, in popular mythology, has taken his name. NT Live will thus be screening two separate performances. But in the first instance, the names which will make the box office tick over can do Read more ...
Matt Wolf
Who needs America for the American theatre? Barely six weeks into this year, and already we've had the bracing and bilious Becky Shaw, the West End transfer of Bruce Norris's perpetually award-scooping Clybourne Park and Woody Guthrie taking up residence at the Arts Theatre courtesy of Woody Sez. What's been lacking has been the sort of defining revival on the order of last season's All My Sons that shakes down an extant text, inducing in sometimes unruly West End audiences a wondrous hush. Well, the wait is over: The Children's Hour has reached town anew in a production so powerful that Read more ...
alexandra.coghlan
A whiff of excrement hangs around DBC Pierre’s Booker Prize-winning Vernon God Little. It’s a novel that likes to get right up into the crevices of society and then inhale deeply. Written in an anarchic, freewheeling American patois, it’s the inner voice of Vernon himself (and Pierre’s brutal way with a simile) that plays shock and awe with the reader, delighting many and appalling more. The loss of narrative voice would seem enough to deter any would-be theatrical adaptor, but in 2007 Tanya Ronder and the Young Vic took up the challenge. The result (newly revised) now makes a return – Read more ...
mark.kidel
Theatre, particularly tragedy, can pack a terrific punch when things are kept simple – even if the themes evoked are enfolded in layer upon layer of complexity. Brian Friel’s Faith Healer, a play with three characters, each of whom takes to the stage alone, explores in a multifaceted way the life of an itinerant Irish healer who plies his trade along the backroads of the Celtic fringes of Britain.It is as much a meditation on the business of moving the spirit and effecting spiritual and physical change in an audience as it is a complex exploration of the shifting borderline between fiction Read more ...
alexandra.coghlan
Emlyn Williams may have been dubbed the “Welsh Noël Coward” and the action of his long-neglected Accolade may take place in a drawing room, but there’s little of the smiling social comedy to be found here. Trading sparkling cocktails and repartee for whisky and unpalatable truths, Williams’s play exposes the pinstriped hypocrisy of 1950s society – a society that will press its powdered cheek to all manner of sordidness in the name of Art, while recoiling from even a passing acquaintance with the workaday squalor of its members. Frank, and more than a little apt, the result is a stylish Read more ...
David Nice
But not for long. The first ever National Theatre Live worldwide screening of a Donmar production came to a halt between great Jacobi's mad musings on archery and toasted cheese; later, pedalling back from Notting Hill against a furious wind, I guessed the reason for the blip. The weather had scuppered Lear's fate, off stage as well as on.Sitting in a packed Gate cinema, we heard a voice apologise to a presumably mortified Donmar audience (thinking about it, we guessed the actors must have been primed to expect technical glitches, and had given their consent to any potential interruptions Read more ...