Theatre
Marianka Swain
At just 26, Pippa Bennett-Warner has already achieved many actors’ goals, from treading the boards at the National and having a part written specially for her to sharing scenes with luminaries like Derek Jacobi and Eddie Redmayne. She debuted aged 11 as one of the young Nalas in The Lion King, but since graduating from RADA, she has focussed on “straight acting”. Her projects are nevertheless diverse, from classical (Grandage’s King Lear and Richard II) and contemporary (The Witness at the Royal Court, D C Moore’s The Swan) stage plays to popular screen dramas, including The Smoke, Read more ...
Thomas H. Green
Free events at celebratory citywide occasions such as the Brighton Festival are a mixed blessing. Unfortunately, the fact they’re free means we’re supposed to be thankful even when they’re actually a bit ramshackle and rubbish. We are British, after all, and “putting up with” is a national characteristic. It’s great, then, to be able to report that the hour-long adaptation of Ray Bradbury’s famous dystopian 1953 novel Fahrenheit 451, by local open air theatre crew Periplum, was a truly enjoyable success.Preston Barracks was originally set up to counter possible Napoleonic invasion then, Read more ...
edward.seckerson
It took approximately 30 years for High Society to first make its laborious transition from screen to stage and there are good reasons for that. The indelible impression left by the movie and its star, Grace Kelly, was undoubtedly the biggest, and before that, of course, was the source play (The Philadelphia Story) and the equally indelible movie made of that. Along the way, the stage version, with a new book by Arthur Kopit, added a host of unrelated Cole Porter songs to the half-dozen or so in the movie, drawing from other Porter musicals (Can-Can, Jubilee), which is a bit like Rodgers and Read more ...
Heather Neill
The premise might seem familiar: a famous photograph, taken by a Western journalist in fraught military and political circumstances, has repercussions many years later. The subject of the picture, a representative of an entirely different culture from that of the photographer, is anonymous, but the image is familiar all over the world. Attempting to bridge the gulf between subject and journalist leads only to further bitter misunderstanding.Two years ago Lucy Kirkwood's award-winning Chimerica took the photograph of the "tank man" of Tiananmen Square, the brave, lone protester of the 1989 Read more ...
fisun.guner
We’ve not been short of memorable London productions of Arthur Miller’s best known works. Ivo van Hove’s triple Olivier award-winning A View from the Bridge, which transferred to the Wyndham’s Theatre from the Young Vic earlier this year, and the Old Vic’s The Crucible, directed last year by Yaël Farber, were two exceptional productions. And now we have the seminal play of the 20th century. The RSC’s Death of a Salesman arrives from its short run at Stratford garlanded with plaudits, but it’s even better in this West End transfer.The smaller stage and more intimate auditorium of the Noël Read more ...
Matthew Wright
The author of such inimitably evocative melancholia as “If All The Cornflakes” and the many episodes of “Life In A Scotch Sitting Room”, Scottish poet and songwriter Ivor Cutler had a stellar cult following for many decades until his death in 2006. This wonderfully fluid ensemble show, making its English debut at the Brighton Festival, was devised by Scottish group Vanishing Point in association with The National Theatre of Scotland. It recreates episodes from Cutler’s life, and fragments of his music in a mesmerising, dynamic collage of bleak-tinged fun. Cutler, who always claimed that his Read more ...
Marianka Swain
Genre mixing is a perilous business. Successful hybrids use duelling forms to re-contextualise or revolutionise; others wind up fatally diluting their disparate elements. Ayckbourn’s 1994 sci-fi comedy thriller – featuring, at its nadir, a farcical defenestration mistaken for a lesbian sex romp – falls into the latter camp.Dying magnate Reece (Robert Portal) suffers an attack of conscience after discovering the murderous methods of business partner Julian (David Bamber) for securing their financial success, and urges dominatrix for hire Poopay (Rachel Tucker, pictured below with Imogen Stubbs Read more ...
Marianka Swain
André is losing time. It’s not just his perennially mislaid watch, but whole hours, weeks, years. Is he still living in his Paris flat, or did he move in with his daughter Anne? Is she married, divorced, leaving the country with a new boyfriend? And why does that nurse she’s forced on him – the third one, or is it the first? – remind him so strongly of his other daughter, whose unexplained absence is just one of the memories slipping through his fingers like sand?The stark, inescapable power of Florian Zeller’s Molière Award-winning play, meticulously translated by Christopher Hampton, is Read more ...
Jenny Gilbert
"I sometimes wish we were more normal," sighs one of the adult Bliss children in Noel Coward’s country-house comedy. But it’s her family’s self-dramatising abnormality that provides both the froth and the substance of this early play, written in a blaze of youthful elan over three days in 1924. What has kept it a theatrical staple for 90 years and counting is not just its writer’s talent to amuse, nor its near-perfect structure: it is also the stain of truth that seeps through its merry mayhem, drawing on Coward’s own experience as a hapless weekend houseguest, and his sharp-eyed observations Read more ...
Marianka Swain
It seems almost redundant to critique a show that so ably – if unconsciously – critiques itself. “The power of Bollywood is it’s unique!” cries one character, before squandering that uniqueness in tired East/West fusion; "Dance should have feeling!” proclaims another as he launches into a propulsive routine as far removed from the emotional narrative as London is from Mumbai. In trying to rescue Bollywood from cliché, the show’s creators have instead cursorily employed a hodgepodge of dance drama recyclables, from star-crossed lovers embodying different styles and art informed Read more ...
aleks.sierz
Today, terrorism means killing as many innocent people as possible. Fear is created by completely random attacks, so that no one feels safe. But there was a time, in the past, when political anarchists would focus their attacks on selected targets and avoid civilian casualties. For a year, begining in August 1970, the Angry Brigade brought armed struggle to Britain, setting off some 25 bombs, mainly aimed at the property of the rich and powerful (although one person was slightly injured). But they were a serious embarrassment to Tory prime minister Edward Heath and the whole Establishment.At Read more ...
aleks.sierz
Thank fuck, it’s over. I mean the General Election. No more campaigning, no more leader debates, no more anti-Miliband hysteria. But there’s still no end to theatre gimmicks that exploit public interest in what is clearly one of the tightest elections in living memory. First prize for the biggest stunt must go to this venue: artistic director Josie Rourke and playwright James Graham have created a fictional polling station, located in a Lambeth school gym, where people er, vote, and the experience is broadcast live on More4.The Vote looks at what typically happens on election night through Read more ...