CDs/DVDs
Saskia Baron
"We’re not just a dance band, we’ve got things to say.” Pauline Black, lead singer with The Selecter, succinctly pins down what made the era of 2-Tone Records so important to the British music scene at the end of the 1970s.A consortium of bands reworked Jamaican ska, calypso and reggae beats and imbued them with punk energy and their own socially conscious lyrics. In an era when the National Front stirred up racial hatred, the 2-Tone philosophy was all about mixing up young people with a multicultural agenda – two-tone in every way. And as well as black and white musicians up on stage Read more ...
Kieron Tyler
On Domestic Sphere, Josephine Foster’s guitar and voice are joined by clacking crickets, a flock of sheep and wailing cats recorded in La Janda in southern Spain. There are also Colorado and Tennessee's birds and frogs. Foster’s great-grandmother is here too, her singing recorded around 1970: the voice from the past enters proceedings suddenly but not jarringly on the album’s ninth track “Reminiscence”.For Foster, this domestic sphere appears to be a figurative space which is spiritual as well as physical. Domestic Sphere ends with the suitably titled “Sanctuary” but the preceding tracks Read more ...
Nick Hasted
May 1968. As France’s Fifth Republic shook, radical director Jean-Denis Bonan divided his time in the Paris streets between filming protests and the fictional hunt for a cross-dressing serial killer. A Woman Kills lay unfinished and forgotten till 2010, a rough-edged film maudit from a tumultuous time.Hélène Picard, “a runaway…[with] a penchant for homosexuality and violence”, is executed for the serial murder of prostitutes, yet the killings by a woman seem to continue. Her executioner Louis Guilbeau (Claude Merlin) meanwhile creepily romances beautiful policewoman Solange (Solange Pradel, Read more ...
Cheri Amour
Maybe you’ve heard the Native American parable about the two wolves. An old Cherokee’s grandson is grappling with internal tensions; self-hatred and self-aggrandising. For Phoebe Bridgers, one-third of indie supergroup boygenius (usually styled with no initial capital letter), this analogy sits at the heart of album standout ‘Not Strong Enough’. In it, the trio, completed by Lucy Dacus and Julien Baker, let out the divine line “Always an angel / Never a god,” adding a wry smile to the delivery.Subverting male hero worship is one of the (many) things that’s so refreshingly brilliant about a Read more ...
Joe Muggs
There’s something charmingly unassuming and humble about The Zombies. Nowadays their 1968 second album Odyssey and Oracle regularly figures in all time greatest albums lists, but it was a flop at the time and its reputation grew through a gradually snowballing cult status, and the band split soon after its release. Most of their existence, in fact, has been in this century, with Rod Argent and Colin Blundstone reviving the name in 2004 and staunchly putting in the legwork on the revival rock circuit ever since. If you ever see them talk, even now at knocking on 80, they are just seemingly Read more ...
Guy Oddy
1982 is only A Certain Ratio’s third album this century but it’s one that’s brimming with funky vibes that are more than enough to get anyone on their feet and dancing with a big smile – not that it doesn’t have plenty to say about the state of things in 2023 too. In fact, 1982 builds upon the band’s recent resurgence to such an extent that you might imagine that A Certain Ratio were a new act, not one that has been around for pushing 50 years.Not ones to stand still, the present line-up of Martin Moscrop, Donald Johnson and Jes Kerr have brought neo-soul singer Ellen Beth Abdi on board and, Read more ...
Saskia Baron
Last month’s Storyville: Sex on Screen (available on BBC iPlayer) was a slick, speedy (and repetitive) canter through the history of the sexual exploitation of women in Hollywood. It had star names like Jane Fonda, many references to the #MeToo movement, and praise for the new role of intimacy co-ordinators. It ended with a rallying call for women to take control of the camera and portray female erotic pleasure for themselves. Despite Sex on Screen taking us back to pre-cinema (Eadweard Muybridge) and acknowledging how erotically self-empowered Golden Age stars like Read more ...
Mark Kidel
This is an enchanting album which brings together four outstanding musicians, brilliant in their own right, but also adept at the kind of collaboration in which the whole is greater than the sum of the parts.The distinguished cellist Vincent Ségal – with roots as varied as can be imagined – has known how to bring out the excellent musicianship of the Malian kora-player Ballaké Sissoko, in a series of beautiful albums for the adventurous French label No Format, which has once again brought the two perfectly matched players together. They are joined by accordionist Vincent Peirani and Read more ...
Tim Cumming
Ten years ago, three leading young English folk musicians got together in a room and swapped some tunes – Rob Harbron, whose English concertina graced the likes of The Remnant Kings and Emily Portman’s albums; melodeon player Andy Cutting, a three-times winner of Radio 2’s Folk Musician of the Year; and former Bellowhead alumni and fellow Musician of the Year, fiddler Sam Sweeney.Together, they chose the name Leveret, a term for a young hare, and went on to record a set of ancient English tunes, including an epic, drone-tastic take of “The Abbots Bromley Horn Dance”, and went on to revive an Read more ...
Thomas H. Green
Compared to her peers, Lana del Rey is mightily prolific. This is her eighth album since her breakthough 11 years ago (her ninth in total). Her last album appeared 15 months ago. There’s still much she wants us to hear. Did You Know That There’s a Tunnel Under Ocean Blvd is an hour-and-a-quarter long. It sprawls. It could do with an edit, but as so often when talented musicians sprawl, there are also gems.The mood of the album is mostly built around stunningly deft piano, presumably from her usual keys person Byron Thomas. Many of the tracks are becalmed, delicate things. There’s a section of Read more ...
Joe Muggs
Depeche Mode’s Andy “Fletch” Fletcher, who died in May last year, was generally held to contribute to the dynamic of the band more than the music. The only member of the band without songwriting credits, his contribution as peacemaker and “tiebreaker” in creative decision-making was nonetheless so important that speculation was rife that fellow founders Martin Gore and Dave Gahan might not be able to continue without him.They have, though, and it seems the loss of their friend of over 40 years has spurred them on to work together well, and to an extra level of reflectiveness that really makes Read more ...
Thomas H. Green
There’s a disconnect on the third album by Brighton rockers Black Honey. The music is rousing post-grunge indie rock, tuneful, full of vim, but the lyrics speak of someone deeply troubled. The mood is, perhaps, best summed up by “Rock Bottom” which states, “Rock bottom – but the floor keeps dropping.” The whole album is mired in similar mind-strife.Singer Izzy Bee Phillips has said as much of the incongruously named A Fistful of Peaches, stating, “Most of this record is me trying to figure out where the line is between normal mental health and when you’re having breakdowns every day that then Read more ...