CDs/DVDs
peter.quinn
A recent Grammy nominee for his 2009 album Historicity, composer-pianist Vijay Iyer is one of an increasing number of young jazz artists who refuses to be corralled by genre. Iyer's work traverses a continuum that embraces everything from hip hop to orchestral music. Tirtha, his latest project, sees three great traditions seamlessly flowing into one another to create something vital and entirely personal.The album presents a fascinating three-way dialogue between jazz, Hindustani (north-Indian classical) and Carnatic (south-Indian classical) music. Also featuring tabla virtuoso Nitin Read more ...
graham.rickson
This month’s selection includes historical recordings by a neglected violinist and interesting interpretations of Brahms and Mahler. A notorious choral blockbuster works its insidious magic, and Australia’s best-known classical musician takes on Kipling. Two young pianists shine in very different repertoire, and orchestral fireworks are provided by a provincial French orchestra. Can a respected British conductor cast new light upon a staple of 20th-century British music? And what does one of the world’s scariest film scores sound like played by four people? Spiritual sustenance is Read more ...
Joe Muggs
This isn't an awful album. It even starts really well. The opener, “Four Letter Word”, comes pounding in with the sort of jackbooted psychedelic rock attitude that Oasis always promised and so rarely delivered. Add a swooshy noise and it could almost be early Hawkwind, so fried-synapse rock'n'roll is it. Then comes “Millionaire”, which if you heard it blind you might accept as a lost track by The La's, so timelessly, northernly tuneful is it. But sadly, inevitably, comes “The Roller”, with all its excruciating Lennonisms leaking all over the place: a track that slams the face of creativity Read more ...
bruce.dessau
It is a crowded market for primate reunions at the moment. In the same week that Davy Jones, Peter Tork and Micky Dolenz announced that they are hardnosing the highway again minus Mike Nesmith, the original line-up of eighties pop nuts The Blow Monkeys release an all-new album. While the former will no doubt opt for pure nostalgia on their forthcoming tour, the latter, led as ever by Dr Robert, aka Robert Howard, are rather more creative.On this follow-up to 2008's Devil's Tavern, the shiny pop soul of "Digging Your Scene" and "It Doesn't Have To Be This Way" is largely gone, replaced by a Read more ...
Thomas H. Green
There are a lot of fucks out there in popland at the moment. Holy Fuck! and Fuck Buttons are happily laying their brand of electonic-tinted drone-rock on the world and then there's Portland Oregon's Starfucker.
Veronica Lee
Another of Mike Leigh’s finely nuanced ensemble pieces features some of his repertory players - including Jim Broadbent, Lesley Manville and Ruth Sheen - who have developed their roles and dialogue in collaboration with the director. Those who, like me, find Leigh’s representations of working-class people in his films rather annoying will have no such qualms here as he is on home territory with a story about middle-class lives, for which he has deservedly been nominated at the upcoming Oscars for best original screenplay.Another Year is about a group of family and friends and spans four Read more ...
Thomas H. Green
Of all the multiple micro-genres that make up the obsessively over-defined world of electronica and dance music, perhaps the dullest has always been deep house. The very words conjur up images of soul boy oldsters who misrecall rave as a jazzual dinner party plod, or poncey clubs that are supposedly classy where no-one actually breaks a sweat on the dancefloor. That reputation is about to change drastically. Over the last couple of years a wave of labels, producers and DJs have taken cues from minimal techno and dragged deep house somewhere slow, subterranean, and ketamine psychedelic.Nicolas Read more ...
Graham Fuller
It’s difficult now to imagine Hollywood conceiving a one-two punch as ferocious as Elia Kazan’s A Face in the Crowd and Alexander Mackendrick’s Sweet Smell of Success, which were released a month apart in the summer of 1957. Their target was the absolute corruption of media figures who acquire untrammeled fame and power: Face’s coarse cracker-barrel philosopher “Lonesome” Rhodes (Andy Griffith), an ex-hobo who becomes a politically influential TV superstar; and Sweet Smell ’s monstrous Broadway gossip columnist J J Hunsecker (Burt Lancaster) whose Stalinesque sway has senators quaking at his Read more ...
graeme.thomson
It didn't take long for the back-to-the-barn modus operandi of bands like Bon Iver, Akron/Family, The Acorn and Fleet Foxes to descend, like a slow fall from A-minor to F, into something close to cliché: we're nowadays up to our horn-rimmed specs in beardy minstrel types peeling off into the backwoods to cook up their scratchy, mildly lysergic freak-folk-rock. Seattle’s Cave Singers live in the same neighbourhood, all right, though perhaps just a couple of miles down the track.The majority of the songs on their third album are circular and trance-like. The two supporting pillars are the Read more ...
Tom Birchenough
What a time of ferment of artistic revolution the 1920s were in the Soviet Union. Pioneering arts techniques overlapped for an all-too-brief period with the progressive ideology of communism. Alexander Dovzhenko’s Arsenal and Zvenigora were at the forefront of such trends, but as a Ukrainian his feelings about Moscow’s new leaps forward were ambiguous. Dovzhenko had a deep visual love for the old order, even while he celebrated the dynamism of the new.Dovzhenko’s 1930 film Earth is widely considered his classic, completing the loose silent “Ukrainian trilogy” that began with Zvenigora in Read more ...
Kieron Tyler
“Don’t pull your pants before I go down… Like the shotgun, I need an outcome, I'm your prostitute, you gonna get some”. The lyrics of “Get Some”, the first single from globetrotting Swedish popster Lykke Li’s second album, are unforgettable. The album itself, Wounded Rhymes, is pretty unforgettable too.Her first album, 2008’s Youth Novels, was great – quirky, electro-assisted rhythmic pop with wee hints of Toyah. But Wounded Rhymes is something else. What seemed tame is now wild, unleashed, closer to her whirlwind live persona. She’s said that the close-to two years of touring after Youth Read more ...
Jasper Rees
In films featuring computer whizzes, there is always a key scene in which, to illustrate the whizziness, a star actor bashes on a keyboard at implausible warp speed. The Social Network is the first major film to respond to the drama inherent in the internet boom. (What’s next? Google in China: the movie? Tehran: the Twitter Revolution?) But it’s one of The Social Network's unremarked attractions that a movie starring computers has no truck with fetishising geekery.As the cast and writer Aaron Sorkin bend over backwards to explain in the DVD extras, this is not a film about Facebook. It Read more ...