CDs/DVDs
fisun.guner
This remarkable 1988 adaptation of Carroll’s Alice’s Adventures in Wonderland opens with Alice addressing the audience. “This is a story for children,” she tells us, before adding a teasing note: “Perhaps.” And that “perhaps” is worth noting, for Jan Švankmajer’s Surrealist Alice is full of cruel and violent incident.Paring the story down and dispensing with many of its most memorable characters – the Duchess, the Mock Turtle and the Cheshire Cat among them – the story becomes a disturbing duel between Alice and the White Rabbit. We first encounter the creature not hurrying across the lawn, Read more ...
Adam Sweeting
The story goes that Eddie Vedder first picked up a ukulele in Hawaii in the mid-Nineties, since when the instrument has become his constant travelling companion and a handy songwriting tool. A whole album's worth of songs written on the funny little stringed thing might sound like he's pushing his luck, but in the event it's an effective way of presenting a simpler, more introspective side of Vedder, a million miles from the roar and bluster of Pearl Jam. Though having said that, it arrives in a sumptuously tooled hardback book package decorated with arty portraits and landscapes, which Read more ...
howard.male
The grit and the spirit of camaraderie make this an excellent album
What do you get when you cross a Swiss Cajun punk band with a London garage rockabilly band? Well, if it’s not a contrived record company manoeuvre, but instead came about because the two bands just happened to bump into each other at a festival and got along like a house on fire, you get a wonderfully organic, rough-edged party of an album which makes you suspect that the genre of Cajun punk garage rockabilly has always been with us.Perhaps part of this record’s success lies in the fact that both bands are only trios, so Hipbone Slim brought a double bass to the table, and Mama Rosin a Read more ...
Joe Muggs
'Philly ReGrooved 2': 'There has rarely been a better demonstration that when a formula ain't broke it doesn't need fixing'
This series of albums is the sound of one of the most epochally important producers in soul and dance music history reworking his magic. The closest analogy I can think of that non-dance music fans would appreciate is The Beatles' Love album in which George Martin went back to the master tapes and not so much remixed as recreated their work, but there is none of the whiff of superfluous tinkering here that that project had.Tom Moulton was one of the men who invented the 12-inch remix – not simply extending a song, but remaking it from the ground up with entirely new production styles and Read more ...
graham.rickson
Antonio Pappano delivers satisfying richness and brooding intensity
This Saturday we’ve a new recording of a famous Russian symphony played by an Italian orchestra under their London-based principal conductor. There’s a rare Shakespearean opera written in the 1950s by a Swiss master using a German text. And a Scottish composer celebrates his 60th birthday with an invigorating collection of piano and chamber works.Rory Boyle: Music for Solo Piano, Phaethon’s Dancing Lesson James Willshire (piano), Bartholdy Trio (Delphian) As a 12-year-old I sang in the first performance of Scottish composer Rory Boyle’s children’s opera Alfege. Dressed in grey tights and Read more ...
Kieron Tyler
'Taxi Zum Klo’: Bernd and Frank enjoy a night out at Berlin’s Queen’s Ball
Frank is a primary school teacher in Berlin. His pupils love him as he treats them as individuals rather than little pegs for fitting into holes. What they don’t know - and what Frank doesn’t advertise - is that he is gay. Their dictation homework is marked in the cubicle of a public toilet while Frank sits waiting to see what’ll pop through a glory hole. Taxi Zum Klo is explicit – extremely so – but it’s also a deadpan, matter-of-fact depiction of a carefree lifestyle. The subject of bans, seizures and cuts in the early Eighties, this is its first release on DVD. It’s also uncut.It’s obvious Read more ...
Jasper Rees
'Quid Pro Quo': Status Quo are now recording in Latin. Not much else has changed
After 29 studio albums, eight compilations, four live albums, amounting to a total of 41 at pretty much one for every year of their existence, the denimosaurus we know as Status Quo has issued a release the title of which is entirely, and for the first time ever, in Latin. Unless you count Quo (1974). Quid Pro Quo, one very much suspects, does not translate in Rossi-Parfitt speak as “this for that”. Indeed “quid” looks to be a reference to lucre, which the Quo have been raking in for what feels like centuries on an unvarying diet of three- and, when they can get away with it, two-chord Read more ...
Thomas H. Green
Why gripe about Lady Gaga? The biggest pop star on the planet is a surrealist fashion icon, fag hag hedonist, high school outsider, art pusher, sex kitten, New York hustler, tween-pop cartoon, and a whole lot more besides. What's not to like? Gaga combines freakhood with selling 68 million singles, 22 million albums, 31 million "like"s on Facebook, numero uno on Twitter and on and on. She is surely a far more exciting public figure than most of her competition put together?And so to the music. The new album doesn't pause for chirpy prepubescent summer romance like its predecessor; indeed, the Read more ...
david.cheal
A young outdoorsman is shimmying through a canyon in Utah when a boulder falls and pins him by his arm. He is trapped for 127 hours before he severs the arm with a blunt knife and makes his way out. It’s a compelling scenario, but there are two difficulties that might have presented themselves to any film-maker planning on making the true story of Aaron Ralston’s survival into a movie.First, there’s the Touching the Void problem: we know how it will end (in Touching the Void: he cut the rope! In 127 Hours: he cut the arm!). Whence will the narrative tension derive? And second, it’s a static Read more ...
Thomas H. Green
A couple of years ago Morton Valence appeared out of nowhere with a fan-financed concept album, Bob and Veronica Ride Again, full of plucky imagination, indie sweetness and Nancy Sinatra vibes. It arrived with a CD-sized novelette and had a faintly burlesque feel that spoke of the group's background as resident band at the Soho Theatre Arts Club. It was an unexpected treat and I'm happy to report that their new one is more than its match.Where they were a duo - of Robert Hacker Jessett and Anne Gilpin - they're now a proper band and their sound has become fuller as a result, relying less on Read more ...
emma.simmonds
With more claret than a blood bank and more skin than a nudist colony, True Blood is HBO at its most gleefully provocative. Unencumbered by the cerebral depth of The Sopranos, the social conscience of The Wire, or the historical obligations of Deadwood, it’s a two-backed beast of a TV show. That’s not to say it’s not smart or satirical, but from its opening credits it announces its dishonourable intentions as a gravelly voiced stranger croons, “I wanna do bad things with you.”Based on the novels by Charlaine Harris, True Blood is the televisual brainchild of Six Feet Under’s Alan Ball. It Read more ...
howard.male
When I saw Jim White perform at the Jazz Café a couple of weeks ago, he rather undersold his new album. But take no notice of the wilfully perverse Southern American singer-songwriter. Even if White appears to view this collection of songs for an adaptation of Sam Shepard’s play The Americans: Part 1: Lay of the Land as a bit of a side project, that doesn’t mean it’s not worthy of your attention. In fact, it might have actually benefited from not being over-worked in the way that a new album proper might have been.Without the overriding concern for making something self-consciously cohesive, Read more ...