CDs/DVDs
graham.rickson
A young American composer's work is showcased by a major label and doesn't disappoint. A classy British horn player enjoys teaming up with a pianist and a flautist. And an impressive cycle of 20th-century symphonies gets a welcome airing, thanks to a hard-working London orchestra and their principal conductor.Martinů: The Six Symphonies BBC Symphony Orchestra/Bělohlávek (Onyx)
Deep joy. There’s a lot of classical music which is justly neglected. But the Czech composer Bohuslav Martinů’s six symphonies are always worth hearing, and this cycle of performances was recorded live at the Barbican Read more ...
Russ Coffey
In 1989 when Lenny Kravitz released his debut Let Love Rule people complained that he had failed to quite master the Sixties influences that cut through it. They were wrong. That year it made Kravitz the most exciting black/white crossover artist since Prince. Since then, his path has been mainly a little more straightforward - maybe a little retro, but still consistently stirring. However with Black and White America Kravitz has again thumbed back through his Black-American songbook to find new styles with which to score his treatise on 21st-century race relations. Is it as good as Let Love Read more ...
Kieron Tyler
Although FW Murnau’s pre-America years will always be defined by 1922’s Nosferatu, he’d already racked up nine films in the preceding three years. He made his mark on Hollywood with the 1927 landmark Sunrise but, although being overshadowed by Nosferatu, his earlier German films reveal how he reached these points. Schloss Vogelöd (also known as The Haunted Castle) is a Murnau obscurity, a stately, atmospheric meditation from 1921 that’s capable of giving the willies.But they take a while manifesting themselves. The straightforward plot is drawn out. Every scene is a carefully staged set piece Read more ...
howard.male
I first heard Bahia-born Lucas Santtana on the best compilation of contemporary Brazilian music of the past couple of years, Oi! A nova musica Brasileira. His track “Hold Me In”, an acoustic slice of bossa nova, was a quiet interlude amonst all the dance, electronica and rock tracks. But it didn’t really give much indication of what an adventurous musical talent he might be.One curiously satisfying thing about this album is that one hardly notices which songs are sung in Portuguese and which in English (the divide is about 50/50), as focus is constantly being drawn to the sonically Read more ...
Nick Hasted
Portuguese auteur Pedro Costa’s Colossal Youth (2006) is a shadowy study in exile, set in and starring a Lisbon neighbourhood of Cape Verdean migrant workers. Ventura is the damaged, dignified old man who fills nearly every scene. With a lurching walk and disturbed, sad stare, dictating letters to relatives who no longer exist and lending an ear to the local heroin-addict mum he calls his daughter, he’s alienated yet loving. “The ceiling is full of spiders,” he imaginatively complains to a letting agent, as he refuses yet another pristine impersonal flat in the new block the neighbourhood is Read more ...
Kieron Tyler
There’s a strand of electro-assisted, dance-leaning French pop that’s captured the international consciousness. Phoenix and Justice are Grammy winners, while Air exemplify the cooler, more reflective end of it. The bands come from chi-chi burbs like Versailles or towns south of Paris, south of the Seine. And so it is for Housse de Racket, an outfit from Chaville, between Versailles and Paris. On the evidence of their second album, they’re potential border breakers.There’s a strand of electro-assisted, dance-leaning French pop that’s captured the international consciousness. Phoenix and Read more ...
Adam Sweeting
Hiatt's regular band play as if they're taking a road trip from Nashville to... well, California maybe, Hiatt's former home which he sings about eloquently on the wistful country-rocker "Adios to California". Despite its title, it's the Golden State that springs to mind once again when he sings "Detroit Made", a dust-raising automobile ode not a little reminiscent of Chuck Berry's "Promised Land" and its tale of a trip out west.Hiatt has some serious stuff in his sights too. He wrote "Down Around my Place" after freak flooding wreaked havoc in his home town of Nashville last year, and the Read more ...
bruce.dessau
First things first. Baxter Dury is the son of Ian Dury and from the moment Happy Soup kicks in with his cockney monotone on the ska-flecked "Isabel" there is no court in the land that would deny the vocal DNA. But that does not mean that Dury Junior's third album is disappointing. Happy Soup might lack the exquisite verbal gymnastics of his father's work, but it makes up for it with a gentle, electro wistfulness and a keen sense of yearning.Happy Soup is one of those quintessentially English pop gems that anyone who loves the holy trinity of The Kinks, Madness and Blur should immediately grab Read more ...
Kieron Tyler
Calling Grumbling Fur a supergroup would be pretty over the top, but the name does corral five distinctive musicians that usually follow their own paths. There’s a pair of Finns from the legendary drone outfit Circle and the challenging metallers Panic DHH. The three Brits include two members of the jazz-inclined experimentalists Guapo and the wyrd folk artist Alexander Tucker. The individual tracks on Furrier, this one-off collective’s album, were culled from a day-long improv jam held in south London. Jams are usually flabby excuses to show some chops, but Furrier is spartan and focused. Read more ...
Tom Birchenough
There’s something elemental in Elizabeth Mitchell and Brek Taylor’s Island – a small-scale British independent film that scores highly on performances and more than relishes the visuals of its setting.The landscapes, shot mainly on the Isle of Mull, are glorious, and speak for the mood of the film’s heroine Nikki (Natalie Press): the emotional undercurrents of the script seem as tempestuous as local nature, especially the surrounding sea. The directors don’t hurry to bring a trace of explanation to their story (based on the novel by Jane Rogers), but it gradually becomes apparent that this Read more ...
Joe Muggs
This series of supernatural dramas from the early 1980s is the sort of thing that could very easily be parodied – has been parodied, in fact, by everyone from Victoria Wood and French and Saunders to The League of Gentlemen and Garth Merenghi's Darkplace. Every shonky visual effect, every discordant stab of strings as the camera's point of view creeps up behind a character, every window that blows open extinguishing a candle: these are meat and potatoes to sketch writers, and this makes it hard to watch these episodes with a straight face... at first.Sit down and watch the episodes in full, Read more ...
Kieron Tyler
Bruce Springsteen and Krautrock might not seem obvious kin, but the second album from Philadelphia’s The War on Drugs brings them together. It’s not clear what’s coming as Slave Ambient opens, but this is a dizzying, audacious and supremely confident journey that marries the seemingly disparate.There is a precedent though. Finland’s intense and stellar post-Spacemen 3 trio Joensuu 1685 made Springsteen’s “I’m on Fire” their own, turning it into a slab of Neu/La Dusseldorf white-light intensity. The War on Drugs's main man Adam Granduciel is probably unaware of these Suomi shamen, and it’s Read more ...