CDs/DVDs
Jasper Rees
Chocolat, a film about chocolate addiction, was extremely sweet. Trainspotting, a film about drug addiction, was wired and hip. Shame, a film about sex addiction, assaults you with wave upon wave of tristesse.When Sarah Kent reviewed the theatrical release for theartsdesk, she found in it a stereotypical joyride secretly in love with the thing it deplores. Those aren’t the colours this male reviewer takes away from the fractured relationship between sex addict Brandon (Michael Fassbender), a pump-action Adonis running on emptiness, and his sister Sissy, a brittle, wandering chanteuse (Carey Read more ...
graeme.thomson
In the eight years since the fourth – and very possibly last - Blue Nile album, High, Paul Buchanan has seen his band disintegrate and a close friend die. Little wonder, then, that his solo debut is a reflective record. The most cinematic of bands, the Blue Nile's ravishing sound-pictures generally came in widescreen; Mid Air may be a more intimate, art house affair, but it is no less affecting.Mostly recorded in Buchanan’s Glasgow flat over the course of a couple of years, there's not much to it: 14 songs, as beautiful as they are brief, consisting of soft piano, the occasional daub of Read more ...
Thomas H. Green
In an on-point attempt to shake things up a bit, Artsdesk writer Joe Muggs suggested the new Squarepusher album should be reviewed by someone other than an old raver. There were, unfortunately, no takers so you’re stuck with me… an old raver. Then again, look on the bright side, look at this way - I’m fully qualified! Thus, although I cannot tell whether you’ll enjoy this if you wasted the last decade dredging slowly from The Strokes to Adele, if you revel in the sound of electronic trickery twisting your synapses inside out – wahay! – you’re home dry.Enough with the self-indugent intro, Read more ...
Adam Sweeting
In one of the DVD featurettes included here, Ewan McGregor puts his finger on what gives this movie its curious air of detachment. Director Steven Soderbergh, says McGregor, is "meticulous" and "like a surgeon", master of every detail from script to sound to shooting set-up. Thus, this story of female super-agent Mallory Kane (Gina Carano), betrayed by her handlers and now out on a remorseless quest for vengeance, is a sleek technical tour-de-force lacking a heart or any discernible emotions. Even a beefy cast (Antonio Banderas, Michaels Douglas and Fassbender, Bill Paxton and Channing Tatum Read more ...
bruce.dessau
If you are old enough to recall the heady excitement of running out of breath as you hurtled to the record store to buy a single on the day of release Words and Music by Saint Etienne will strike an instant chord. This deliciously melancholic concept album is a love letter to the manic pop thrill of music and the way it can overshadow everything and offer a means of emotional escape.As Sarah Cracknell dreamily sings on the statement-of-intent opening track "Over The Border", as a teenager she knew she should have been studying for her mocks but instead "just wanted to listen to Dexys, New Read more ...
theartsdesk
My Bloody Valentine: Isn’t Anything, Loveless, EPs 1988-1991Kieron TylerEach of these three CDs is essential. My Bloody Valentine’s 1988 Isn’t Anything and 1991’s Loveless were era-defining albums that time has done nothing to tarnish. The EPs they released around then are just as indispensable. But the world of My Bloody Valentine is as mysterious as their noise. Reissues were originally scheduled in 2008 and promo copies sent out. But nothing hit the shops. After that, the band began being seen live again, while main man Kevin Shields also cropped up playing with former Creation label mates Read more ...
Jasper Rees
In one productive week in the early Sixties, Willie Nelson wrote "Crazy", "Night Life" and "Funny How Time Slips Away”. In Heroes the original Outlaw has submitted three new songs, but also loyally budged up to make room for his composing son Lukas Nelson. Nelson Jnr may have inherited the quakey singing voice, but it’s going to take the 23-year-old nipper rather longer to knock out a trio of tunes quite so monumental. There are three of them here and, while earnest enough, melodically they don’t sit quite right on the old man’s larynx.Nelson will be 80 next year and continues to scratch away Read more ...
Lisa-Marie Ferla
As a teenager in the 1990s, there were two female-fronted bands that occupied my heart and my attention. Although I’d never have called Garbage my favourites, thanks to flame-haired Scottish frontwoman Shirley Manson it was fair to say that I felt more of a kinship towards them than many of their grungy contemporaries, so now Courtney Love’s blasphemous resurrection of the Hole name for Nobody’s Daughter in 2010 is a distant memory I’ll confess to having approached Not Your Kind Of People with far more enthusiasm than cynicism.“Blood For Poppies”, the first song to emerge from what amounts to Read more ...
Graham Fuller
Like many 20th-century Britons, the documentarist Humphrey Jennings was inspired to do his greatest work by World War Two. The crisis elicited not only his genius as a poetic propagandist but as an unofficial sociologist who demonstrated that the class struggle and ingrained cultural differences, if irresolvable, were not necessarily an impediment to the collective effort of beating Hitler.The films on the second of the BFI’s three DVDs of Jennings’s total output date from 1941-3 and describe an evolution from morale-boosting montages of primarliy static images (give or take the odd dolly or Read more ...
Kieron Tyler
Traction isn’t a very rock‘n’roll word, but sometimes it’s difficult to understand why one act achieves a hold where another doesn’t. So it is with Beach House. They are great, but so are – say – the similarly positioned and styled, but less-lauded, Papercuts. Who grabs ears isn’t predictable. Conversely, Beach House’s fourth album doesn’t deviate massively from how they’ve already defined themselves: misty, shoegazing-derived pop with melancholy melodies and distracted vocals. Resignation hangs heavy.The Baltimore-based duo of Alex Scally and Victoria Legrand (she's the niece of Michel) Read more ...
Thomas H. Green
One of my formative musical experiences, small but important, was tuning into John Peel’s late night Radio 1 show, early in the Eighties, and hearing …and the Native Hipsters’ “There Goes Concorde Again”. It was, quite simply, the weirdest “pop music” I’d ever heard – lo-fi, abstract and deranged, most of it consisting of a female voice, sounding funny-farm pie-eyed, repeatedly announcing, “Ooh look, there goes Concorde again”. It had a whiff of actual madness and, setting aside Guardian-style agonising over pop revelling in mental illness, to my junior self this was thrilling. It was also, Read more ...
Lisa-Marie Ferla
Any concerns that Best Coast might have abandoned the sun-kissed California scuzz-pop sound that made their 2010 debut, Crazy For You, such a runaway success are answered in its opening - and title - track. “So leave your coat behind / We’re gonna make it to the beach on time,” Bethany Cosentino sings, and I sigh from a rainy Glasgow attic and keep on waiting for summer.It’s a little simplistic to call The Only Place a rehash, so perhaps in deference to producer Jon Brion we could call it a sequel. The album is full of the things that have always made Best Coast great - short, simple songs Read more ...