CDs/DVDs
Kieron Tyler
“Hocus-pocus, mumbo-jumbo, black magic.” That about sums up The Devil Rides Out, Hammer’s fantastic adaptation of Denis Wheatley’s devils ‘n’ demons page-turner. If you’d seen it in on its release in July 1968, it would have been billed with Slave Girls, made by Hammer as an opportunity to recycle sets and costumes from One Million Years B.C. There was nothing cut-rate about the deadly serious The Devil Rides Out, a stylish dig into the wild wild world of Satanism.The Devil Rides Out was filmed between 7 August and 29 September 1967. It might have been the Summer of Love, but darkness was in Read more ...
Joe Muggs
Pop is a silly business in so many ways, but even so I don't think I ever imagined that when the year 2012 came, the globe's charts would be dominated by a dopey-looking middle-aged Frenchman and a lanky grouch from Dundee. But here we are, with a billion radios blasting a new, ramped up, amped up, obliteratingly popular kind of dance-pop, with David Guetta and Calvin Harris the new overlords, each with megastars on speed-dial.Where Guetta is the bland enthusiast, never less than 100 percent on-brand, Harris is a cantankerous sod and perpetual square peg, and that's maybe reflected in his Read more ...
Lisa-Marie Ferla
The concept album can be a tricky beast; Titus Andronicus’s 2010 epic The Monitor more so than most. How to follow up an album that loosely ties your frontman’s break-up to the American Civil War, complete with spoken-word interludes voiced by contemporary punk artists playing historical figures, in which rousing choruses bounce surprisingly out of 14-minute rock operas? The answer, as provided by Local Business, is that you don’t.Titus’s third full-length is instead probably as close to a straight-up rock record as they have in them, bearing in mind that we are talking about a band from Read more ...
theartsdesk
Peter Gabriel: So Russ Coffey In early 1986 Peter Gabriel was still the guy who used to be in Genesis. He may have released four solo albums, but had also done his best to keep them in the “cult” section of local stores. With So, however, his spell as a bona fide pop star began. The video for the lead single, “Sledgehammer”, with its iconic stop-motion animation would eventually become the most played ever on MTV. That was, in part, due to the brilliance of the guys at the Aardman studios. But it was also because the song is close to pop perfection.Now, 26 years later, comes a belated Read more ...
Mark Kidel
Year after year Kate Rusby, one of the undisputed stars of the British folk revival, turns out quality albums and even better live performances. Ten years ago she celebrated a decade in the business with a collection of re-recordings and unreleased material. Ten years on, she has put together a double CD that features a number of star collaborators and less well-known but equally talented friends and contains new versions of her favourite songs.The magic Rusby touch is characterised by a sweet and soft-toned vocal style and a heart-warming melancholy. It’s not by accident that the family Read more ...
Graham Fuller
Joseph H. Lewis’s The Big Combo (1955) isn’t as celebrated as Gun Crazy (1950), his other great film noir, but it’s as perverse and violent as anything in the canon. A vehicle for the husband-and-wife team of Cornel Wilde and Jean Wallace, it’s about a dogged plainclothesman, Leonard Diamond, who has spent three years following Susan Lowell, a masochistic socialite enmeshed with suavely sadistic Mob boss Mr. Brown (Richard Conte) whose organisation, the Combination, leaves no traces. Diamond thinks Susan will lead him to expose Brown – but, of course, he’s fallen obsessively in love with her Read more ...
peter.quinn
Possessing one of the most recognisable sounds in jazz, US trio The Bad Plus don’t so much subvert genre as wrap it up in a little parcel and put an incendiary device under it. Jazz, rock, pop, country and classical all get thrown into their inimitable blender, as typified by album opener “Pound for Pound”, which traces a musical journey from Satie-like simplicity to an all-out rhapsodic assault on the senses.“Seven Minute Mind” mines the trio’s characteristic embracing of minimalism, with piano and bass pounding out an aggressive, slightly crazed, ostinato before pianist Ethan Iverson peels Read more ...
Kieron Tyler
The songs are instantly recognisable. Bacharach & David’s “Don’t Make Me Over” “There's Always Something There to Remind me”, “I Say a Little Prayer” and “Make it Easy on Yourself” will always be evocative. So will Dionne Warwick’s voice, though it’s huskier these days. Now sits the old alongside a brace of new songs, two by Burt Bacharach and one with a lyric by Hal David, the last he wrote.Another of the 50th anniversaries washing up right now was the impetus for Now. In this case, it’s been a half-century since the release of Warwick’s first single, “Don’t Make Me Over”. It must have Read more ...
Karen Krizanovich
It’s not often you get a sumptuous spectacle like Tim Burton’s Dark Shadows. Then again, it's not often 200-year-old vampire Barnabas Collins (Johnny Depp) returns to his brooding family mansion in Maine. Burton’s love of style over content transformed America's favourite horror soap of the 60s into a gem-like retro horror comedy that combines just the right hair with just the right wardrobe in just the right car. Storywise, though, it's a glossy mess soundtracked with pop hits from the 1970s (sticklers will note The Carpenters' "Top of the World" is from the wrong year)The cast is Read more ...
bruce.dessau
Poetry has a habit of colliding with rock'n'roll. Mick Jagger read some Shelley when the Stones played in Hyde Park in 1969. John Cooper Clarke's speedball delivery lit up the late Seventies and helped to inspire comedy poet John Hegley and the ranting punk scene of the Eighties. Lest we forget there was also the cod-Byronic Murray Lachlan Young who, legend has it, signed to EMI for a million-pound advance in 1996, but if he did he hardly shifted the units to justify the cheque. Poetry and rock can clearly be cosy bedfellows, but unmitigated successes are rarer than rhymes for the word " Read more ...
peter.quinn
Surprising transitions, unusual segues, a myriad of I-wasn't-expecting-that moments. Saluting some of the iconic figures in Caribbean history and paying tribute to the tentacular reach of its culture, with House of Legends Courtney Pine has delivered one of the finest albums in his already well-stuffed discography.While his previous album Europa focused on the woody timbre of the bass clarinet, his fifteenth studio album features the plangent tones of the soprano sax exclusively, heard at the outset in a virtuosic flourish that announces a heart-wrenching ballad composed in memory of Stephen Read more ...
theartsdesk
John Carpenter: Halloween II/Halloween IIIKieron TylerPeople celebrate Halloween in different ways, but the arrival of these reissues of the soundtrack music to two John Carpenter horror films is enough to put pumpkins, cut-out bats and capes in the shade. Both are landmarks in using electronic music for cinema, and both are a great, spooky listens. Even when divorced from the imagery.Carpenter had already worked with composer Alan Howarth on the music for Escape From New York (1978) and the pair reunited in 1981 to create a score for Halloween II. Howarth built the new music around Read more ...