CDs/DVDs
Mark Kidel
Tricky left Massive Attack, the Bristol collective who provided tbe soundtrack to many a shopping therapy expedition, and went on to make one of the greatest albums of the 1990s, Maxinquaye. He was never a purveyor of easy listening or trippy-hoppy background music. He delved much deeper, dredging through a family history of mixed race shenanigans, gangland violence and his own martyrdom as a victim of major respiratory and skin disease.It’s been over 16 years since the first album came out, and Tricky claims he has returned to form with False Idols, after a number of rarely better than Read more ...
Joe Muggs
It took nine years between the first and second instalments of this series, and another 22 years to make the third. And that's one of the least strange things about this record. The production team of B.E.F. (aka Human League / Heaven 17 members Martyn Ware and Ian Craig Marsh) have dedicated themselves to unusual cover versions, in the past featuring guest vocalists from Gary Glitter to Tina Turner to Paula Yates, and they are still on a mission to rework classic songs in a high-gloss 1980s pop style with very peculiar results indeed.There are a lot of high points here. Sandie Shaw yelps her Read more ...
Thomas H. Green
Stooshe are a manufactured London girl band. They were put together a couple of years ago by shrewd ex-girl-bander Jo Perry, a self-made London studio engineer and a songwriter for, among others, Peter Andre. Despite this prosaic, business-savvy backstory Stooshe emanate a sass that’s likeable. Unlike, say, Little Mix, there’s a certain garrulous, sweary bounce to them, a sense that perhaps they really are friends and really are having fun. On top of this, the influence of their (comparatively) easygoing attitude to body shape and appearance in a teen/tween market overrun with homogenized Read more ...
Mark Kidel
“Chronicle of a Summer” (“Chronique d’un été”) is one of the great documentaries of all time – and a work that could only have been made in France, home of the immensely influential Cahiers du cinéma and the constant ferment of speculation on the nature of film. The BFI’s release of the 1960 classic by Jean Rouch and Edgar Morin couldn't be more timely: documentary flourishes today as at no other time in the history of cinema and attracts some of the world's best film-makers.The realm of non-fiction cinema, first explored by the Russian avant-garde pioneer Dziga Vertov in the 1920s, is free Read more ...
Kieron Tyler
Scott Walker: The Collection 1967-1970Few pop records possess a beauty taking them into the otherworldly, inexplicable realm where it’s impossible to understand the magic which coalesced in their creation. The Four Tops’ “Seven Rooms of Gloom”, Joy Division’s “Atmosphere”, Billy Fury’s “Halfway to Paradise”, ABBA’s “Dancing Queen”, Suicide’s “Dream Baby Dream”, Sigur Rós’ "Hoppípolla”: all channel something other, rapturously embracing the listener.Another such is Scott Walker’s “Boy Child”, the string-bedded contemplation he wrote which closed side one of his fifth solo album, 1969’s Read more ...
peter.quinn
Jamie Cullum's sixth studio album is about as good a pop record as you'll hear all year. Newly signed to Island Records, the singer-songwriter has seemingly raided ideas from the entire history of pop music, such that low-fi vintage synth lines and jazzy piano breaks rub shoulders with heart-on-sleeve soul belters and subtle electronica. The kind of stylistic pluralism that directly reflects Cullum's own musical loves, in other words.The mash-up of opening salvo “The Same Things” is typical of the album as a whole, combining a deep, New Orleans-type rolling percussion groove with stacked up Read more ...
Graham Fuller
The first of the Dresden-born Robert Siodmak’s eight film noirs, Phantom Lady (1944) was adapted from a Cornell Woolrich novel that typically endows its heroine with traditional masculine energy and guile while rendering its hero impotent and passive.Her dynamic investigator-avenger is eventually compromised by her becoming prey to the killer who framed the man she loves. However, Siodmak’s focus on her drive and her brief donning of a femme fatale guise during the second act powerfully reflects the male anxieties about women’s perceived threat to the patriarchal order during the war years.In Read more ...
Joe Muggs
A wise man once said: DON'T BELIEVE THE HYPE. It's a simple concept, but it seems so very hard to grasp, even – or especially – in a supposedly media-savvy world. The oddest thing of all is that it seems to be the people who consider themselves the most resistant to, or able to rise above, hype campaigns who have been caught up the most in the frenzy around this album.I have been consistently boggled and slightly saddened by the number of people who should know better that I have seen tripping over themselves to explain how “bland” or “disappointing” or “derivative” or “cynical” or "shallow" Read more ...
Lisa-Marie Ferla
It is no hyperbole to say that The National have made some of my favourite albums of all time. In every case, it has never been a decision I have reached lightly, or quickly. Those first few listens, you’re merely aware that your heart beats a little faster when the band expertly hit certain emotional pressure points. It could be six months later before you realise why.2010’s High Violet marked a progression in the music of a band whose arrangements have always been the most remarkable thing about their work. Trouble Will Find Me is album number six and the music here is richer still, Read more ...
Thomas H. Green
Pop that summons the word “cute” has a tendency to nauseate. If executed with the correct ratio of candy to content, however, it may persuade. The Scandinavians have proved effective in this area and Jonas Angergård and Karolina Komstedt, from the south of Sweden, add to the region’s good stock. Their latest album sits somewhere between The Cardigans and St Etienne, a very conscious electro-pop tinge coming to the fore, especially on numbers such as the toy town hi-NRG of “Taking My Time”.The duo have been around for years and this is their eighth album. Angergård is also a member of mid- Read more ...
David Nice
Fans of this bewilderingly popular musical, and they are legion, will not be disappointed. Director Tom Hooper knows how to tell a fast-moving tale that makes light of the final running time (originally 158 minutes, slightly shorter in this DVD release, which offers no extras. Those who went to the film more than once will, I'm told, miss a couple of scenes). The lighting is appropriately lugubrious, most of the settings convincing – though occasionally there’s too much dependence on CGI – and famously the singing actors perform their numbers on set, often in long takes. Casting is strong, Read more ...
fisun.guner
Steve Martin has a number of strings to his bow: comedian, actor, playwright, novelist, screenwriter and – who knew? – banjo player. And if you need any convincing, his 2010 release The Crow: New Songs for the Five-String Banjo, won a Grammy for best bluegrass album.It’s in this capacity that he’s collaborated with Edie Brickell, formerly of The New Bohemians, with whom she had a major hit with single "What I Am" way back in 1988. Aside from raising a family, the intervening years have been quiet, but some off-radar musical collaborations include those with Harper Simon (she’s married Read more ...