CDs/DVDs
Thomas H. Green
Brighton band Squid are not in the business of straightforward. Combining jazz chops with a sensibility that’s at once post-punk, prog and avant-garde, their music is wilfully tricksy. Yet it does groove, upon occasion, it does funk. Tunes do pop in for a visit.Throughout their near-decade career, they’ve fired out some tasty off-the-wall cuts, from skronk-rock bangers to wigged-out alt-pop. Just check “Houseplants”, “The Narrator” or “Fugue (Bin Song)” for evidence. Their third album contains a couple of equally intriguing songs but whether it’s a wholesale listen will depend on the Squid- Read more ...
Kieron Tyler
Deep Below’s first track is titled “Hibernation.” “A winter breeze blows through my mind,” intones a colourless, dispirited male voice. The ensuing lyrics are similarly bleak. “Trying to warm myself with the memories you’ve left behind, Deep inside this hole bitterness consumes my soul, One day I might wake up but I know it won’t be today.”Musically, the setting for this despair unambiguously evokes The Cure – themselves recently reanimated with last year’s Songs Of A Lost World album – around the time of their 1980 to 1982 Seventeen Seconds, Faith and Pornography albums. Consequently, the Read more ...
Guy Oddy
It was only six months ago that Hifi Sean and David McAlmont released their Daylight album. A fine disc of summery dance pop that was enough to put the spring in anyone’s step.Now, however, it’s time for the comedown and its soundtrack, the considerably more laidback Twilight is already being touted by vocalist, David McAlmont as the duo at their best. A claim that is well worth taking seriously, rather than dismissing it as new release hype.Kicking off with a murmured “Daylight becomes twilight / Twilight becomes daylight”, courtesy of The Blessed Madonna, Twilight eases into existence with Read more ...
Joe Muggs
Is there such a thing as a boundary between pop and alternative any more? The presence of strange characters like Chappell Roan, Billie Eilish and Lola Young in the mega mainstream suggests not – and so does trajectory of Jessica Smyth aka Biig Piig.The Irish-born, Spanish-raised adopted Londoner came up through distinctly out-there artistic routes: as part of Lava La Rue’s NiNE8 collective, a diverse set of artists working across different media and touching on dance, rap, neo-soul and more, but held together by the very old school factor of physical proximity in shared studios. But the Read more ...
Nick Hasted
Kurosawa’s 1949 thriller probes post-war morality in a Tokyo whose ruins and US occupation mostly remain just out of shot, in a heatwave causing mistakes and madness. The theft of callow detective Murakami (Toshiro Mifune)’s police pistol on a crowded trolleybus and his guilty hunt for what becomes a murder weapon provide the narrative, and sharp-featured young Mifune’s coiled performance, alternating mimed grace with feline fierceness, is the arrow carrying it to its bruising conclusion.Kurosawa and Mifune are still defined in the West by Rashomon and Seven Samurai, breakthrough Fifties Read more ...
Tom Carr
You could be easily forgiven for thinking that the young indie rockers, Inhaler, would stick to the formula that has already served them so well for album number three. The Dublin lads had soared to success with their first two albums, seeing them reach the top of the UK and Ireland album charts with their 2021 debut It Won’t Always Be Like This, followed by number two on the charts with their sophomore album Cuts & Bruises in 2023.But there has been no sign of any laurel-resting, and the group return with their third album with a clear sign of willingness to both refine and expand their Read more ...
Ellie Roberts
Tireless rockers Guided By Voices confidently play with sound throughout Universe Room, their eighteenth album in 10 years. Experimental in nature, it consists of 17 short tracks that take you through a non-cohesive sonic journey. It’s fun to listen to but it has obvious highlights.Opening track “Driving Time” introduces the concept of Universe Room with a chaotic mix of instruments and unidentified sounds against descriptive lyrics. The varied approach continues throughout and includes instrumental tracks, Beatles-esque Pop moments, spacey, progressive Rock, and an overarching commitment to Read more ...
Thomas H. Green
The Weeknd is a global megastar, one of the biggest music sensations of the age. Last year, his compilation, The Highlights, was the second best-selling album in the world, and he has 27 songs with over a billion streams on Spotify, which is a record. His latest album is the third part of a trilogy which started, back in 2020 with After Hours. Unfortunately, where that, and its sequel, Dawn FM, were vibrant, contagious, catchy electronic pop, Hurry Up Tomorrow, is morose, lacking tunes and, boy, does it go on and on.There’s a fair bit worth listening to but, at almost an hour-and-a-half long Read more ...
Joe Muggs
When you’ve achieved the truly sublime, trying to recapture it can be bittersweet. Cymande, for the mere three years they existed in the early 1970s, were one of the very best bands on the planet: a unique mixture of Rasta spirituality and African-inspired percussion with Curtis Mayfield conscious funk plus a particularly British melancholy and melodic hooks for days. It got them a brief flush of fame in the US, but nothing at home and they broke up disillusioned, before being gradually revivified by getting sampled by the biggest names in hip hop.Since the 1990s, they have reformed in Read more ...
Guy Oddy
Somewhat astoundingly, The Purple Bird is Will Oldham’s album number 21 using his Bonnie “Prince” Billy alias. A fine set of alt country tunes, recorded in Nashville and largely co-written with producer David Ferguson, it also happily suggests that he’s nowhere near the end of his creative journey.Despite many of these tunes being previewed during his headline set at last summer’s Supersonic Festival, this album is not one that has much in common with the likes of Melt Banana, Gazelle Twin or many of the other noise terrorists and experimentalists that normally show their faces there. But Read more ...
Kathryn Reilly
If I’d listened to this blind, I would have absolutely no idea who it was by. This isn’t the voice I remember on those Spandau backing tracks. In fact, it’s a sound straight from mid-80s soft rock. If that makes you feel queasy, step away now.Apparently Gary, like the rest of us, has been having a bit of a rough time. The pandemic, doomscrolling the news, the sudden realisation he hadn’t properly mourned his parents – all of this built up to an episode of anxiety and self-doubt. You’d expect the man that written some of the most popular pop songs of all time (selling more than 25 million Read more ...
Sebastian Scotney
Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this November, is courteous and genial in person – I interviewed him in Montreal a couple of years ago – but is also, patently, a superstar.In his new, 13-track album, The Summer Portraits (Decca Records), he has nostalgic and personal stories to tell. The annual break from school in the Sixties would stretch out from early June right into the beginning of September, so “Punta Bianca” captures the kind of dolcefarniente, spaciousness one might expect. Read more ...