Album: Tami Neilson - Neon Cowgirl

New Zealand country queen's latest chimes with America's heartland bars and highways

Tami Neilson’s career is long and storied. The short version is that she began with a 1990s Canadian family band (opening for Kitty Wells, aged 10!), moved to New Zealand and became a country star there, then, over the last decade, has been “discovered by" and worked with all manner of US artists, ranging from Ashley McBryde to Willie Nelson. Her latest album is named in honour of the signage on Nashville Broadway, “the patron saint of heartbreak in downtown”, as she puts it. Less cheekily characterful than her output of recent years, it still has much to recommend it.

Where her last album, Kingmaker, was an object lesson in reinventing country to a feminist-percussive template, Neon Cowgirl, influenced by an extended US road trip, offers a steadier diet, mainly in variations of two styles. One is florid, old-fashioned, string-swathed country, big in heart and sound, the other a ramped-up barroom rhythm’n’blues, akin to Larkin Poe having a crack at Stax Records back catalogue. There are also twangy intimations of the Wanda Jackson-esque person Neilson adopted for 2020’s Chickaboom!.

Neon Cowgirl opens with “Foolish Heart”, a gigantic, lush ballad, then moves straight into “Salvation Mountain”, which has a ZZ Top-esque groove. Bluesy stompers such as the banjo-pickin’, call’n’response of “Borrow My Boots”” or the raucous “U-Haul Blues” (the latter possibly about her times on the road with The Neilsons as a child) would likely send venues wild in concert, but it’s the slower, smokier fare that stands out on record.

Songs in this category include the solidly tears-in-my-beer “One Less Heart”, the reverbed piano slowie about motherhood, “Loneliness of Love”, and the title track, a duet with Neil Finn of Crowded House. But best in this vein are the cinematic American gothic of “Keep On” and the twangin’ chug of “You're Gonna Fall”, another duet, this time with JD McPherson. The latter is a stand-out, redolent of Lee Hazlewood and Nancy Sinatra.

Overall, Neon Cowgirl is a likeable album which plays it broad rather than quirky, and hits enough highs along the way.

Below: Watch the video for the title track of Tami Neilson's Neon Cowgirl album, featuring Neil Finn of Crowded House

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The bluesy stompers would likely send venues wild in concert, but it’s the slower, smokier fare that stands out on record

rating

3

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Young composer and esoteric veteran achieve alchemical reaction in endless reverberations
Two hours of backwards-somersaults and British accents in a confetti-drenched spectacle
The Denton, Texas sextet fashions a career milestone
The return of the artist formerly known as Terence Trent D’Arby
Contagious yarns of lust and nightlife adventure from new pop minx
Exhaustive box set dedicated to the album which moved forward from the ‘Space Ritual’ era
Hauntingly beautiful, this is a sombre slow burn, shifting steadily through gradients
A charming and distinctive voice stifled by generic production