Features
Sam Mills
On Wednesday I will strap on a guitar and take the stage at the Royal Festival Hall for the opening night of this year's Alchemy Festival. I am the musical director and happy accompanist to a line-up of spectacularly talented musicians, all with roots in different parts of the Indian subcontinent. As I write, visas are being stamped and air tickets finalised for 11 musicians flying in from India and Pakistan. I am part of the London contingent: Susheela Raman (pictured below right), whose concert this is, is a Tamil Londoner. Aref Durvesh, a longstanding colleague and the UK’s funkiest tabla Read more ...
Amanda Whittington
"Why write about Ruth Ellis?" It’s a question I’ve been asked many times in the run-up to The Thrill of Love and it’s a good one. I’d like to know the answer, too. Three years ago, I was commissioned by the New Vic Theatre in Newcastle-under-Lyme to write a play which I suspect is some 30 years in the making. I can trace its beginnings to the mid-Eighties, when I was 17 years old and on high-alert for the kind of gritty icons who graced the singles covers of The Smiths. I discovered Ruth Ellis at the cinema, played so vividly by Miranda Richardson in Dance with a Stranger. Read more ...
simon.broughton
"Multi-instrumentalist" is a catch-all phrase that usually means somebody who plays flute, clarinet, sax and perhaps a bit of guitar. When it comes to Stephan Micus, he’s a multi-instrumentalist of an altogether different calibre. He plays hundreds of instruments – he doesn’t know how many – which he’s collected and commissioned from all over the world.Micus, who has a rare London concert this month, has just released his 20th album on ECM, which puts him up there with Keith Jarrett as one of the label’s most prolific artists. But Micus’s art is of a totally different nature. While Jarrett Read more ...
Ismene Brown
Victims driven to death by the mob, women and men violently rutting in animal costumes, a black comedy about a snatched baby, a naked man dancing alone in his own fantasy - many and varied are the images in the nearly 200 danceworks created to the notorious Rite of Spring since its premiere exactly a century ago. Nothing created in performance art in the 100 years since has had so decisive an aftermath as this seismic work. Nothing has liberated creators from rules quite as emphatically as the uncategorisable theatre piece put before shocked audiences in Paris and London in the late Read more ...
Jasper Rees
It’s an instinct of curators to put the pieces back together, to reintroduce works of art which time and market forces have scattered to the four winds. In recent memory, exhibitions have reunited in one space all of Monet’s haystacks, Cézanne’s card players and, in the case of the National Gallery’s momentous Leonardo show, both versions of The Virgin on the Rocks. A new exhibition opened this week in Florence which takes the business of synthesis to the next level.The Florentine Renaissance – as implied by the name conferred on it by Burckhardt in The Civilization of the Renaissance in Read more ...
Jasper Rees
Richard Griffiths, who has died at the age of 65 from complications during heart surgery, will be remembered above all for three performances, two on screen and one onstage. In Withnail & I (1987), he embodied in Uncle Monty a predatory homosexual who, according to the film’s director Bruce Robinson, was based on Franco Zeffirelli. Many years later Griffiths found himself playing a character parked on the same spectrum in Alan Bennett’s The History Boys (2005). As Hector, the teacher with a roving mind and wandering hands, he bagged a notable brace of awards in the form of an Olivier and Read more ...
garth.cartwright
I've been to countless UK Womads yet have never before made it WOMAD Taranaki. Which is almost something to be ashamed about considering I'm a Kiwi. But this expat is never in the South Pacific mid-March. Until, that is, this year. The 11th New Zealand Womad is held in the small city of New Plymouth in Taranaki, a gorgeous West Coast hump in the central North Island. Mt Taranaki towers over the site - this beautiful mountain is often used as double for Mt Fuji, so sublime is its symmetery - and surfing beaches are 20 minutes walk away. The site - the Brooklands Bowl - is a vast park full of Read more ...
aleks.sierz
Legendary English playwright Edward Bond doesn’t often come to Malta, but when he does, he doesn’t suffer fools gladly. After the first performance of his Olly’s Prison — a stage version of the 1993 BBC television series — Bond takes the stage for a Q&A. Dr Paul Xuereb, who is the Mediterranean island’s premiere theatre critic, asks him: “Why are your plays so violent?” “They’re not violent,” replies Bond quietly. “Read the play.”Bond goes on to explain that Olly’s Prison, now enjoying a short run at Valletta’s St James Cavalier Theatre in a co-production between St James Cavalier Read more ...
Thembi Mutch
A crowd of men and younger women in full burkahs gathers, bewildered by the sight: an African woman, in West African “Mumu” (khaftan) and a covered head, playing Ghazals (Islamic calls to prayer). Accompanied by an acoustic guitar, a clear voice, sitting on a café terrazza, Nawal transports us: until it is broken. “How dare you use the name of Allah in a song?!” cries out a dishevelled street vendor, visibly upset. “But you use keyboards in your praise of Allah” she retorts calmly.It is 1pm, several hours before the Sauti Za Busara festival is about to begin. From the 12th-century Omani fort Read more ...
Kieron Tyler
The death today at age 82 of trumpeter Kenny Ball makes him the first of the big three chart regulars of Britain’s trad jazz boom to pass away. Both Acker Bilk and Chris Barber are still with us. It’s easily forgotten, but trad actually was bigger than The Beatles. In January 1963, just as the Liverpool quartet were issuing their second single, “Please Please Me”, Ball was on a sell-out bill at north London’s massive Alexandra Palace. Ball beat them to the US charts, hitting number two there in early 1962 with “Midnight in Moscow”.Trad isn’t cool, and probably wasn’t then. But it was massive Read more ...
mark.kidel
When I first approached John Adams with the idea of making a documentary about him, he gently but firmly turned me down: he had unequivocally bad memories of a film made a few years back, an uncomfortable ride with a director who thought nothing of editing a sequence in which John spoke about one piece, while a completely different one was being played to illustrate his comments. When John had objected, the director in question had dismissively refused to make any changes.I had come to John via other films, as often happens: a documentary about Bill Viola, The Eye of the Heart (2003) had led Read more ...
bruce.dessau
Suede, led by the arrestingly beautiful Brett Anderson, was one of the finest bands to come out of the UK in the first half of the 1990s. Their eponymous debut album, released in 1992, won the Mercury Music Prize. During the recording of the 1994 sequel Dog Man Star guitarist Bernard Butler left and the remaining members – Anderson, Mat Osman (bass) and Simon Gilbert (drums) and new recruits Richard Oakes (guitar) and Neil Codling (keyboards) never quite received the same critical acclaim, although 1996's Coming Up was their biggest selling album worldwide.The group disbanded in 2003 but Read more ...