Features
Debbi Lander
The emergence of digital both as a technology and a culture has fundamentally changed the world in which short film now exists. Now short film has public, industry and social value and its role and routes have fundamentally changed.Short film is one of the most creative art forms on Earth, a space for research and a format in which an artist can experiment, take risks, explore their craft and develop their cinematic vision. The Encounters Short Film and Animation Festival champion it as an art form, place for information communications and a talent development space. It’s a flexible, powerful Read more ...
Kieron Tyler
Tulegur Gangzi describes his music as “Mongolian grunge” and “nomad rock.” Thrashing at an acoustic guitar, the Inner-Mongolian troubadour is singing in the khomei style, the throat-singing which sounds part-gargle, drone and chant – or all three at once. His approach to the guitar is just as remarkable. With his left hand sliding up and down the neck, the open tunings he employs set up a sibilant plangence nodding to the trancey folk-rock of Stormcock Roy Harper. The slashing, descending guitar which kicks in near the close of Led Zeppelin’s “Stairway to Heaven” appears to also be in Read more ...
Kieron Tyler
The release of a restored version of 1974’s Immoral Tales on Blu-ray raises inevitable and unavoidable issues: whether the film is pornography, art or arty pornography. Then, there’s the matter of whether its director Walerian Borowczyk was a misogynist; an objectifier of women. Consideration of its qualities as a film can be lost in such debate.Borowczyk (1923-2006) was working to the directive of his producer, who suggested he make a film to capitalise on France’s newly relaxed censorship laws. This had the added benefit of also, via its nudity and sexual themes, hopefully attracting more Read more ...
Peter Culshaw
The Arts Desk is, astonishingly, five years old today. Launched on the numerically pleasing date 09/09/09, its survival and indeed thriving state is testament to the hard work, flair and critical nous of its contributors – a mixture of experienced writers and new writers we have brought on. We’ve also been supported by venues, festivals, PRs, record, film, theatre and arts companies who recognised and supported the value of what we have been doing, even as we have sometimes been rude about what they have been doing. Pioneering advertisers supported us when it was not clear in the early Read more ...
theartsdesk
To celebrate our fifth birthday, we offer you an insight into what you, the readers, have devoured in the greatest numbers across the various art forms in both reviews and features. Google Analytics has taught us a great deal about your reading habits, which we try to cater to while always remaining faithful to the original instincts which prompted us to found the site: to provide prompt and knowledgeable coverage of the arts, to be reliable and also provocative, to go deep where necessary or, if less so, skip lightly over the surface. We’re nothing without you lot. Thank you for reading us Read more ...
Veronica Lee
The traffic warning signs into Limerick City from Shannon Airport told their own story: first “Giant saga in progress”, then “City of Culture giant event”, followed by “Giant’s diversion”. Had Finn McCool made a return visit and started reciting ancient tales? No, but French street theatre company Royal de Luxe had come to town and Grandmother was walking the streets.In July the company took over Liverpool for a few days to tell a deeply moving First World War story based on a Pals' Regiment there. Grandma reappeared to tell a different tale on the streets of Ireland’s first ever City of Read more ...
fisun.guner
Age could not wither her, or so it appeared. Joan Rivers has died, aged 81. On her 80th birthday she told an interviewer she’d be celebrating with her eightieth face. Her caustic humour could leave your nerves jangling, but she was the butt of it as often as anyone was. And in the field of cosmetic surgery you could almost call her a lone pioneer, of sorts, for what other American celebrity has ever been as candid about going under the knife? Nothing – not her face, nor her husband’s suicide in 1987, and certainly not the Holocaust or 9/11 – seemed to be off-limits for Rivers. Rivers was Read more ...
Matt Wolf
A pair of Oscar hopefuls that take wildly divergent perspectives on World War II were confirmed today as the opening and closing night films of the 58th annual BFI London Film Festival, running 8-19 October at a range of venues across the capital.Proceedings will kick off with the European premiere of The Imitation Game, starring recent Emmy winner Benedict Cumberbatch as the gay code-breaker Alan Turing, and will close 11 days later with a second European premiere – this one of Fury, with the film’s executive producer Brad Pitt doubling as star in his role as a battle-hardened army sergeant Read more ...
fisun.guner
The crusty old Scottish artist Ian Hamilton Finlay died in 2006, but there’s a new art work by him at this year’s Folkestone Triennial. You won’t be able to see it with the naked eye, but you can through a pair of binoculars. If you peer through a viewing tower from Folkestone’s disused Harbour Pier you’ll see one of Finlay’s enigmatic phrases come into focus: “WEATHER IS A THIRD TO PLACE AND TIME”. The words are written on the grey façade of a lighthouse in that gorgeous shade of midnight blue the artist favoured. The work was realised in collaboration with Finlay’s estate, and though I Read more ...
Tim Cumming
In Budapest, when your building turns a century old, you’re invited to be part of Budapest 100, a city-wide birthday celebration-cum-open-house invitation. It’s a direct way of experiencing the applied, lived-in artistry of the city, past and present. The absent friend’s apartment I’m writing this from was built in 1913, in Ferencváros, the city’s 9th District, in what was then a working-class area, home to the city’s biggest football team, and one of the flashpoints of the 1956 uprising against the Soviets. I’m a few blocks down Mester Utca on the south side of Pest, a half-hour walk Read more ...
Nick Hasted
Richard Attenborough made himself known to the British public as a shark-eyed, snivelling psychopath. Pinkie, the teen gangster he portrayed in the Boulting Brothers’ 1947 film of Graham Greene’s Brighton Rock, chilled with his lack of empathy, even to the angelic girlfriend he means to betray in the most vicious way (watch a clip below). He is a predator of Brighton’s seedy, damp backstreets, a manipulator and coward. As the world came to know over the next 65 years, these qualities were the opposite of the man playing him.Attenborough played a broad range of characters in the Fifties and Read more ...
alexandra.coghlan
Mahler’s Sixth Symphony is dominated by the doleful clang of cowbells. They are an other-worldly intrusion into an otherwise familiar musical scene – unless you happen to be in Verbier, that is, in which case they are just another everyday part of the aural landscape. To hear this particular metallic clanging in its natural environment just before entering the concert hall and hearing its artificial twin, to walk out of the same concert hall into the same views that inspired Mahler to compose in the first place, is something unique to this glorious mountain-top festival.Classical music fans Read more ...