Features
David Kettle
It has felt like a strong year for the Edinburgh International Film Festival, even with new artistic director Mark Adams joining part-way through the programming process. And as the event sprinted towards its ever-denser conclusion – 17 "best of the fest" screenings of this year’s most in-demand films joined the already full programme for the event’s final day on Sunday 28 June – it was inevitably time to announce the festival’s award winners.Marielle Heller’s The Diary of a Teenage Girl (reviewed by Demetrios Matheou in his earlier round-up) took the best international feature film award, Read more ...
David Kettle
Ebb of Winter felt about right. It’s one of Peter Maxwell Davies’s most recent works, a yearning for the brightness and warmth of spring at the end of an Orcadian winter, written in 2013 for the Scottish Chamber Orchestra’s 40th anniversary. And it was given a welcome re-run (on the summer solstice, no less) as part of the Scottish Chamber Orchestra’s second concert at the St Magnus International Festival in Orkney, what must surely be Britain’s furthest-flung classical music celebration, founded back in 1977 by Maxwell Davies himself.But winter hadn’t quite ebbed enough: with blankets of Read more ...
Jasper Rees
Gruff Rhys has called it the Great Welsh Media Gang-Bang. This year everyone who is anyone (who can get funding) has hopped on a plane for Argentina to follow in the footsteps of the 150 Welsh men, women and children who emigrated to Patagonia 150 years ago – broadcasters, musicians, politicians, journalists, comedians.Meanwhile, back in Wales, the 150th anniversary has occasioned the first ever collaboration between Wales’s two national theatres: National Theatre Wales and its Welsh-language sibling Theatr Genedlaethol Cymru. The production is called {150} and it is the brainchild of Marc Read more ...
Demetrios Matheou
It’s a big deal when a film festival unveils a new artistic director. After all, this is the person who leads the selection of often hundreds of films, thereby shaping the style and tone of the festival. It’s a responsibility that can not only reflect but dictate patterns in filmmaking and viewing; and for specifically public events, such as the festivals in London and Edinburgh, the pleasure of thousands of people depends on getting it right.This is a terrific job to have, which is why there are some festival chiefs around the world, cineaste Sepp Blatters, who refuse to budge for years on Read more ...
David Nice
Earlier this year only black smoke came from the chimney of the Berliner Philharmoniker’s orchestral conclave: a new chief conductor to follow Sir Simon Rattle had not been decided upon. Rumours circulated that it could be many months, even a year, before the choice was made. Then, out of the blue as far as most of us outsiders were concerned, yesterday’s result arrived – and to most music-lovers in the UK, it might well be a “who”? Or rather, an initial exclamation of delight that the man who’s wrought wonders at the Royal Liverpool Philharmonic Orchestra, Vasily Petrenko, was the Read more ...
Graham Fuller
What happened to Harry Lime during the war that he slid into iniquity, or was he always a swine? What cracked in him so badly that he sold diluted penicillin that gave children meningitis? What rat-like instincts of survival prompted him to betray his Czech lover so that the Russians would evict her from Austria? And why did he summon the hapless Holly Martins from America to join his racket? Was it that he could rely on Holly to be dazzled and dominated by him, as he must have been 20 years before at school?These and other questions – comprising the mystery within the mystery – are left Read more ...
David Nice
Music-lovers outside Denmark will have come to know Carl Nielsen (1865-1931) through his shatteringly vital symphonies as one of the world-class greats, a figure of light, darkness and every human shade in between. For Danes it is different: since childhood, most have been singing at least a dozen of his simpler songs in community gatherings, probably without even knowing the name of the composer.The forthright, folk-square sentiments and the melodies that seem to have part of the Danish fabric for centuries are a part of the national heritage but haven’t travelled abroad. So the general Read more ...
David Kettle
The Cottier Chamber Project is coming to feel increasingly like Glasgow’s answer to the Proms. If the Proms took place in a former church high on shabby-chic charm, that is. And if they ran for just three weeks. And only covered chamber music.Okay, the comparison might not bear much scrutiny. But from a viewpoint near the beginning of the Cottier festival, with its profusion of events – two, three or more a day – stretching off seemingly into the distant future, plus its all-encompassing ensembles, performers and repertoire (Baroque, contemporary, opera, jazz, folk, even film and dance), it’s Read more ...
Matthew Wright
Like John Coltrane, Ornette Coleman, who died this week, was both a defining and divisive figure in jazz history. His highly individual and virtuosic playing and his development of a non-harmonic style of improvisation and composition have remained milestones in the development of modern jazz. Born in Fort Worth, Texas, and developing as a musician in a series of R&B bands in Los Angeles, he studied musical theory privately, initially meeting widespread ridicule whenever he proposed his novel techniques. He cut a dedicated if idiosyncratic figure for most of the 1950s, operating a Read more ...
Demetrios Matheou
Christopher Lee died this week, aged 93. It’s strange that an actor best known for horror films, for characters that were fiendish and diabolical, should be so cherished a part of the British cultural landscape. That fact speaks volumes for the charisma and charm, as well as craft of Lee’s performances, and for the intelligence, grace and wit of the man in person.He made his name in horror films – first as a terrifying monster to Peter Cushing’s Dr Frankenstein in The Curse of Frankenstein, then more elegantly as one of cinema’s definitive Draculas in 1957’s Horror of Dracula, returning to Read more ...
Jasper Rees
If the honours system is used to award deserving individuals, its other job is to provide an aspirational marker for the country as a whole. This, it tells us twice a year, is who we want to be: inclusive, non-sexist, colour-blind. From the look of the awards dished out in the arts for the Queen’s birthday honours list, in the summer of 2015 it looks very much as if we want to be a society which favours male privilege. Don’t hold the front page.So arise, then, Sir Van, Sir Lenny and, even if it’s only an honorary knighthood, Sir Kevin. There’s no arguing with any of these gongs. The great Read more ...
peter.quinn
Hosted by self-confessed jazz nut John Thomson, a.k.a. The Fast Show's “Jazz Club” presenter Louis Balfour, the winners of this year's Jazz FM Awards were announced on Wednesday evening in the atmospheric setting of the Great Halls at Vinopolis.Produced by Serious, the evening kicked off with a thrilling call to attention by the House Gospel Choir, before musician, producer and comedian Ian Shaw presented the first of 11 awards for Vocalist of the Year to the great Zara McFarlane. Noting a positive change in the jazz vocalist genre over the past three or four years, Shaw said that, rather Read more ...