Features
Amy Liptrot
In the same way that some chase the thrills of extreme sport, extreme art fans can now take the challenge of visiting this small art festival, which is uncompromising in terms of location, climate and content. Orkney as a whole has natural beauty, a rich history and a thriving cultural life, with a disproportionate number of artists compared to the size of the population. The prestigious and high-brow St Magnus Festival of arts, held each midsummer, is patronised by composer and isles resident Peter Maxwell Davies.However the Orkney "mainland", the largest island of the group and home to most Read more ...
ash.smyth
Mea culpa. I take it all back. Christoph Waltz can act, and like a dream. You know, that dream you have where Tarantino's favourite pantomime Nazi demonstrates his apparently incurable fixation on apple-based desserts, and then Kate Winslet yakks all over his shoes. In fact, in Roman Polanski's oddly flat Carnage, I'd go so far as to say that Waltz is the only one really pulling his weight. It may be, of course, that this is just a side-effect of Yasmina Reza's French play being shipped across the Atlantic; but when Reza's Parisian characters did spite, you got all spitey with them. Read more ...
Patricia Cumper
When I lived in the Caribbean in my twenties, one of the books I found at the bottom of the remaindered bin of Kingston’s largest book shop was Theatre of the Absurd by Martin Esslin. I read it without any real sense of its context but there was something about its central idea that struck a chord with me. Perhaps it was living in a society where death and violence were part of everyday life, perhaps it was my own rather bumbling efforts at understanding existentialism that made it remarkable. Esslin talked a great deal about Waiting for Godot. Nearly 20 years later I sat in a Read more ...
emma.simmonds
This Friday sees the release of James Watkins’ bloodcurdling adaptation of The Woman in Black, produced by the recently resurrected Hammer Films, who have risen like one of their macabre creations to torment us once more. With its old dark house spookiness and “bat out of hell” villainess, the screen incarnation of Eel Marsh House is suitably forbidding, but it’s only the latest in a long of line of diabolical dwellings where you reside at your peril and leave - only if you’re lucky - sanity surrendered and trousers browned. Buyer beware: these are the houses that drip blood.Every horror film Read more ...
Ismene Brown
Two hundred years ago in Durham taverns you could find men in wooden clogs clattering on the tables, with their mates pressing their ears to the underside of the surface. Meanwhile, at the other end of the world, African slaves with bare feet were shuffling on dirt with metal bottle caps held between their toes. Now picture a Mediterranean gypsy dancing of sorrow and pain with swirling shawls and angrily pounding heels. Three quite different scenes, different places, different eras, but all rooted in one human impulse, common the world over.Rhythm, in its expressive sense, has been quietly Read more ...
mark.hudson
Remember when you were out playing football with your mates, and your dad pulled up beside the pitch in a slightly too flashy car and told you it was time for tea or – even worse – tried to join in the game – and how you died inside. Actually, I don’t remember this Nick Hornbyesque scenario, having spent most of my childhood avoiding playing football, but I certainly recognise the sentiment. I recognised it again the other day when I dropped my 13 year old daughter at a party, and she said through gritted teeth as we were arriving, “Don’t say anything!” In other words, don’t upstage me, don’t Read more ...
ash.smyth
So, Birdsong is over, and for all the arts-crit ink spilled upon it I am still none the wiser vis-à-vis my three main points of concern. First: it is a truth universally acknowledged (I asked around) that the most memorable episode in the Faulks novel was the one about the blowjob. This scene was not so much absent from the TV version as, er... cunningly re-gendered. Why?! Second: there was, in the first few minutes of the "drama", a superfluous and sarky line (by a Frenchman, obviously) about modernist composers who can only work around four notes. Which was not Read more ...
graeme.thomson
Exactly three years ago, late in the morning of 29 January, 2009, the news began to circulate that John Martyn had died at the age of 60. I spent the following 24 hours or so talking to many of his cronies to help assemble a tribute feature for a music magazine. Chris Blackwell, the man who had signed him to Island in 1967, had just stepped off a plane in Jamaica. He sounded fuzzy and uncertain. He knew Martyn was dead but needed details. “What happened, I haven’t heard?” he asked. Pneumonia, I told him. “Ah, God, that’ll do you in.”Bert Jansch sounded even more doleful and lugubrious than Read more ...
ronald.bergan
The news that work is to begin in February on a major renovation of the 122-year-old Eiffel Tower reminds us that no other monument in the world, including the Statue of Liberty, the Houses of Parliament or the Coliseum, conjures up a city with such immediacy, and none with so much romance. According to Roland Barthes, “the Eiffel Tower is nothing but a place to visit. Its very emptiness marked it as a symbol, and the first symbol that it called to mind, by logical association, was inevitably that which one ‘visited’ at the same time as the tower, namely, the city of Paris. It is Paris by Read more ...
Lisa Dillon
I have never seen another Kate so I didn’t have any preconceived ideas about the role. I was incredibly excited to play this woman in a play which is regarded as so heavily misogynistic and very much a battle of the sexes - to make this Kate very specific and individual and not just a sweeping generalisation of what it is to be a “woman” living in a patriarchal society.How do you go about doing that? I do believe it’s in the play, that she is as much a victim of her own behaviour as she is of the society she lives in. She has to take responsibility for that. Nobody can exist in a patriarchal Read more ...
theartsdesk
The latest in the live events staged by theartsdesk aims to shed light on controversies and myths about the value and purpose of contemporary visual art. Taking place at the heart of the London Art Fair, where more than 100 galleries will present work this week, this double debate, chaired by our visual arts critic Fisun Güner, is the place to come and ask the tough questions about the relationship between artist and viewer.But What Does It Mean? considers how much we should take into account an artist’s intention. Is the viewer’s response more important than what, if anything, the artist Read more ...
Jasper Rees
Witnesses will have been puzzled. In a southern suburb of Paris, a group of maybe 16 figures trudge with purpose along the pavement at the witching hour of half past four in the morning. Some are carrying rucksacks. We are mostly male. Mostly tattooed. We loiter, attempting anonymity.In groups of five we are instructed to march across a main road, then slip furtively out of sight behind a low barrier. The grammar of the covert military operation is unmistakable, it occurs to me, as we scuttle into position and skulk behind the wall at this ungodly time before dawn. I look at the faces around Read more ...