Features
Charles Saumarez Smith
Since becoming Secretary and Chief Executive of the Royal Academy of Arts almost exactly five years ago, I have become increasingly interested in why it was established. In particular, I almost inevitably got interested in the so-called Laws which govern its operation as a binding constitution. When I started in post, Sir Nicholas Grimshaw, the then President, told me to sleep with the Laws under my pillow. At the time, I thought it was a joke. But, as time went by, I realised that he was deadly serious. At every meeting of the so-called General Assembly, which is when the Read more ...
theartsdesk
By day, Friar Alessandro Brustenghi lives and works in the Basilica of Santa Maria degli Angeli in Assisi. In his spare time, he works as a carpenter. But he also has a new career as, in the words of his producer Mike Hedges, “the next Italian tenor”. The fruits of his entry into Abbey Road’s recording studio is Voice from Assisi. You can listen here on theartsdesk to the entire album, exclusively until midnight on Thursday.Voice from Assisi consists of traditional and modern sacred songs, from Schubert’s Ave Maria and “Sancta Maria” from Cavalleria Rusticana and a recently discovered Read more ...
alexandra.coghlan
It’s Beethoven all right, but not as you know him. The scowl is there, and the broad heroic shoulders too, but the iconic tousled hair is glowing a rather unexpected shade of orange. A purple cloak sweeps down to the floor, setting off a jaunty pair of Elton John-style glasses and a leopard-print waistcoat.Wherever you go in Bonn during the 2012 Beethovenfest lifesize models of the city’s favourite son greet you, brooding out from inside shop windows, or posing casually (as casually as a bright green hulk-inspired mannequin can) on a street corner. Photos from previous years reveal a waxwork Read more ...
Steven Yates
Almaty may have lost its capital status to Astana in 1997, but this city of 1.6m inhabitants, about nine percent of the country's population, remains the commercial and cultural hub of Kazakhstan. The Eurasia Film Festival was first held here in 1998 with the support of the Filmmakers Union as a forum for movies from the CIS and Baltic countries. Though initially intended as an annual event, some years there hasn't been a festival at all - in 2009 it officially closed only to resume again in 2010. Prior to 2011 the program leaned heavily towards Central Asian films, but last year more Read more ...
theartsdesk
Nick Wheatfield’s surreal comedy Skeletons won the Michael Powell Award for best new British feature at the 2010 Edinburgh Film Festival, and deservedly so. An off-beat film combining British eccentricity with a high-concept hook, there is more than a touch of Beckett about the central characters, Davis and Bennett, played with oddball appeal by Andrew Buckley and Ed Gaughan. The former is small and ferret-like, the other huge and ginger, and together they trudge the countryside between assignments, quarrelling about professionalism and the moral merit of Rasputin v John Lennon. Read more ...
andy.morgan
The carriage swayed violently, sending a bottle of Perroni sliding across the Formica table top and into the quick hand of Malian guitarist Afel Bocoum. As we sped along, the sun sent flecks of light up the walls, across the ceiling, along the luggage racks and back down over assorted musicians who were sleeping, lounging, talking or playing music together in small groups. A green noise of trees and hedges blurred past our window, whilst barebacked hills seemed to stand completely still in the blue distance. The Africa Express was cruising through Dumfries and Galloway on its way to down to Read more ...
simon.broughton
During an orchestral rehearsal, it’s tense in a TV scanner at the best of times. A scanner is one of the huge vans parked outside the Royal Albert Hall with a wall of screens showing the shots from the cameras within. There’s a large huddle of BBC radio and television vans for the whole season. But there was another outside broadcast encampment on Saturday for the Last Night of the Proms, which was being broadcast in 3D for the first time. This is where all of us in the truck – members of the production team, technical experts, BBC executives - were wearing dark glasses to see the 3D image Read more ...
William Berger
Classical albums are seldom biographical, but Insomnia turned out to be a much more personal journey than I first realised. In the summer of 2010, I was a prize winner in the Ernst Haefliger Competition in Bern, Switzerland. Part of the award was a debut recital in the Lucerne International Festival the following year. The festival theme for 2011 was “Nacht”. That’s it; one tiny word that encompasses so much. How was an unknown artist, like myself, going to attract an audience to my song recital when they’d be more tempted by the likes of Véronique Gens singing “Nuit d’etoiles” and other Read more ...
fisun.guner
Last night, someone who’s never professionally held a camera won the prestigious Deutsche Börse Photography Prize at the Photographers’ Gallery. John Stezaker is a collagist. Since the Seventies he’s been slicing found photographic images, often of Hollywood stars, to make new composite images. His work, pleasingly old-fashioned both technically and aesthetically, harks back to the Dada/Surrealist collages and photomontages of figures such as Hannah Höch and Joseph Cornell. After decades working in relative obscurity Stezaker finally achieved wide recognition with his exhibition at the Read more ...
bella.todd
“There’re a lot of turds out there, ladies and gentlemen. But they’re not one of them.” It’s Friday afternoon in Larmer Tree Gardens, a wood-rimmed, laurel-trimmed, urn-decorated corner of Dorset, and thank yous are coming thick and fast for Bella Union, the indie label Simon Raymonde founded in 1997 with fellow Cocteau Twin Robin Guthrie. To celebrate their 15th birthday, the defenders of much that is beautiful, offbeat, meditative and plain meaningful in the world of music are curating the first day of the seventh End of the Road, the boutique festival dedicated to all that is beautiful, Read more ...
Kieron Tyler
The death of lyricist Hal David at 91 is a sad reminder that the golden age of a uniquely American approach to songwriting is getting further and further away. The Bacharach and David brand will last, as will classic songs like “Anyone Who Had a Heart”, “Don’t Make Me Over”, “Magic Moments”, “Raindrops Keep Fallin’ on my Head, “The Look of Love” and “Walk On By”. Yet David’s passing emphasises that although these compositions have a life of their own, they remain rooted in an era that becomes less and less tangible as the years pass.Of course, for David and his partner Burt Bacharach Read more ...
theartsdesk
Back in March theartsdesk reviewed the much anticipated debut album by 24-year-old Londoner Michael Kiwanuka, winner of the BBC’s Sound of 2012 poll and a man possessed of a voice not so much to be reckoned with as unconditionally surrendered to.A rich blending of old-school analogue soul influences – our critic Russ Coffey picked up on similarities to Bill Withers, Otis Redding and Gil Scott-Heron – and elements of folk, jazz and R&B, Home Again is a slow, smooth ride back to the Seventies. Retro, yes, and hardly ground-breaking, but full of beautifully crafted songs and a deep, enduring Read more ...