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sheila.johnston
Michael Deeley, the veteran British producer, has a theory about how the Academy Awards are decided (and he is eminently well-placed to know, having won the Best Picture Oscar for The Deer Hunter in 1979). "There are four bases upon which the average member decides his vote," according to Deeley, and Hollywood myth. "His first cast will always be for any picture with which he is connected, however remotely. If there is no such picture, then he will vote in a way to spoil the chances of any enemy he may have. Category three is that he will vote for a friend, irrespective of the quality of Read more ...
sheila.johnston
Hunter S Thompson always had one beady, sun-bespectacled eye on posterity. At 21, living in poverty in a remote cabin in the Catskills and toiling away at an autobiographical first novel, Prince Jellyfish (still unpublished), he would immodestly compare his own progress to that of F Scott Fitzgerald and Ernest Hemingway, two other writers who came late to public recognition.He kept files of self-portraits, which he took by setting the timer on his camera, and was even cataloguing photographs of the many empty rooms in which he had ever lived. An ardent letter-writer, he made carbon copies of Read more ...
Ismene Brown
In dance heaven, poor Agnes de Mille is resigned to being jostled by nobler colleagues. "Sprightly but peripheral" was her own assessment of her work, yet, with her 1942 ballet Rodeo and her musicals Oklahoma!, Carousel, Brigadoon and more, she invented a genre of popular stage dance that came to dominate the Western public's theatre-going for half the century.She swept away swans and fairies, and gave us new heroines: cowgirls. This was too folksy for the stern electors of modern dance or classical ballet, and yet, both then and now, debts are owed to Miss de Mille in high places. Antony Read more ...
robert.sandall
At first sight, it seems extraordinary that there has never been a serious biography dedicated to the Supremes before now. They achieved more than enough to deserve a shelf-ful. In their heyday from 1964 to 1969 America loved them to distraction: only Elvis and the Beatles bettered the 12 number ones the Supremes racked up on the Billboard Hot 100 chart. Their popularity with white audiences who had been raised on the Elvis principle – that it was OK for pop to sound black as long as the singers weren’t - rocked the mainstream on its axis.Black acts from the Four Tops to the Jackson 5 Read more ...