Film
anne.billson
These days Gérard Depardieu looks as though he wouldn't need much padding to play Obélix again. Though he continues to work with some of the biggest names in French cinema, it has been a while since he really surprised us, maybe because he's now such a familiar presence; in 2010 alone, he took on no less than five leading roles and a couple of walk-ons. Like Jean Gabin before him, he has come to symbolise an earthy sort of Frenchness, a hard-working man of the people (even if he does support Sarkozy) and, in the UK at least, a reliable signifier of the sort of quality cinema so beloved Read more ...
edward.seckerson
Dario Marianelli won an Oscar and a Golden Globe for his score for the movie Atonement, and his return to the theatre after a long absence as composer for the Young Vic's new production of Tennessee Williams's first big Broadway success, The Glass Menagerie, is hotly anticipated. In the rehearsal room he talks about the intricate process that marries music to drama, be it on celluloid or stage. He talks about what fires his imagination and how, for instance, a typewriter (in Atonement) or a piano (in Pride and Prejudice) might unlock the colour and character of a score.
Williams's plays - and Read more ...
Matt Wolf
Mike Leigh's Another Year traverses the four seasons beginning with spring, and yet the mood is autumnal throughout. People don't sunbathe or picnic or build bonfires or for the most part respond in any particular way to the passage of time. Instead, they nurse cups of tea, share (if they're lucky) in a cuddle, and bear out in varying ways the truth of a remark that gets voiced well into the film. "Life's not always kind, is it?" asks Gerri (Ruth Sheen), a gently spoken medical counsellor who knows that no reply is needed; the answer is on full, melancholic view all around her.At first, you Read more ...
Nick Hasted
Todd Phillips’s interest in road trips as a hook for 90 minutes of male bad behaviour continues with this virtual remake of Planes, Trains and Automobiles. For mismatched couple Steve Martin and John Candy, read Robert Downey Jr and Zach Galifianakis. “I despise you on a cellular level,” Downey Jr tells the latter, whose boundless stupidity directly causes him to be banned from plane travel by Homeland Security, battered by a wheelchair-bound Iraq veteran, have his arm broken in a car crash, shot (twice) and arrested by Mexican border guards. You can’t blame him.Phillips’s films are slowly Read more ...
anne.billson
By the standards of contemporary horror movies, Let Me In has several things going for it. It isn't about somebody being tortured to death, its leading characters aren't played by the usual vapid twentysomething actors pretending to be high-school students, and, by and large, it eschews some of the more tedious horror fads of our time, such as herky-jerky editing, or big "Boo!" musical cues designed to make you jump. Unfortunately, the Swedish film of which it's a remake - Let the Right One In - is one of the finest horror movies of the past 30 years, maybe even one of the best vampire movies Read more ...
Nick Hasted
Danny Boyle closed 2010’s London Film Festival, as he did 2008’s, and picked up a British Film Institute Fellowship to boot. His 127 Hours had at least one person I know covering her head with her coat during its already infamous auto-amputation-by-penknife scene, though it falls far short of Boyle’s previous triumph with Slumdog Millionaire. This hardly matters at a festival which, while derided by film journalists for its lack of global premieres, again gave Londoners like me two weeks to be lost in cinema.No one will start 127 Hours without knowing its true story. Aron Ralston is a 28-year Read more ...
edward.seckerson
John Wilson and the orchestra which bears his name created an absolute sensation at the 2009 Proms with their celebration of 75 years of MGM musicals. A total of 3.5 million people watched the broadcast live; countless more all over the world will relive the experience on DVD. Wilson has made a speciality of restoring and recreating great movie scores and presenting them in all their very particular glory in concert halls up and down the UK.He is about to embark upon a national tour of the now celebrated MGM Prom hitting Manchester, Gateshead, Glasgow, Birmingham, Cardiff, Bournemouth, and Read more ...
Matt Wolf
Americans are chastised, often wrongly, for possessing a scant sense of irony, so I mean it as no criticism whatsoever of The Kids Are All Right to point out that the title of Lisa Cholodenko's wonderful film is altogether un-ironic. In less caring or careful hands, or a not so fully empathic context, this might be a portrait of irretrievably damaged youth with the parents deemed responsible, of the sort that proliferates on the London stage. Instead, the movie embraces conflict and confusion, lustful impulses and our capacity to wound, all the while suggesting that life in its imperfections Read more ...
Nick Hasted
John Landis will always be loved for writing and directing An American Werewolf in London (1981), the definitive horror-comedy. That - and The Blues Brothers, and Trading Places - was reason enough for Simon Pegg and Andy Serkis to agree to star as 19th-century grave-robbers Burke and Hare in Landis’s first feature for 12 years. Pegg’s Spaced co-star Jessica Hynes (playing Hare’s slatternly wife), Sir Christopher Lee, Stephen Merchant and Ronnie Corbett are also among those queuing to work with the legendarily affable and energetic director. Burke and Hare won’t, sadly, recruit future Read more ...
alexandra.coghlan
This first feature from Swedish writer-director Ruben Östlund arrives heavy with awards, the seasoned and decorated product of film festivals across Europe. Brutal, quirky and elegantly self-conscious, it does little to challenge the trends that have recently made Swedish cinema (Let The Right One In, The Millennium Trilogy) such hot property. The title serves as agent provocateur for the action that follows: a fractured and wilful deconstruction of group dynamics, of the pressures and “victims” of the social collective.Two barely teenage girls (Linnea Cart-Lamy, Sara Eriksson) pose and pout Read more ...
Veronica Lee
RED has an interesting backstory: rather than being an adaptation of a novel, or the umpteenth reworking of a Hollywood formula, it has been adapted from the graphic novel of the same title by Warren Ellis, illustrated by Cully Hamner and published by the DC Comics stable. And its origins show in its slick editing, sly humour and original take on what is, let’s face it, hardly a fresh format. But where else can you see an action movie in which the youngest participant is well into his fifties?Bruce Willis is Frank Moses, a former black-ops specialist with the CIA, who is now retired and Read more ...
Veronica Lee
Verbatim drama, long established in theatre, has rarely been used in film. But director Clio Barnard uses the device to magnificent, and sometimes deliberately disjointing, effect in The Arbor, to tell the story of Bradford playwright Andrea Dunbar, who wrote The Arbor and Rita, Sue and Bob Too (made into a film in 1986) before she died at the age of 29 in 1990.Dunbar, one of eight children and the daughter of a violent drunk, had packed a lot into those 29 years - three children by three fathers, a number of failed relationships and a handful of plays - and who knows what her early talent Read more ...