Film
william.ward
In his home country, the release of the latest film by Nanni Moretti is always an event, all the more so in the case of We Have a Pope – a bittersweet psychological comedy with tinges of tragedy about a cardinal who is elected to the throne of St Peter, has a panic attack, and does a runner leaving the Catholic Church in crisis and the world media with a bonzer news story. It arrives a full five years after his last outing, Il caimano.A profound neurotic whose long-term relationship with psychoanalysis seems to have resolved little, but which has provided him with endless material for his Read more ...
emma.simmonds
As gentle and emotionally affecting as they come, Argentinian director Pablo Giorgelli’s feature debut is the tenderly told story of the burgeoning bond between a migrant mother and a slightly grizzled, taciturn trucker, which gingerly moots the possibility of romance. It’s a wise and disarming tale of hope and unspoken sadness which, though you’ll barely notice it doing so, will work its way right under your skin.In Las Acacias Germán de Silva (main image and below right with Hebe Duarte) plays Rubén, a gruff and withdrawn long-distance lorry driver. As a favour to his employer he has agreed Read more ...
Adam Sweeting
Connecticut-born Jules Dassin graduated from lightweight suspense and comedy fodder for MGM to pungent, location-based crime dramas, hitting his stride with Brute Force (1947) and The Naked City (1948), both included in this package. However, his upward trajectory was derailed after he was identified as a communist at the HUAC hearings. Producer Darryl Zanuck gave Dassin the script for Night and the City and dispatched him to London to shoot it, days before the Committee was due to grill the director. Then Dassin relocated to France, where he created the noir masterpiece - and the third Read more ...
Matt Wolf
It's tempting to say that Martin Scorsese's first so-called "family film" works like clockwork, except that the movie possesses considerably more soul than that statement suggests. What's more, it would help to be a clan of thoroughgoing cinéastes to tap entirely into its charms, as a director steeped in the history of his chosen medium takes us backwards in time towards the very origins of the art form he so reveres. Kids may love the sweep and scope of the visuals, many of them involving timepieces that whir and tick and hum, but Hugo at heart is an extended act of homage toward the miracle Read more ...
Adam Sweeting
John Carpenter's original The Thing from 1982 had punch, pace, shocks, horror, dramatic tension and Kurt Russell in the lead. It also had a great intro, with its scenes of an apparently blameless and photogenic husky being pursued across Antarctica by gunmen in a helicopter. How we cheered when the animal was saved. How we shouldn't have.It's indicative of the low calibre of this so-called "prequel" that Carpenter's opening now becomes a belated, tacked on ending, stopping (with slavish literal-mindedness) a few frames short of where Carpenter's film began. We learned in the previous movie Read more ...
Veronica Lee
There are times when one marvels that some films ever get the green light; whether it's difficult subject matter, unknown leads or first-time directors, they each have their own, different hurdles to cross with studios more interested in the bottom line than creating art. But with a film such as The Big Year, one wonders that it ever got made for different reasons - for despite its A-list stars, a director with a successful track record and an unusual (maybe even unique) storyline, it really is one that should never have got beyond the conference-call stage.It tells the story of three Read more ...
Jasper Rees
In 2006 the thatched house in Lymington on the Hampshire coast which had been the home of Ken Russell (b 1927) for 30 years burned down. All of the director’s original film scripts, including Women in Love, The Devils and Tommy, were destroyed. So was the bulk of the music collection which inspired him to make his groundbreaking films about composers in the 1960s. There is, however, one part of the Russell archive which has survived, for the simple reason that for 50 years it had never once been in his possession.In the 1950s, after giving up on a career as a dancer, Russell freelanced as a Read more ...