Film
graham.rickson
Where to start with Les Demoiselles de Rochefort? Begin with director Jacques Demy’s technical brilliance: the opening minutes are eye-popping, and even feature a transporter bridge. Teesiders, take note. La La Land's beginning is nifty, but Demy got there first. Then watch the camera swoop up from the main square after the “Arrivée des camionneurs”, straight through an open window and into the ballet studio run by the Garnier sisters. Demy features Rochefort as an uncredited extra, production designer Bernard Evein even repainting much of the town centre. The streets and shutters Read more ...
Tom Baily
A documentary about celebration, fellowship, and the comforting afterglow of cherished memories. What better way to spend a cold late-Autumn evening? Such is the effect of this charming, low-key investigation into the story of Scotch. Rich with personal stories, The Amber Light studies whisky via social history: how and why the golden dram has brought people together.Water, barley, yeast, a boiler and a barrel. Most of us know the basics of how whisky is made (the film devotes about 30 seconds to reminding us), but how and why did it originate? Director Adam Park teams with writer Dave Broom Read more ...
Graham Fuller
John Huston’s film of Herman Melville’s Moby-Dick; or, The Whale (1851) is a conundrum.Despite below-par blue screen work, it’s a fantastic achievement in terms of re-creating the unequal combat of Captain Ahab's Crew vs. Great White Sperm Whale, especially the three-day chase with which the author, anticipating The French Connection and Jaws, brought his literary behemoth to a climax. Did they really not have CGI in 1956?Gregory Peck’s Ahab is much better than the star himself thought: it has a Shakespearian resonance that suggests Peck wasn’t going to be outdone by Orson Welles (whose Read more ...
Matt Wolf
A defining chapter in American history is all but sold down river in Harriet, director Kasi Lemmons' tubthumpingly banal film about the extraordinary bravery and courage of the American freedom fighter, Harriet Tubman. Telling the same story more expansively chronicled several decades ago in a Cicely Tyson-led American mini-series, Harriet casts the diminutive yet mighty English actress Cynthia Erivo in the title role without seeming to know quite how to use her. In context, it comes as a relief when a performer who shot to fame (and won a Tony) on Broadway in The Color Purple gets to belt Read more ...
Owen Richards
Ophelia is one of Shakespeare’s most iconic yet underdeveloped dramatic roles. A sweet and naïve girl, she’s driven mad by Hamlet’s wavering affections and her father’s death. She was often the subject of paintings, yet rarely of novels until the 21st century. Ophelia, starring Daisy Ridley, is an adaptation of Lisa Klein’s 2006 book of the same name, and does a valiant job at not only filling in the blanks but bringing some flair of its own.Ophelia is a precocious child of the Danish court, handpicked by Queen Gertrude (Naomi Watts, pictured below right) to join her ladies-in-waiting. She Read more ...
Markie Robson-Scott
The pink, turquoise and orange world of Greener Grass is a riot of derangement. Here is the suburban dream gone haywire, where, out of politeness, a woman gives her baby to her friend because she admires it. Every adult wears braces, hair bleeds when you get it cut and a boy turns into a golden retriever (his father is delighted – at last he’s willing to run for the ball).There are echoes of The Truman Show, Stepford Wives and Desperate Housewives, even Dean Spanley, but Greener Grass is its own brand of surreal Americana, with a slice of Saturday Night Live thrown in. This is Jocelyn Read more ...
Joseph Walsh
Professor Punch (Damon Herriman) was once famed throughout the lands as a masterful puppeteer, performing shows night after night with his dutiful wife Judy (Mia Wasikowska). Now, they have been relegated to the provinces. Specifically, the backwash of Seaside, Judy’s hometown far from the coast (as the prologue informs us), where they are raising their baby. They live amidst the daily stoning of presumed witches, and the paranoid grumblings of the small-minded citizenry. As odd couples go, they couldn’t be less well-suited. Punch is a philandering alcoholic with a short-fused temper. Judy on Read more ...
Demetrios Matheou
Frozen is possibly the most beloved Disney movie since the studio rediscovered its mojo in the 1990s. While picking up a couple of Oscars and laying waste to box office records, it had young girls immersing themselves in favourite characters and performing the songs on a dime.A sequel to that 2013 film was inevitable. And so with the same production team, composers and stars, we’re returning to Arendelle and its two royal sisters – one with magical powers, the other some good old-fashioned gumption, who make a formidable team when they’re not immersed in sibling squabbles. But Read more ...
Negar Esfandiary
Permission tells the story of Afrooz, the captain of Iran's National Futsal Team, who is stopped from joining her team at the Asia Cup Final because of the last minute whim of her estranged husband. It is based on Iranian football player Niloufar Ardalan, who in 2015 missed the Iran v Japan final of the Asia Games in Malaysia when her sports journalist husband Mahdi Toutounchi, enforced the right given to him by Islamic shar'ia law to prevent her from leaving the country.This second feature from director Soheil Beiraghi, described in his own Read more ...
Adam Sweeting
Thanks to a powerful cast and crisp direction from Brian Kirk (Game of Thrones, Luther), 21 Bridges drives home its story of good cops, bad cops and a Big Apple rotten to the core with bulldozing force. Centre stage is Chadwick Boseman as Andre Davis, a detective renowned for showing bad guys no mercy. His record of shooting an alarming tally of felons has earned him a grilling by Internal Affairs, but Cool Hand Andre insists every killing was justified. Like his ailing old mother tells him, “you got to look the devil in the eye.”The son of a dedicated policeman killed in the line of duty, Read more ...
Owen Richards
Ophelia is one of Shakespeare's most enduring characters in both literature and art, and yet her part in Hamlet is limited to few lines and fewer motivations. Based on Lisa Klein's novel, the new film Ophelia challenges this interpretation. Daisy Ridley stars as the iconic maiden raising above the petty squabbles of flawed men. Director Claire McCarthy talks about bringing this new adaptation to screen.OWEN RICHARDS: How did you first become involved with Ophelia?CLAIRE MCCARTHY: The job came to me off the back of a film I made called The Turning, which has Rose Byrne in it, a wonderful Read more ...
Graham Fuller
A lumbering, barrel-chested hulk with a weirdly Ancient Egyptian wedge of hair, the eponymous clay monster of Paul Wegener and Carl Boese’s The Golem: How He Came Into the World compensates for his limited intelligence with brute strength and a dogged determination to see every task through, whether he’s doing the shopping for his household or supporting a collapsing palace by its beams. When the Golem bares his teeth, he’s terrifying – though the 1920 German film’s cultural resonance is the eeriest thing about it.Written by Wegener and Henrik Galeen (who also scripted FW Murnau's Read more ...