Features
tanika.gupta
On the first day of rehearsals for Out West at the Lyric Hammersmith in May, myself and fellow playwrights Roy Williams and Simon Stephens stood, masked up and lateral flow tested for Covid, and listened as the Lyric Hammersmith's artistic director Rachel O’Riordan welcomed us at the traditional theatrical “meet and greet".As I looked around the room at the producers, stage managers, sound, lighting, costume and set designers, and the communication and theatre staff, I was struck by the enormity of the moment. I’d missed this so much - for over a year! Rachel talked about how important it was Read more ...
caspar.gomez
INTERLUDE 1: INVALID CODE-AGEDDON6.45 PM on Saturday 22nd May and all is well. Like tens of thousands of others across the UK (or maybe even more?) my wall flatscreen is tuned to Glastonbury’s livestream. Prior to the event itself promos for Water Aid and the like roll by, the kind usually on the huge screens beside the Pyramid Stage at the festival.One of my usual Glastonbury compadres, Finetime, is round, the fridge is loaded with beers, posh bottles of Bordeaux breathe by the radiator. Finetime has made his patent fiery quesadillas, timed for the 7.00 PM start. We’re going to make a right Read more ...
Tim Cumming
It won’t be long now before concert halls and back rooms, arts centres and festival grounds fill with people again, and live music, undistanced, unmasked, and in your face, comes back to us. In expectation of this gradual reopening of the stage doors of perception, this round-up of recent, new and forthcoming music books surveys an artist roster disparate enough to grace the finest of festival bills.First up is Sam Lee’s Nightingale, a beautifully made hardback, packed with illustrations, facts, stories, lore, and more. While the focus here is avian song and the projective wonders of the Read more ...
David Nice
I only saw Christa Ludwig twice live in concert, but those appearances epitomise her incredible dramatic and vocal rage as well as her peerless artistry in everything she did. The first event was Schubert’s Winterreise with pianist Charles Spencer at the Southbank Centre, at a time when it was less common for women to take on the role of the heavy-hearted wayfarer: the intensity still resonates. The second time was when she played the one-buttocked, easily-assimilated Old Lady in Bernstein’s Candide, conducted by the composer in his last Barbican concerts: the joie de vivre went beyond the Read more ...
theartsdesk
Nearly a year has passed since George Floyd was killed by Minneapolis police on 25 May. Nearly 200 have passed since the birth of “blackface minstrelsy” as a performance mode: white actors applying racial prosthetics to perform and make a mockery of black characters. In Blackface, an essential history of this racist performance tradition, which examines its legacy as well as its origins, scholar-activist Ayanna Thompson lays bare the logic that links the two events: “a filthy and vile thread” connecting performances of blackness with anti-black racism. The following is an excerpt from the Read more ...
Boris Giltburg
About a year ago, in a distant pre-pandemic world, I remember walking down Edgware Road one cold London evening. I was heading towards Jaques Samuel Pianos, my favourite haunt in London, to meet filmmaker Stewart French from Fly On The Wall. There, we began setting up mics and lights, (im)patiently waiting for everyone to leave, so that we could start filming the first of Beethoven’s 32 piano sonatas, well into the early hours of the night. That was the launching point of a project I took upon myself – to learn and film all 32 sonatas throughout 2020, Beethoven’s 250 anniversary year.To Read more ...
Tunde Jegede
In this era when there is so much talk and discussion around crossing musical boundaries, diversity in music and inter-disciplinary work it seems strange that there is still so little knowledge of how, why and when it works. Ironically, much of this type of work and collaborative process is much older than we often think and give credit to.As a composer I have always been interested in this type of work because it speaks to my experience both socially and culturally. Having studied instruments and traditions in both the UK and West Africa, I was acutely aware from an early age of differences Read more ...
Jasper Rees
Each generation is given an actress who can do everything – be intimate with the camera but also coat a back wall in honey from 100 paces. There was Judi Dench, and then there was Imelda Staunton, both loved by all. Helen McCrory – who has died at the age of 52 – was the next in line, and she was destined to be as great for as long.Even in her late twenties, when she was barely known, she was already and obviously different. She had a face that seemed prematurely mature and wise. She didn’t look like anyone else, nor sound it. Her voice was a husky instrument that moved between Read more ...
Jenny Gilbert
Like the British high street, the once richly diverse landscape of dance in the UK is likely to look very different once lockdown is fully lifted. There will be losses, noticeably among the smaller companies whose survival was always precarious. There will be downsizings. There will be painful gaps where a major talent has given up the fight, retired to run a flower shop or become a hill farmer. It will take years for the sector to recover.All the performing arts have taken a hammering, and heaven knows this isn’t a competition, but dance, and ballet especially, is a case apart. The technique Read more ...
Mark Kidel
The Master Musicians of Joujouka, described by William Burroughs as a “4000 year-old rock’n’roll band”, and recorded by Brian Jones of the Rolling Stones in the late 1960s, have always been something of a cult – even in their own land. Based in the rural foothills of the Rif Mountains in Northern Morocco, they are a professional clan that delivers performances renowned for their extraordinary transformative power.I first heard them in 1980, when musical adventurer Rikki Stein, later manager of Fela Kuti, brought the musicians to Britain on their on their first tour, a low-key affair, that Read more ...
Owen Richards
Sound of Metal has been a long time coming. Director and writer Darius Marder faced years of delays ranging from casting changes to the whole world shutting down. Was it worth the wait? Well, six Academy Award nominations including Best Film certainly suggest it was.The film follows Riz Ahmed and Olivia Cooke as Ruben and Lou, band members and lovers living the ideal rock'n'roll lifestyle. But when Ruben starts to suffer major hearing loss, it's clear their co-dependent relationship is built on shaky foundations. To avoid falling back into addiction, Ruben must isolate himself in an AA Read more ...
theartsdesk
"Television and I grew up together." As a baby boomer born in 1947, Susan Bordo is roughly the same age as our beloved gogglebox, which began life as a broad box with a ten-inch screen, chunky and clunky and encased in wood. With the rapid changes in technology in the years since, "television", as Bordo points out, has become estranged from its material status. “In 2020, ‘television’ is what we watch, not the material object we watch it on.” Combining memoir with social and political history, her book is about our changing relationship with TV and the box's far-reaching consequences for our Read more ...