Features
Adam Sweeting
Far be it from me to try to impose shape or meaning on the past 12 months of television. You'd need teams of statisticians and psephologists to have any chance of drawing conclusions from the whirling cosmos of TV, and its infinite variety of soaps, shopping, repeats, weird sports, ailing current affairs programmes, forgotten comedies and obscure dramas. Instead, in a spirit of shameless subjectivity, here are 10 of my favourite performances from 2012.Ben Whishaw in The Hollow Crown: Richard II, BBC TwoIn a year saturated in Shakespeare, the Hollow Crown series of history plays stood out for Read more ...
Peter Culshaw
For years there have been pundits predicting that just as our high street restaurants and football teams represent a much more globalised world, surely pop music would follow suit. Fifteen years ago my local high street had a Wimpy Bar, a curry house and a wine bar – now we have Vietnamese, Turkish, Keralan and Mexican eateries to name a few – and the street is much better for it. Pop music, though, has been clinging to its Anglo-Saxon power bases in the US and the UK (the language helps, of course). But in 2012 you could claim that the most significant group and track were outside Read more ...
Ismene Brown
Offstage dramas made more waves than onstage, where dance-followers have much less to see, and a prospect of still less in this arid immediate future. The on-dit revolved around the Olympics ceremonies, TV dance, Michael Clark and some spectacular door-slamming by a young ballet dancer who bolstered the myth that we would all be happier if we quit an arcanely dedicated, quietly hardworking world where we were notably appreciated by the team, in order to take quick riches, dubious star vehicles and avid media spotlights. Sergei Polunin's complicated departure from the Royal Ballet was one of Read more ...
theartsdesk
Yesterday our film writers brought you numbers 10 – 6 in our movies of 2012 countdown. Looking back over that list it’s hard to imagine a clutch of finer films. Yet, testament to a year of remarkable filmmaking, it’s a hell of a race to the finish, taking in sex addiction, murder, spies, hostages and cults. And so we present our final five. Drumroll please…5 – Once Upon a Time in Anatolia (dir. Nuri Bilge Ceylan)Road movie, rumination of the meaning of life and death, shaggy dog story about dealing with a corpse, manual on the best in yoghurt, depiction of the transgressions which break Read more ...
theartsdesk
With the end of 2012 nearly upon us it’s time for a spot of reflection. We’ve polled our film writers for their picks of the year and bring you our top 10 in all its drama and diversity. This is cinema at its very best, representing the numerous shades of the filmic rainbow: spectacular, plucky, horrifying, challenging, comedic, harrowing, joyous and strange. With each of our writers acting as a film’s individual champion, we begin with a rundown of numbers 10 to six (two films tied for eighth spot.) Join us tomorrow for the final five.10 – Rust and Bone (dir. Jacques Audiard)There's much to Read more ...
fisun.guner
If hell doesn’t exist for us in the 21st century, at least not in the literal rather than the Sartrean sense, than how should we read the fabulous visions of 16th-century Flemish artists such as Hieronymus Bosch? As proto-Surrealism? As the outpourings of a mind unique in its insights into the torments of the soul and seeking expression in the inexpressible?Christian iconography may not mean that much to as many people today, but from hatching eggs from which miniature humans emerge to hybrids of creature, man and archaic machine, Bosch’s vision of a world turned upside-down has few Read more ...
fisun.guner
The great Flemish painter Pieter Bruegel the Elder was instrumental in developing landscape painting as a genre in its own right. Hunters in the Snow, 1565, is one of five surviving paintings (Bruegel painted six) in his cycle depicting The Labours of the Months. Populated by villagers, peasant workers, farmers, hunters and children, each painting is of a panoramic landscape at a different time of year. This chilly winter scene is a Christmas card favourite. But Bruegel is an artist whose work has also inspired art house directors, contemporary writers and modernist poets. Hunters Read more ...
Sarah Kent
I’ve always loved this painting in the National Gallery by Sandro Botticelli. The jewel-like colours and exquisite clarity of detail create a consoling sense of lucidity, as though everything has been revealed to be alright.The reason for this optimism is, of course, the birth of Christ. Framed in the triangular entrance to a cave with a thatched portico, an extremely tall Madonna kneels at the feet of a similarly large infant (their size indicates their status). Mother and child, the sleeping Joseph and the ox and ass form the still centre of a dynamic composition filled with angels dressed Read more ...
mark.hudson
Christmas might not seem the most appropriate time to ask you, dear reader, if you’ve ever suffered a nervous breakdown. Yet for many this festival of conviviality amid the darkest hours of the year exacerbates a sense of loneliness and desperation. The break in routine, so welcome for most of us, can become a swift passage to the mental abyss. Snow, that magical, muffling coating of the damp, dark everyday world can appear – particularly in the northern countries – relentless and oppressive, yet another manifestation of a visual world that is veering out of control.Every mark conveys a Read more ...
Lisa-Marie Ferla
Such is the warts and all nature of the rock star biography that something as personal as the addiction memoir has become almost passé. Lucky then that Mike Doughty – one-time frontman of cult 90s alt-rockers Soul Coughing turned eclectic solo artist – didn't write an ordinary addiction memoir.The Book of Drugs couldn't have been titled more starkly if Doughty had tried. It is blunt, honest and incredibly funny story of a life in which, in the words of the author, everything has either involved drugs - their presence, or absence - or been shadowed by them. At his lowest, Doughty was scraping Read more ...
alexandra.coghlan
Blessed with the finest (and most infuriatingly catchy) soundtrack of any Christmas film, Vincente Minnelli’s 1944 movie-musical Meet Me in St Louis is a festive classic of a simpler, happier time. Small girls roam the streets in safety getting up to all kinds of wholesome mischief, bigger girls sing songs around the piano and fall for the boy next door. As a cinematic metaphor for the virtues of the small-town life it’s enough to make any commuter swap their season ticket for picket-fence.“We don’t have to come here on a train or stay in a hotel, it’s right in our own home town, right here Read more ...
Steven Gambardella
Rubens's gigantic masterpiece loudly contradicts the folkloric silent night. This typically muscular painting is deafening in its depiction of the commotion around the holy family when the Magi arrive to offer gifts to the divine king of Christian belief. The enormous entourage of camels, braying donkeys, war horses, servants and soldiers, richly ornamented in oriental colour and clothing, pile up in a decrescendo behind the composition’s quiet, even vacuous, centre of gravity: a tender moment as one of the Magi (perhaps Caspar) lifts the lid on his gift of gold coins which the infant Jesus Read more ...