wed 06/07/2022

book reviews and features

Ruby Tandoh: Cook As You Are review - truly a trailblazer

CP Hunter

Ever since her appearance on The Great British Bake Off in 2013, Ruby Tandoh has been a breath of fresh air to the food...

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10 Questions for writer Lucia Osborne-Crowley

Jessica Payn

Anyone familiar with psychiatrist Bessel van der Kolk’s bestseller The Body Keeps the Score (2014) will recognise the ghost of his title in Lucia Osborne-Crowley’s My Body Keeps...

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Barry Adamson: Up Above the City, Down Beneath the Stars review - the post-punk colossus spills his guts in a raw style

Guy Oddy

For those not familiar with the murkier corners of British rock music history, Barry Adamson was a significant...

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Thomas Hardy: Fate, Exclusion and Tragedy, Sky Arts review – too much and not enough

Harriet Thompson

Born in 1840, Thomas Hardy lived a life of in-betweens. Modern yet traditional, the son of a builder who went on to become a famous...

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Colson Whitehead: Harlem Shuffle review - period piece speaks to the present

Daniel Lewis

More than once, reading Colson Whitehead’s latest novel Harlem Shuffle, the brilliant Josh and Benny Safdie movie Uncut Gems from 2019 came to mind, which was...

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Sebastian Faulks: Snow Country review - insects under a stone

Lizzie Hibbert

Historical fiction – perhaps all fiction – presents its authors with the problem of how to convey contextual information that is external to the plot but necessary to the reader’s understanding of...

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Claire-Louise Bennett: Checkout 19 review - coming to life

Daniel Lewis

Like any good writer, Claire-Louise Bennett loves lists. Lists are, after all, those moments when words, freed from grammar’s grip, can simply be themselves – do their own thing, show off,...

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Christopher Clark: Prisoners of Time review - from Kaiser Bill to Dominic Cummings

Boyd Tonkin

Historians seldom make the news themselves. However, Christopher Clark – the Australian-born Regius Professor of History at Cambridge University – hogged headlines and filled op-ed pages in...

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Thora Hjörleifsdóttir: Magma review - love burns in debut novel from Iceland

India Lewis

Thora Hjörleifsdóttir’s Magma is certainly not an easy read. It describes, in short chapters...

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10 Questions for novelist Mieko Kawakami

Izzy Smith

Mieko Kawakami sits firmly amongst the Japanese literati for her sharp and pensive depictions of life in...

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latest in today

theartsdesk at the East Neuk Festival 2022 - on Cloud Nine f...

Last year’s relatively slimline East Neuk Festival felt like a feast in time of plague. This July everything was back to full strength in numerous...

Jessie Burton: The House of Fortune review - a muted, sensit...

A sequel is always a hard thing to write, especially if the book that precedes it is a bestseller, adapted for television and read by more than a...

Album: Viagra Boys - Cave World

The third album from Stockholm rowdies Viagra Boys doesn’t muck about with what they do, but it’s more persistently punkin’ than their last. There...

Mick Jagger: My Life as a Rolling Stone review, BBC Two - th...

At the beginning of this film, Mick Jagger says: “What most...

Alcina, Glyndebourne review - Handel on the strand

Reviewing the Grange Festival production of Tamerlano the other day, I noted the difficulty...

Favour, Bush Theatre review - Ambreen Razia's punchy ne...

Where should Leila live — Ilford or Kent? It doesn’t sound like an earth-shattering decision for a 15-year-old to make, but the stakes...

Album: Laura Veirs - Found Light

The last minute of Found Light’s third track “Seaside Haiku” is defined by the repetition of a single phrase: “give but don’t give too...

Music Reissues Weekly: Ferkat Al Ard - Oghneya

Oghneya opens with the extraordinary “Matar Al Sabah.” Jazzy, with an overt Brazilian feel it gently swings and swoons....

The Making of Pinocchio, LIFT 2022, Battersea Arts Centre re...

Pinocchio is one of our most irreverent metamorphosis stories, and in this visually ingenious blend of...

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