Books
Bernard Hughes
In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world – and makes from it a diverting and informative read. It is light and conversational in tone, covering topics that range from the clearly important to the niche, showing Elledge’s eye for an entertaining story and an ability to pick up political hot potatoes without burning his fingers.The 47 chapters are each about five pages long (none outstay their welcome) divided into three tranches: “Histories” (how the map of the world changed over time from the earliest Read more ...
Jon Turney
Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also suns a little while back, cosmically speaking, or a few hundred of our human years ago. Ever since, in imagination, we have supplied other stars with planets, and planets with life. Science, so far, has lagged behind fiction. That may be about to change.The known universe has grown almost unimaginably larger since the time of Galileo. That feels like it should increase the chance there is something else alive out there, somewhere. But how to really Read more ...
India Lewis
Artist and writer, Heather McCalden, has produced her first book-length work. The Observable Universe examines, variously, her familial history, the death of her parents to AIDS, and the subsequent loss of her maternal grandmother, Nivia, who raised her. It’s a fragmentary work, but the medium (half-memoir, half-essay) responds to the author’s own sense of disconnection and uncertainty, and at its heart is an aching feeling of loneliness and grief.Initially, the book seems to present the reader with the story of McCalden’s parents and her relation to them, but this is complicated by the Read more ...
Bernard Hughes
According to REM in 1987, “It’s the end of the world as we know it”. And while they sang about topical preoccupations – hurricanes, wildfires and plane crashes – they were really just varying a theme that has been around since at least St John of Patmos in the 1st century CE, and probably before.How – and how soon – will the world end has been a perpetual question in works of popular culture, and Dorian Lynskey’s Everything Must Go is a wide-ranging survey of them, which stands back enough to pick out themes and patterns that emerge from the big picture.It is not a light read, in both the Read more ...
India Lewis
Andrew O’Hagan’s new novel, Caledonian Road, feels very much intended to be an epic, or at the very least has designs on being a seminal work, documenting the modern (European) human condition. Character and storyline-rich, dense, and morally weighty, it looks set up to be a "state of the nation" contemporary chronicle.Set roughly on the eponymous A5203, and elsewhere around London, the book’s main focus is the (quite clearly) doomed life of art critic and social parvenu, Campbell Flynn. As well as taking up the bulk of the narrative, he is the first character we encounter. It is a distinctly Read more ...
Jack Barron
"[A]n unimaginably beautiful day": this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to change, unimaginably, as the city was blitzed by the airburst of the first atomic bomb, nicknamed Little Boy. Shiota’s perfect weather was instantly and irrevocably translated into a brightness totally beyond the imaginative powers of the humans that brought it into being. It is a brightness that blinds, burns your clothes away, and flays the skin beneath – as Shiota discovered, when she stumbled across her brother. It illuminates your very Read more ...
Hugh Barnes
During the Cold War, US presidents often claimed that the West and the Soviet Union had never fought one another directly. This observation made sense geopolitically – the likelihood of mutually assured destruction made a nuclear conflict seem unthinkable – but it wasn’t strictly true.It was untrue because it overlooked the Allied intervention in the Russian Civil War of 1918-20, which the British even more than the Americans had plenty of reasons to forget. “It was an uncomfortable business really,” recalled Christopher Bilney, who served as a seaplane pilot in the Caucasus. “A really nasty Read more ...
Jon Turney
Consider a chimp peeling a stick which it will poke into a termite nest. It strikes us as a human gesture. Our primate cousin is fashioning a tool. Just as important, the peeled stick implies a narrative. Chimp is hungry, will deploy this neat aid to catch termites that lie beyond normal reach, and eat them.The example comes from historian of technology David Nye, but makes a point that recurs throughout Tom Chatfield’s excellent book. Any technology is part of a story. That holds for the chimp, whose story is implicit. It remains true in the high-tech 21st century, when the commercial for Read more ...
India Lewis
After a first read of the blurb for Sheila Heti’s Alphabetical Diaries, you might be forgiven for assuming that this is merely a gimmick.The book does what it says on the tin: each "chapter" begins with the next letter of the alphabet, with the content then roughly alphabetised within this, all of the sentences based on “half a million words from a decade’s worth of journals”. However, this book, written in her familiar, autobiographical style, flourishes against its constraints.Perhaps best known for writing about the decision of whether or not to become a parent (2018’s Motherhood), Heti Read more ...
Jack Barron
David Harsent has won a lot of prizes. From the Eric Gregory to the T. S. Eliot, he has carved out a literary career positively glittering with awards and nominations, and keeps the kind of trophy cabinet that would turn many of his contemporaries green. But if points mean prizes, prizes also mean points, and point-scoring is a dubious means to judge a poet. While such institutions do much for the general reach and popularity of poetry, and though it’s always nice to be appreciated, you’d do better on the page than the awards stage if you want to get a proper sense of a poet’s interest in the Read more ...
Bernard Hughes
One day in the early 90s I accepted the offer of a lift from a friend to a university open day I hadn’t been planning to go to. I ended up attending that university and there met my wife, and if I hadn’t done that my life would have been very different, and my children wouldn’t have been born. And this is of course true back through the chain of my ancestors – back hundreds of generations: each of them had to meet in order for me to be here.Brian Klaas’s Fluke is all about the millions of contingent coincidences that make up our lives, and poses the question: “If you could rewind your life to Read more ...
Lia Rockey
Richard Schoch, in the subtitle of his new book on Shakespeare’s House, promises something big: “a window onto his life and legacy.” To the disgruntled reader – pushed to the brink by one too many new books on Shakespeare, each nervously proclaiming truly never-before-seen revelations – I suggest patience. Schoch is aware of the balance that writing this kind of book demands. He also has the sort of well-oiled experience that reassures us of a pair of safe hands. There’s a sweet spot that must be struck when writing a Shakespeare book, one between nicheness and accessibility, Read more ...