theartsdesk.com, first with arts reviews, news and interviews
theartsdesk |
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts lovers and professionals alike – but the…
Gary Naylor |
Just a flimsy music stand on the RSC’s biggest stage greets us. Sir Ken, no longstaff in hand as we might have expected, dons his coat, perhaps left over from Abanazar’s costuming…
alexandra.coghlan |
“La bohème, Tosca, Butterfly: you just know where you are with them, don’t you?” If the bar-chat at the opening night of the Opera Holland Park 30th anniversary season was…
Ibi Keita |
Admittedly, my journey into the strange world of IDM, electronica and ambient music has not been a complex one. Whilst finding Aphex Twin, Burial, Squarepusher and the other entry…
Thomas H. Green |
Nottingham is broiling. With sun heat. And with humanity. The pubs overspill beyond the pavement, into the road, as hordes of Nottingham Forest fans prepare for the final game of…
Adam Sweeting |
Screenwriter Neil Forsyth earned kudos a-plenty with his two BBC One series of The Gold, a dramatisation of the 1983 Brink’s-Mat bullion robbery and its aftermath. Now he’s…
Helen Hawkins
Maybe because we are aware now of too many cases of a paranoid schizophrenic suddenly unleashing violence on an innocent stranger, the teenager under treatment in Peter Schaffer’s…
Veronica Lee
Wanda Sykes is a comic, actress and writer who has written for Chris Rock and appeared in Curb Your Enthusiasm and The Good Fight and, more latterly, Netflix series The Upshaws.…
David Nice
Bellini's most consistently inspired opera, director Orpha Phelan tells us, has been set on a pedestal. Well, a pedestal would have been good for the titular Druid high priestess…
Joe Muggs
Talking about the demographic of audiences can put one on tricky ground. I once, for example, got into trouble for pointing out that Autechre’s crowd was 80-plus per cent middle…
Ellie Roberts
For the majority of Turnover fans, listening to Down On Earth for the first time will be a rollercoaster. The highs are moments that resemble their 2015…
Matt Wolf
Beckett's Krapp's Last Tape had its world premiere in 1958, with Patrick Magee, at the Royal Court. That same venue happens to be the site of Gary Oldman's last stage appearance…
Kieron Tyler
Really Into Somethin' - Brit Girl Sounds and Styles 1962-1970 is an explicitly titled 89-track, three-CD clamshell box set. Take one of its terrific tracks at random:…
Adam Sweeting
Melbourne’s petite popstrel Kylie Minogue zoomed to superstardom in the late Eighties, with her celebrity from Aussie TV soap Neighbours helping to boost her spectacular recording…
graham.rickson
Bach: Goldberg Variations BWV 988 Asya Fateyeva (soprano/alto saxophones), Eckart Runge (cello) Andreas Borregaard (accordion) (Berlin Classics) Image…
Tim Cumming
This may be Willie Nelson’s 79th solo studio album, and his 156th in all, but despite such prodigious and prolific writing, the Red Headed Stranger is still a minimalist in…
Boyd Tonkin
Literally the first masterpiece of the 20th century (premiered on 14 January 1900), Tosca has had to wait until the second quarter of the 21st to arrive on the Glyndebourne…
Helen Hawkins
Former Royal Ballet principal Federico Bonelli has brought his Northern Ballet company south in the latest of its trademark narrative ballets. His dancers are a huge credit to him…
Rachel Halliburton
It began with a Gothic funeral procession. A drum beat ominously as a line of figures with shabby black suits, whitened faces, and jagged mascara around hollow staring eyes walked…

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Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

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tv

Steve Coogan and Tom Burke lead a formidable cast in Neil Forsyth's drama
Gripping three-part saga is smarter than the average pop-doc
The latest helping of the Jilly Cooper adaptation is much like the first: sparky, filthy fun

film

Influential and colourful Italian comic book adaptation returns in a gleaming new print
Steven Soderbergh directs Ian McKellan and Michaela Coel in virtuoso performances
An immersive tale of tangled paternity in a battered Budapest

new music

Guitars a-go-go with hungry performances by bands from around the world
A total deconstruction of pop-alternative dichotomies, and a 360° immersive overload

classical

Baroque keyboard music in new colours, a celebration of a great English composer and Russian fairytales
Stunning collaboration between actors and musicians typifies this bracing enterprise
Period instruments and voices recreate the glory of a historical investiture

opera

A handsome staging of Puccini's gold-rush opera seems bound to win some converts
Five-star duets for two women elevate cramped production of patchy Bellini
The rebel diva finally comes to Sussex in splendour - and squalor

theatre

Spectre of colonialism an inescapable ghost at the feast
Peter Schaffer’s 1973 hit can still pack a theatrical punch, but its ideas seem dated now

dance

Much-appreciated words of commendation from readers and the cultural community
A handsome production in need of a stronger score and deeper characterisation
A triptych of ambitious works by Wayne McGregor fails the sandwich test

comedy

Much-appreciated words of commendation from readers and the cultural community

books

Much-appreciated words of commendation from readers and the cultural community
Latest entry in BFI's Film Classics series offers fresh perspectives and media insights
Memoir of alcoholism is heavy on lacerating self-analysis but lighter on jokes

visual arts

Much-appreciated words of commendation from readers and the cultural community
The mood is blue, but profundity is in short supply