theartsdesk.com, first with arts reviews, news and interviews
theartsdesk |
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts lovers and professionals alike – but the…
David Nice |
As those of us who were there at what turned out to be his unofficial inaugural concert with the Irish Chamber Orchestra will know, Henning Kraggerud dances, and makes sure his…
Rachel Halliburton |
This new play, In The Print – by Robert Khan and Tom Salinsky – gives a pacy account of the seminal moment when Rupert Murdoch moved News International to Wapping. Over the last…
Tom Carr |
To say the last few years have been some of the most painful and tumultuous for Foo Fighters would be quite the understatement. The band's long term drummer, Taylor Hawkins,…
Adam Sweeting |
Filmmaker Charlotte Regan has been moving steadily up the creative ladder with music videos, short films and her 2023 feature debut Scrapper, which made a splash at the Sundance…
Boyd Tonkin |
Elgar’s The Dream of Gerontius is generally discussed and judged – and judgment, of course, stands at the heart of the work – by those who love, indeed revere, without any…
Mark Kidel
Ace bass-player Jasper Høiby achieved fame with his band Phronesis, recording and performing sophisticated yet accessible jazz, and establishing themselves as leaders in the…
Pamela Jahn
The main female characters in Christian Petzold’s films are kindred spirits – sisters in subversiveness. Petzold and Nina Hoss collaborated on six movies together, from the made-…
graham.rickson
French director Maurice Tourneur (1876-1961) trained as an interior decorator and illustrator, the move into film a logical progression after working as an actor and designer in…
Benjamin Baker
For me, New Zealand has always felt like both a centre and an edge. It is a place people travel to, rather than through. That sense of distance brings clarity and space to explore…
Helen Hawkins
With the good looks and dash of his signature 1947 Triumph Roadster, the Jersey detective is back for a second season in his new incarnation: the polar opposite, seemingly, of his…
Simon Thompson
There’s something slightly odd about listening to Bluebeard’s Castle, Bartók’s great opera of darkness, on a sunlit spring afternoon. However, the sun streaming through the…
Mark Kidel
Along with Harry Styles, Zayn is one of the stars to emerge from the immensely successful boy-band One Direction. Now no longer a mere "boy", he’s part of a mainstream in which…
Kieron Tyler
Evil Grave were from Malta. They were a going concern between December 1971 and around May 1977. Despite their longevity, they released no records. However, there were ad hoc…
Gary Naylor
Returning to the West End to celebrate two decades since those strange muppetty posters went up on London buses, I’m still laughing along with “Everyone’s a Little Bit Racist”.…
David Nice
You know to expect a crazy ride, especially when Gerald Barry, greatest living Wildean and wild one among composers, has flagged up his very unStraussian take on Salome with "I…
Rachel Halliburton
The Southbank Centre’s second Multitudes festival – which commissions artists ranging from filmmakers to acrobats to shine new light onto the orchestral repertoire – began last…
stephen.walsh
Just now, everything WNO does inevitably bears the mark of their Arts Council-imposed financial troubles, and this new Flying Dutchman directed by Jack Furness is no exception. It…
Guy Oddy
In these times of genocide, illegal invasions and a class war which the ultra-rich are emphatically winning, we clearly need a woman to point out the nonsense that we have just…

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Energetic and carefree, but ultimately it flatters to deceive

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Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

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tv

Charlotte Regan's genre-jumping drama defies categorisation
Well paced and excellently cast, this revival still needs more of a sense of danger
Is anything real in Ben Chanan's digital dystopia?

film

Another Petzold heroine tries on a different identity in his latest mesmerising drama
Quirky and gripping French horror film, produced under Nazi occupation
Full steam ahead for Rodrigo Santoro and Denise Weinberg

new music

Energetic and carefree, but ultimately it flatters to deceive
Brilliant trio seamlessly combine composition and improvisation
One Direction alumnus draws on many sources of inspiration, not least his Asian heritage

classical

Fiddly but felt, the interpretations of the ICO's new Norwegian violinist-director always compel
Tenderness, and terror, outshine majesty in Elgar's journey of the soul

opera

theatre

A spiky depiction of the struggle between trade union leader Brenda Dean and Rupert Murdoch
Can it be as good as it was 20 years go? Of course it can!
New play about family trauma and grief is subtle, sensitive, but pitted with plot holes

dance

Much-appreciated words of commendation from readers and the cultural community
Getting it very right and very wrong in this contemporary double bill
After 25 years and counting, Cassa Pancho's fine company remains essential

comedy

Much-appreciated words of commendation from readers and the cultural community
The character comic looks back at his career
From bullied teen to confident stand-up

books

Much-appreciated words of commendation from readers and the cultural community
The last surviving member of Beyond the Fringe never ceases to engage
A small-scale journey through literary afterlives unveils a world of wonders