Prokofiev
Ismene Brown
Better late than never. It took till Act 3 for a new Juliet to fledge her wings and shed the nervous caution, but Melissa Hamilton, debuting yesterday afternoon in probably the Royal Ballet’s most coveted ballerina role, suddenly did what we all knew she could, and after a subdued first act seized the drama and the story. And, in Romeo’s phrase, light broke - the sun in the east. A fair new Juliet.Hamilton, a blonde beauty of 23, is the most interesting performer of young-generation girls at Covent Garden, an Irish child and late starter rejected by the Royal Ballet School, who refused to be Read more ...
graham.rickson
Miserere: Choral Music by James MacMillan The Sixteen/Christophers (Choro)Scots composer James MacMillan’s orchestral music has never convinced me, but this collection of a capella choral music is astonishingly accomplished. You can’t help agreeing with The Sixteen’s director Harry Christophers in his opinion that MacMillan’s sacred music can stand comparism with that by Victoria and Poulenc. The brief Miserere, premiered in 2009, opens the disc: its Stygian opening gradually unfolding into music of unbelievable tenderness and cool beauty. It sounds both boldly contemporary and archaic Read more ...
geoff brown
At last, a bag of sweets! In earlier concerts from Vladimir Jurowski’s LPO series Prokofiev: Man of the People? much time was spent consuming the composer’s flat soufflés, experimental rock cakes, or the fancy dish that was really haddock. Interesting for the brain, maybe, but the diet on occasion has been hard on the stomach. Not that any of this impinged on audience numbers: the season has definitely proved Jurowski’s happy lock on the London Philharmonic’s audiences. They will follow their artistic guru and Principal Conductor almost anywhere.But for this last concert of all, the Read more ...
geoff brown
How do you solve a problem like Prokofiev? Not with a TV talent hunt promoted by Andrew Lloyd Webber. Not even, I’m beginning to think, with the current London Philharmonic concert series, Prokofiev: Man of the People?, devised by Vladimir Jurowski. Prokofiev’s uneven output; his parade of masks, making it hard to decipher what the composer is thinking and feeling: these form the principal difficulties, especially when the popular works are put to one side in the programmes and the gargoyles and dead dogs march in. We had a couple of those in last Wednesday’s London Philharmonic concert Read more ...
David Nice
Before his slightly over-extended majesty drops behind a cloud at the end of this bicentenary year, and following Louis Lortie’s light-and-shade monodrama on Sunday, Franz Liszt has moved back to left-of-centre in two ambitious midweek concerts. In the second instalment of Pierre-Laurent Aimard’s rather drily named “Liszt Project” last night, the composer became a kind of black hole absorbing even adventurous successors; but I suspect his dance-of-death side would have disposed him even more favourably to the crazy ambition of Khatia Buniatishvili’s half-elegiac programming the night before. Read more ...
David Nice
Praise be, or slava if you prefer, to Valery Gergiev for honouring new Russian music alongside his hallmark interpretations - ever evolving or dangerously volatile according to taste – of Prokofiev, Shostakovich and Stravinsky. Last LSO season featured some of the less than inspired recent works Rodion Shchedrin has been dredging by the yard. Yet few would begrudge the palm of deep and original musical thought to this past week’s heroine, Sofia Gubaidulina. Gergiev riveted a quarter-full Albert Hall with her stunning St John Passion and Resurrection at the 2001 Proms, and last night he had a Read more ...
David Nice
How can even a generously proportioned documentary do justice to one of the musical world’s greatest life forces? John Bridcut knows what to do: make sure all your interviewees have a close personal association with your chosen giant in one of his many spheres of influence, then get cellist-disciples from Rostropovich’s Class 19 in the Moscow Conservatoire – here Moray Welsh, Natalia Gutman, Karine Georgian and Elizabeth Wilson - to watch and listen to their mentor talking and playing. The result is a towering model of its kind.Even without that special dimension of on-the-spot reaction to Read more ...
geoff brown
Roger Wright’s reign as director of the BBC Proms has luckily spared us some of the more desperate themed programming that ran through the seasons in Nicholas Kenyon’s day. "Music and Shakespeare", I remember; music and the sea; and one year of Spain, Spain and Spain. I never wanted to hear another castanet again. But individual concerts still need careful planning. And if you’re hunting for a convenient hook, the name of Serge Koussevitzky – fiery Russian conductor of the Boston Symphony Orchestra for 25 years, double-bass player, minor composer, famed promoter of the new – is as plausible a Read more ...
alexandra.coghlan
Jealousy of people who live in Birmingham is not (I venture to hazard) so widespread a phenomenon as to merit a name all its own. After last night’s Prom from the CBSO and music director Andris Nelsons however, a term may well have to be coined for all of us Londoners whose green-eared envy seems unlikely to abate any time soon. We’ve heard the recordings and the rumours of greatness trickling down from the West Midlands, but the opportunity to see this partnership in action further south is rare. Conquering the Royal Albert Hall with an evening of generous, emotive music-making, the CBSO Read more ...
theartsdesk
Tonight the doors open for the biggest classical music festival in the world, the BBC Proms at the Royal Albert Hall. To help you plan your summer visits and listening, theartsdesk's critics gently steer you with their own preferences from the 90 concerts on offer. You can also check the complete list of all Proms on another page. Recommendations are made by David Nice, Igor Toronyi-Lalic, Edward Seckerson, Alexandra Coghlan, Graham Rickson, Stephen Walsh and Ismene Brown. David Nice As I intimated when I reported on the press briefing, the prospectus looks more enticing this year Read more ...
Ismene Brown
The Royal Ballet says it is inviting a new audience to experience the thrill of live ballet by taking Romeo and Juliet to the gigantic O2. Beware what you wish for. It’s the thrill of the live audience I’m starting with before I get onto the splendid show. Sweet packets rustled behind my ear, fish and chips were wolfed nearby, pizza shared, drinks slurped. People were still entering in droves 30 minutes after the start, obstructing the view of Juliet’s first scene. People were late back for Act II, triumphantly bringing the beers and crisps in, better late than never.Almost as bad as all of Read more ...
David Nice
It's just been crowned the BBC Music Magazine Awards' CD of the Year. But is Valery Gergiev's second complete recording of the 20th century's greatest ballet score, captured live at the Barbican for the LSO's own label, right at the top? In my Building a Library survey for BBC Radio 3, condensed in print for the BBCMM, I suggested it might be the best in state-of-the-art sound - but not the finest overall version of Prokofiev's Romeo and Juliet. That palm went to Rozhdestvensky's much more impeccably paced old Melodiya version, in mono and dating from 1959.There's enough ravishingly beautiful Read more ...