Birmingham
Veronica Lee
Birmingham Hippodrome claims to stage the UK's biggest pantomime – a proud boast that highlights its productions' West End-level of investment. And this year's venture, Jack and the Beanstalk, is certainly glitzy and star-laden, while the sets and costumes are fabulous, and there's a 3D sequence as well as a live band, so the claim seems a fair one.Gary Wilmot is Dame Trot, whose three sons Jack, Simple Simon and Silly Billy endlessly get into scrapes. Silly Billy (the excellent Matt Slack, who really connects with the youngsters in the audience) is secretly in love with Princess Apricot Read more ...
Guy Oddy
Brighton’s guitar pop outfit, the Kooks have been churning out largely pleasant but fairly bland songs since their 2006 debut Inside In/Inside Out. Recent album Listen, however, has suggested that things might be changing. Less evident, but not entirely banished, are the unremarkable strum-alongs, with a rawer and funkier groove edging its way into a few of their tunes with some success. Similarly gone is the poodle hair and clothes that made them look like the Verve’s younger, more clean-cut cousins. When the band bounce onto the stage at Birmingham’s O2 Academy, they look like they’ve just Read more ...
Adam Sweeting
So we're off for another blast of between-the-wars ultraviolence with the Shelby gang from Birmingham, once again soundtracked by incongruous electric blues music. Time has moved on from the immediate aftermath of Great War hostilities and now we're into the Twenties, which are roaring as if they're in agony. The baleful Tommy Shelby (a curiously shaved and bleached-looking Cillian Murphy) is aiming to undertake "business expansion" by extending the Peaky Blinders' racketeering tentacles down to London.However, not everyone thinks this is a great idea. Younger brother John points out that the Read more ...
Tom Birchenough
Two years ago Penny Woolcock was at the heart of Birmingham street gangs in her documentary One Mile Way; that one was titled after the fact that two of the city’s competing outfits were separated only by the distance of the film’s title. In Going to the Dogs, she's back in the same 'hood, this time investigating the city’s dog-fighting scene, with the help of one of the earlier film’s lead protagonists, Dylan Duffus, who proved here a very able narrator-presenter.Tracking down, and ensuring the cooperation of the participants for Dogs… looked like it proved more challenging. No surprise when Read more ...
Hanna Weibye
“The touch is light. We like it so,” wrote Ninette de Valois in one of her later poems. You didn’t know the founder of the Royal Ballet wrote poetry? Don’t worry, you’re not missing much – except the occasional phrase which can serve as an epigraph for early English ballet. “Light touch” is one of those expressions – like “very English” – which crop up in almost all descriptions of the work of Frederick Ashton, founder choreographer to de Valois’s company, later its director, and a reserved genius who knew pomposity and po-facedness only as traits to satirise (gently, of course) in his Read more ...
Guy Oddy
Tonight Birmingham was treated to a guitar fest of epic proportions, as the Japanese, Hawkwind-esque experience that is Bo Ningen hit town. Prior to the main event, we were treated to the boisterous thrash of The Scenes, who finished their set with the flippant yet amusingly named “Anorexia Is Boring”, and the Teenage Fanclub-esque 12-strings of Younghusband. Neither, however, quite prepared the crowd for the ear-lacerating noise and mesmerising groove of the headliners.Taigen Kawabe and his band of psychedelic renegades arrived on stage amid swirls of dry ice. Dressed like extras from the Read more ...
Hanna Weibye
It might be quite unnerving for a young performer to have the première of a new solo show take place in the same building, at the same time, as Sylvie Guillem is dancing William Forsythe, Mats Ek and Jiří Kylián. But Aakash Odedra, who presented two new pieces, Murmur and Inked, in the Patrick Centre inside the Birmingham Hippodrome on Tuesday and Wednesday this week, has had more dealings than most with superstar dancers and choreographers: his mentor Akram Khan is both (and incidentally a collaborator of Guillem’s). Russell Maliphant and Sidi Larbi Cherkaoui have also created pieces Read more ...
Hanna Weibye
When Sylvie Guillem became, at 19, the youngest person ever to reach the top rank of the Paris Opéra, she gained a job title – étoile (star) – that uncannily captured her essence. Most companies call their top dancers principal or prima ballerina or soloist, titles that show they have first place among their peers. Sylvie too stands out among her peers, blessed as she is with an extraordinary body, an extraordinary work ethic, an extraordinary intelligence. But the reason choreographers call her, dancers revere her, critics eulogise her, and audiences with tears in their eyes clap their hands Read more ...
Hanna Weibye
If, standing on a station platform, your arms want to make shapes in the air; if, walking home, you are mesmerised by the curved toes of your shoes against the pavement; if, in the kitchen, a stray salad leaf on the floor transforms before your eyes into a tiny green lizard, head up, questioning – then (if you are over the age of 10 and reasonably level-headed) you have probably consumed some mind-altering substance.In my case, last Saturday night, it was (honest, m’lud!) nothing more dangerous than a cocktail of contemporary dance + Shakespeare, served up cool and cloudy by Canadian Read more ...
Hanna Weibye
On the back wall of Birmingham Symphony Hall’s great oval space, two musicians are poised on a glass balcony that gives the illusion of not being there at all. A small square of warm light picks them out, vivid against the hall’s darkness. So framed, Saint-Saëns’ gentle Prière for cello and organ keeps its intimacy even in that large space, the two instruments blending into one equal sound that is clear, golden, and not too sweet.The dancing promised us by the concert’s title was nowhere in evidence, but this opening nonetheless set the tone for the rest of the evening, which was Read more ...
Hanna Weibye
It is proof, as if more were needed, of how very right-on Birmingham Royal Ballet’s director David Bintley is, that he chose to open the International Dance Festival currently taking place in that city with two specially commissioned ballets from emerging choreographers who started their dancing careers with the company: Quatrain by Kit Holder and Kin. by Alexander Whitley. Finishing up the bill with an early Frederick Ashton piece – Les Rendezvous (1933) on Thursday and Friday; Façade (1931) on Saturday – completes a hat trick by choreographers not far off their 30th birthdays. These Read more ...
Guy Oddy
Drenge certainly pull in a diverse crowd to their shows these days. Prior to the band coming on stage for this sell-out gig, there was a group of 40-somethings in fairly new-looking leather jackets to my left, talking about Tom Watson MP (who famously recommended the band to Ed Miliband in a resignation letter), and to my right a group of teenagers, sniffing from a bottle of amyl nitrate and trying not to puke.By the end of opening song, “People in Love Make Me Feel Yuck”, these two groups had very definitely moved apart. The teenagers had gravitated towards the stage and were throwing Read more ...