America
Adam Sweeting
The most interesting thing about this movie is what it says about the changing relationship between film and television. It's becoming commonplace to hear actors, writers and directors claiming that TV is now the place to be for powerful drama with narrative scope and rounded characters. Brad Pitt's zombie flick - directed by Marc Quantum of Solace Forster - falls short all round, and makes the evolving characters and storylines of TV's The Walking Dead look positively Shakespearean by comparison.Spoilers are of course to be deplored, but the story here is so predictable that there's not a Read more ...
Nick Hasted
Lincoln was intended by Daniel Day-Lewis to reincarnate the face on Mount Rushmore: to give him sinew, sound and breath. This DVD’s extras show the film-makers’ efforts to help that process: real 19th-century clothing, accurate White House wallpaper and a jacket that hangs just right on Abe’s weary shoulders. “The words are the living part of him,” Day-Lewis explains, and the reedy voice he gives the folksy yet formal cadences in Tony Kushner’s screenplay sounds wryly resilient, and thin enough to snap in the buffeting winds of the Civil War’s climax. A yearning to relax, as he settles and Read more ...
Adam Sweeting
Mobster roles have helped define many of America's greatest screen actors, from James Cagney to Marlon Brando, Robert De Niro and Al Pacino. Thanks to his portrayal of Tony Soprano in HBO's TV masterpiece The Sopranos, James Gandolfini has made an unforgettable addition to their ranks.Though he has died, apparently of a heart attack, at the shockingly early age of 51, Gandolfini's performance across the six seasons of The Sopranos felt more like a piece of American folklore than a mere acting performance. Violent and thuggish yet also confused and conflicted, Tony Soprano was the all-powerful Read more ...
Karen Krizanovich
All this beauty in continuum is almost an overdose. Terrence Malick’s remarkable The Tree of Life brought this controversial American filmmaker’s skills to the forefront so much so that he didn’t follow his past form and wait five or six years to make his next film: To The Wonder came hard on the heels of the winning Tree of Life and seems aimed to capitalize on the previous film’s popularity.Starring Ben Affleck as Neil, a man caught between two alluring women (Olga Kurylenko from Quantum of Solace and Oblivion, and Rachel McAdams, recently seen in Midnight in Paris), the story loosely Read more ...
carole.woddis
Oh, how the mighty are fallen. Margaret Alexander (Marianne Jean-Baptiste) is a storefront pastor in Harlem who leads her flock with absolutist conviction. No drinking, no smoking - the way to the Lord is through abstinence and clean living, and she herself embodies these righteous goals. So woe betide Sister Margaret when her far from clean-living ex-husband, a musician called Luke (Lucian Msamati), arrives at her door after many years.His appearance proves the catalyst for Sister Margaret's downfall in James Baldwin's influential debut play: a fall from grace which, in Rufus Norris's Read more ...
Adam Sweeting
The story goes that Ben Affleck was in the running to direct the latest Superman "reboot", but decided against. "A lesson I've learned is not to look at movies based on budget," he said. "Story is what's important."And so it came to pass that Man of Steel was directed by Zack Snyder (who made Watchmen and 300, among others), cost £145m and clocks in at a sprawling 143 minutes. It's already recouped £110m through product placements, so somebody in the back end has their head screwed on, but nonetheless it's living proof of Affleck's Law. The flick is technologically dazzling and Henry Cavill Read more ...
Matt Wolf
Ever wondered what Buffy the Vampire Slayer and Angel creator, not to mention superhero movie A-lister Josh Whedon, does during his down time? Well, apparently he gets his pals together to have a go at the Bard. And by way of proof, along comes Whedon's film adaptation of Much Ado About Nothing, which plays like nothing so much as a home movie in Elizabethan tongue. The result is sure to take Shakespeare's most eternally transfixing comedy to parts of the American (indeed, global) heartland where it may have never played before, even I have to confess to being more bemused by the experience Read more ...
Matt Wolf
People genuinely care about words in Josh Boone's directing debut, Stuck in Love, and that's as might be expected from a film that went by the name of Writers when it premiered in Toronto last autumn. So the first thing to be said is that this likable American indie is nicely written (a rarity in itself these days), notwithstanding an ending that trades heavily on the inevitable uplift that is the Hollywood norm even in such low-budget climes.And it's even better acted across the generations by an attractive cast, all of whom fully inhabit the cautious, often anxiety-laden byways of love and Read more ...
Adam Sweeting
Despite its five Oscar nominations, in the end Zero Dark Thirty only won for Best Sound Editing, with the Academy showing a distinct preference for the more "thrillerised" version of US foreign affairs displayed in Ben Affleck's hugely entertaining Argo. Impressive in many respects, not least its unflashy - even, frankly, tedious - depiction of the nitpicking drudgery of intelligence work and the near-impossibility of achieving definitive answers, Zero Dark... eventually fails to be one thing or the other.Director Kathryn Bigelow and screenwriter Mark Boal have made claims for its partly- Read more ...
Matt Wolf
The party's over in more senses than one in Behind the Candelabra, the Steven Soderbergh film dedicated to the proposition that all that glitters is most definitely not gold. It charts the downward spiral of the relationship between the American king of piano-playing glitz, Liberace, and his onetime "chauffeur" and companion, Scott Thorson. The movie finds two major Hollywood names, Michael Douglas and Matt Damon, in head-turning form, only to wed them to a drearily predictable and none-too-illuminating script that is itself as pro forma as the personalities it deals with are singular to a Read more ...
Adam Sweeting
Previous series of Mad Dogs have seen the quartet of middle-aged geezers embroiled with the Serbian mafia and tangled up in drug deals, conspiracies and murder. For this series three opener, the curtain rose on our bedraggled lads caged up in a derelict prison camp. They were wearing Guantanamo-style orange jumpsuits. Having expected to go to Barcelona on a container vessel at the end of series two, here they were banged up under a shrivelling Moroccan sun.Much of the piece was taken up with the quartet being baffled and bamboozled, amid some tight-lipped wiscrackery, as they tried to work Read more ...
Adam Sweeting
I wouldn't describe this movie as an air crash, but the fact that it isn't is largely down to its flabbergasting near-disaster sequence, in which veteran pilot Whip Whitaker (Denzel Washington) manages to crash-land his crippled airliner after it suffers a catastrophic mechanical failure. Six people die but 96 are saved, in a heroic feat of airmanship which brings gasps of admiration from press and public. The shot of the aircraft flying upside down at treetop height is probably worth its own techie Oscar.However, Whip has a dirty secret. He's an alcoholic whose pre-flight routine stipulates Read more ...