A public telephone rings, unanswered, in the middle of the desert; a young girl pushes her grandmother in a rusty wheelchair, jerkily inching their way across the flat red expanse of the outback; a boy digs deep into the sand and lies brownly submerged in water the colour of his skin. The winner of last year’s Caméra d'Or for Best First Feature at Cannes, Samson and Delilah has bucked recent trends in Australian film, having already achieved substantial success both at home and abroad.
film reviews
sheila.johnston
Alfred Hitchcock once claimed to have entered a Hitch look-alike contest and lost, characteristically making a joke out of a long-held private obsession. Doppelgängers, impersonators, imposters and victims of mistaken identity - innocent men wrongly presumed guilty - stalk his movies and television shows and now provide the inspiration for Double Take. Loosely based on a short story, August 25th, 1983 by Jorge Luis Borges, it starts with the idea of the Master locked in a murderous mano a mano with his own double. "Two of you is one too many," as he puts it.
Veronica Lee
We are in the far north of somewhere, where it's freezing and rains for most of the year. As if the weather isn’t bad enough, the sturdy Viking community of the island of Berk have a pest problem - not mice or foxes, but feral dragons who, with their huge talons and fiery breath, steal their sheep and set fire to their houses as they attack on a regular basis. The opening scenes of How to Train Your Dragon, presented by DreamWorks Animation SKG (Shrek, Madagascar) in 3D, which portrays such an attack, are certainly vivid.
fisun.guner
How might a portraitist, working in oils, describe Martin Freeman's face? If one were a novelist, heavy with description, perhaps the following: fleshy, boneless features; pasty Northern European pallor; flesh the texture of sweaty suet pudding. Not, then, conventionally handsome, but still, we have those plaintive, expressive eyes and that rumpled yet quietly dignified presence. All perfect, actually, for put-upon Tim, the frustrated paper-clip-arranger in The Office who dreamt of better things and was played with touchingly eloquent bemusement by Freeman.
Demetrios Matheou
Since his astonishing debut Crane World a decade ago, the Argentine Pablo Trapero has been quietly asserting himself as one of the world’s most singular directors. He’s perhaps best known for his breezy verité approach – shooting on location, often using non-actors, and drawing his subjects from everyday Argentine life. At the same time, Trapero has always dallied, slyly, with genre: Rolling Family might be called a road movie, El Bonaerense a cop drama, though each is subverted so as to accord with his desire to be true to quotidian reality.
sheila.johnston
Is there a God, and if so is He malevolent, and what's on the menu for dessert? Like one of her characters, Jessica Hausner, the relatively unknown, but startlingly talented director of Lourdes, doesn't shy away from asking the really important questions. Her witty, visually thrilling film is about, inter alia, miracles, faith and the thirst for grace; about sexual desire, base envy and the dynamics of a tight-knit group; about ritual and performance, and the very meaning of existence. Plenty to think about there then.
Veronica Lee
A fool of my acquaintance told me, “This is the most racist movie I’ve ever seen.” The Blind Side patently isn’t racist, but anyone of a PC, liberal or atheist bent will feel a little uneasy at times during the film, dealing as it does with a black teenager being “rescued” from a life of financial and emotional poverty by a Southern Christian woman, Leigh Anne Tuohy (Sandra Bullock giving a towering performance, which won her the Oscar for Best Actress).A fool of my acquaintance told me, “This is the most racist movie I’ve ever seen.” The Blind Side patently isn’t racist, but anyone of a PC, liberal or atheist bent will feel a little uneasy at times during the film, dealing as it does with a black teenager being “rescued” from a life of financial and emotional poverty by a Southern Christian woman, Leigh Anne Tuohy (Sandra Bullock giving a towering performance, which won her the Oscar for Best Actress).
joe.muggs
The protests around the Iranian presidential elections of 2009 brought home to many in the West not only how dominated by youth the pro-democracy movement in Iran is, but also how westernised the youth of that country are. Symbolised by Neda Agha-Soltan, the young woman whose death at the hands of security forces was caught on camera and beamed around the world, this was an Iran a world away from the glowering Ayatollahs and pepperpot women in black chadors we tended to see on news reports.
sheila.johnston
Cuban boxers have always punched above their weight in the world arena: the little island has clocked up no fewer than 63 Olympic medals - 32 of them gold - in the last 40 years. Enjoying extraordinary access to the mysteries of the Havana Boxing Academy, this emotional documentary follows the fortunes of three ten-year-old lads over eight months as they submit to a punishing regimen of training for the National Boxing Championship. But, as with the best sports films, Sons of Cuba is about more than winning or losing. It's about more, even, than boxing itself.
Veronica Lee
Teenagers David and Emily are inseparable friends, who live year-round on a crummy seaside caravan park on the East Anglian coast. They play games of chase among the caravans, scare sheep in surrounding fields and steal from the sweet shop on site. The friends, although the same age, are at different stages of their development; he still looks boyish, she is already flirting with Steve, the much older security guard on site. But the pair are equally emotionally inarticulate and struggling to understand their nascent lust; as the increasingly dark story unfolds, we understand that The Scouting Book for Boys is a snapshot of that moment in our lives when our minds and bodies are caught in a battle between child and adult.