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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
My Master Builder, Wyndham's Theatre review - Ewan McGr...
It's both brave and bracing to welcome new voices to the West End, but sometimes one wonders if such exposure necessarily works to the benefit of...
First Person: rising folk star Amelia Coburn on her French i...
“Sandra” is one of my favourite tracks from my album Between The Moon and the Milkman which was released last year. While living in...
Adrian Utley / Eddie Henderson Project, Ronnie Scott's...
On the eve of recording an album at Real World Studios, guitarist Adrian Utley and the American trumpet player Eddie Henderson brought their “...
Album: Suzanne Vega - Flying With Angels
Wow, can it really be 40 years since Solitude Standing, the second studio album by Suzanne Vega who put the 1980s folk revival on the map...
Dealer's Choice, Donmar Warehouse review - fresh take o...
Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but...
La Serenissima, Wigmore Hall review - a convivial guide to 1...
When Giuseppe Torelli made the journey from his birthplace of Verona to Bologna in the late 17th century, the trumpet was still seen as something...
theartsdesk Q&A: director Leonardo Van Dijl discusses hi...
"Julie's story takes place everywhere", says the writer-director Leonardo Van Dijl, whose psychological drama Julie Keeps Quiet has...
Album: Lael Neale - Altogether Stranger
Over its crisp 32 minutes and nine songs, Altogether Stranger embraces electropop, lo-fi terrain and gothic solo contemplation. By...
Much Ado About Nothing, RSC, Stratford - Messina FC scores o...
Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic....