race issues
Matt Wolf
Broadway so frequently fetes its visiting Brits that it's nice when the honour is repaid. That said, it's difficult to imagine audiences anywhere remaining unmoved by Audra McDonald's occupancy – "performance" seems too mundane a word – of the wrecked glory that was Billie Holiday toward the last months of her life in the Lanie Robertson musical play, Lady Day at Emerson's Bar and Grill. A monologue fleshed out with three (excellent) musicians, one of whom doubles as a sounding board of sorts, Lady Day was originally intended to run in London this time last year when pregnancy unexpectedly Read more ...
Tom Birchenough
Make no mistake about it, Branden Jacobs-Jenkins is a playwright to watch. London receives its first opportunity to appraise his vibrant, quizzical talent with this production of An Octoroon, for which he received an OBIE in 2014 (jointly with his second Off-Broadway work of the same year, Appropriate). His follow-on play Gloria, opening at the Hampstead Theatre in June, was a finalist in the Pulitzer drama category in 2016.An Octoroon is a cracking piece of writing. Jacobs-Jenkins has taken on that defining American subject, slavery, and deconstructed it via the prism of an 1859 melodrama by Read more ...
bella.todd
A whacking great story has gone largely untold in British theatre: the legacy of colonialism in India, including the cultural ghosts the British left behind. With the 70th anniversary of Indian independence just round the corner this summer, poet and playwright Siddhartha Bose has set out to address this "historical amnesia". Premiering at Brighton Festival ahead of a UK tour, No Dogs, No Indians shuffles three periods in Indian history and aims to deal big questions about the values of remembering and forgetting, resisting and assimilating, loving and leaving. Let’s just say we had the word Read more ...
Saskia Baron
The Oscar-nominated documentary I Am Not Your Negro is a chronicle of the pioneering writer and Civil Rights activist James Baldwin. Its director Raoul Peck mirrors the intellectual challenge that Baldwin set his audience: the film demands that you pay close attention and listen to a complex argument backed up visually with diverse social and cultural references.Instead of making a conventional biographical documentary, one which would combine archive, interviews with those who knew Baldwin, experts opining on his legacy and a narrator guiding us through the writer-activist’s history in Read more ...
Graham Fuller
Two Rode Together (1961) depicts the humanising of Guthrie McCabe (James Stewart), a corrupt, mercenary border town marshal, as it builds to a denunciation of white racism. John Ford, who made the film as a favour to Columbia Pictures (and for a $225,000 salary), considered it “crap”. Yet it was a key transitional work in his career – and the bridge between his late masterpieces The Searchers (1956) and The Man Who Shot Liberty Valance (1962). As such, the new Masters of Cinema dual format release is a must-own for Ford and Western fans.McCabe grudgingly accepts a commission from an army Read more ...
David Nice
There's no reason why ruffs and candles shouldn't mesh with bursts of contemporary speech, song and lighting, given a defter hand than director Ellen McDougall's. Shakespeare's timeless issues of racism and sexism have plenty of mileage in them, though in less skewed proportions than they find here. Many of this production's components are promising, but the whole is a strident mess.None of this is the fault of the admirable Othello, Kurt Egyiawan. Noble and low-voiced in fine speech for the opening Venice act, he also makes us aware of a man on edge and alert to slights about his skin, which Read more ...
David Nice
Those of us who saw the first, 1977 TV adaptation of Alex Haley's Roots in our teens still remember the shock and horror at its handling of a subject about which we knew little, American slavery. We know a lot more now, but the visceral reaction to inhumanity and injustice is no less strong. That's thanks to the high production values of the latest version, its gift for finding the right actors, and the often giddying cinematography of an honourable mainstream parallel to a towering masterpiece among movies, 12 Years a Slave.Roots, originally commissioned by the History Channel, may be more Read more ...
Matt Wolf
Sometimes a film can transcend its formulaic confines. That's triumphantly the case with Hidden Figures, a largely prosaically told reworking of the outsider-versus-the-system paradigm that gains piquancy from the story it has to tell and the vibrant personages at its centre. The chronicle of three black female mathematicians who against all sorts of odds transformed America's space movement in the early 1960s for keeps, Theodore Melfi's slice of a forgotten swath of history might have "Oscar upset" written across it – if La La Land at this point didn't look like such a lock. That the Read more ...
Adam Sweeting
Fences is one of the best-known works by playwright August Wilson, part of his Century Cycle of plays exploring 100 years of black American history, and it won him a Pulitzer Prize and a Tony Award in 1987. Wilson died in 2005, but further gongs greeted the play’s 2010 Broadway revival, including Tonys for its stars Denzel Washington and Viola Davis. Alongside the bulk of the 2010 cast, they reprise their roles of Troy and Rose Maxson in this film version, and both are Oscar-nominated. Washington also directed.The story is set in 1950s Pittsburgh, where an ageing Troy is eking out a Read more ...
Markie Robson-Scott
Loving is not just a love story, it’s also the true story of Richard and Mildred Loving, a couple from Virginia who got married in 1958. Richard was white, Mildred was not, and because interracial marriage was banned in Virginia, they were both arrested under the anti-miscegenation laws. Eventually the landmark case went to the Supreme Court and the ruling changed the face of America – a reminder in these deranged times that US lawyers can make justice work. Director Jeff Nichols (Take Shelter, Mud, Midnight Special) dramatises the facts with restraint, drawing on Nancy Buirksi’s 2008 Read more ...
Jasper Rees
Twelve months ago the Academy of Motion Picture Arts and Sciences was the focus of an intense campaign on social media. The hashtag #OscarsSoWhite protested the lack of recognition for black talent at the 2016 Oscars. This year the picture looks a little different, mainly because Barry Jenkins's quietly remarkable film Moonlight has deservedly scooped eight nominations.Among those nominees is Naomie Harris, who plays Paula, a crack addict in the Miami projects. But the main acting miracle of Moonlight is the trio of performances by Alex Hibbert, Ashton Sanders (pictured below) and Trevante Read more ...
Sarah Kent
Modern Art Oxford and Spike Island, Bristol have joined forces to create a retrospective of Lubaina Himid’s work that spans some 30 years, includes paintings, drawings, collages, sculptures and assemblages and proves what a highly original and complex artist she is. Himid was a key figure in the Black Arts Movement in the Eighties and Nineties, organising numerous mixed shows that brought attention to the work of black artists. She has been working ever since and exhibiting outside London, but although she has been included in various mixed shows in the capital, it is 25 years since she Read more ...