pop music
Jonathan Geddes
Cyndi Lauper was preceded onstage by a brief video that zipped through her career, which she drily declared was just in case someone was at the gig by mistake. It’s tempting to wonder what an unexpected visitor might have made of this farewell tour, given it shifted from Rabbie Burns mentions to gestures of support for the LGBT+ community, wig changes and, at one point, Lauper climbing up from a trap door wrapped in what looked like percussive body armour.It was certainly never a dull evening, right from the familiar bounce of “She Bop” to kick things off. It offered an early chance for the Read more ...
Kieron Tyler
After co-fronting Vinegar Joe with Robert Palmer, Elkie Brooks first charted as a solo artist in 1977 with “Pearl’s a Singer.” Yet there was more to her musical past than the 1971 to 1974 spell in the blues-rock outfit. Her contributions to You Got Me Hooked! - More Marylebone Beat Girls are “He's Gotta Love me” and “Stop the Music” – both released a decade before “Pearl’s a Singer.”“He's Gotta Love me” was the June 1965 A-side of her fourth single. “Stop the Music” was the B-side of her February 1966 sixth single. Each is a top-drawer uptown soul-pop nugget with a strong tune, driving rhythm Read more ...
Thomas H. Green
The Weeknd is a global megastar, one of the biggest music sensations of the age. Last year, his compilation, The Highlights, was the second best-selling album in the world, and he has 27 songs with over a billion streams on Spotify, which is a record. His latest album is the third part of a trilogy which started, back in 2020 with After Hours. Unfortunately, where that, and its sequel, Dawn FM, were vibrant, contagious, catchy electronic pop, Hurry Up Tomorrow, is morose, lacking tunes and, boy, does it go on and on.There’s a fair bit worth listening to but, at almost an hour-and-a-half long Read more ...
Thomas H. Green
VINYL OF THE MONTHBuñuel Mansuetude (Skin Graft/Overdrive)This is a balls-out punk rock’n’roll mess, grunge that’s eaten the hash-cake then swigged a pint of Bourbon at high speed. Buñuel is Eugene S Robinson of San Francisco noiseniks Oxbow, accompanied by a trio of Italian musicians. Across this two-record set, which comes on gatefold double on vinyl that looks like a neon green alien has thrown up breakfast, the quartet are having a ball. Robinson leads the charge, his shrieking vocals whirlpooling around a caterwauling riff assault that’s psychedelicized in the manner of bands such as Read more ...
Kathryn Reilly
If I’d listened to this blind, I would have absolutely no idea who it was by. This isn’t the voice I remember on those Spandau backing tracks. In fact, it’s a sound straight from mid-80s soft rock. If that makes you feel queasy, step away now.Apparently Gary, like the rest of us, has been having a bit of a rough time. The pandemic, doomscrolling the news, the sudden realisation he hadn’t properly mourned his parents – all of this built up to an episode of anxiety and self-doubt. You’d expect the man that written some of the most popular pop songs of all time (selling more than 25 million Read more ...
Kieron Tyler
On 26 September 1966, The Twilights set-off from Australia to Britain. The journey, on the liner the Castel Felice, took six weeks. A day after boarding they learned their sixth single, “Needle in a Haystack,” was an Australian number one. There was nothing they could do to promote the hit, so after disembarking at Southampton they looked for work.The trip was the prize at Melbourne’s Battle of the Sounds competition. They won and, as well as the travel, the accolade included a recording session with EMI in London. As The Twilights records came out in Australia on EMI’s Columbia label, this Read more ...
Kieron Tyler
The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an elegiac atmosphere is set. The voice, coming in just-short of the 10-second mark, is similarly yearning in tone. The song’s opening lyrics convey dislocation: “You and I travel to the beat of a different drum.”“Different Drum,” the September 1967 single by an outfit dubbed Stone Poneys Featuring Linda Ronstadt, was immediate, had a country edge and was written by Mike Nesmith – then best known as a member of The Monkees. The band had already issued Read more ...
Kathryn Reilly
Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the many truly excellent albums I’ve reviewed this year should get the ‘top prize’ has, frankly, been ridiculous. I’m not an indecisive person. And, for God knows that reason, I feel personally loyal to the artists upon whom it would have been easier to bestow this huge honour (Nadine Shah, Elbow, Joan as Policewoman, see below). I am choosing the road less travelled. Sort of.Get over yourself, I hear you cry. And you’re right. The reason I’ve plumped Read more ...
Kieron Tyler
A reissue can be an aide-mémoire, a reminder that a record which has been off the radar for a while needs revisiting, that it deserves fresh attention.In that spirit, this column has looked at straight vinyl reissues of albums of varying styles, from various periods; from the well-known to those which attracted barely any consideration when they first surfaced. In the latter category, there is the reissue of Horizoning by the Canadian folk-inclined singer-songwriter Stefan Gnyś whose sole album had, until 2024, never advanced beyond the 12 two-sided acetate discs which were specially cut in Read more ...
Jonathan Geddes
Travis arrived onstage with the theme tune from classic sitcom Cheers as an accompaniment. The cavernous OVO Hydro might not be a place where everyone knows your name, but a Glasgow homecoming by local lads made good certainly tapped into a festive vibe of friends and familiarity, with singer Fran Healy making ample reference to the group’s roots during their set.That fondness for the quartet is partly why they were able to play such a large venue to begin with, given the rest of their tour visited more compact, if still decently sized, buildings. Of course, the group’s late 90s and early Read more ...
Thomas H. Green
I’ve known for some time that Ariel Sharratt & Matthias Kom’s Never Work is my Album of the Year. This lividly witty, no-filler take-down of workplace servitude arrived on vinyl in May. The creation of two Canadian indie-folkies (from The Burning Hell), it’s my most-played album of 2024, containing my most-played songs, the title track and the poignant, “The Rich Stuff”, the latter a call to revolution themed around The Goonies.One big problem. I just discovered Never Work came out in 2020. Was it a vinyl reissue? Who knows!With its disqualification I scrabble about. A couple of monster Read more ...
Jonathan Geddes
When Vampire Weekend arrived onstage they numbered only three and were bunched together at the front with a large curtain draped behind them, obscuring their backdrop. By the time this marathon set ended two and a half hours later, they’d more than doubled in number and had made full use of their surroundings, a shift which summed up a constantly changing, often contradictory show.One of those paradoxes was the setting itself. Vampire Weekend are an expansive band, but they still seem a strange fit in large arenas, and going by the amount of sections tarped off they’re not the easiest sell to Read more ...