1930s
DVD/Blu-ray: IndochineFriday, 30 December 2016
The end of empire has rarely looked more cinematically beguiling than in Régis Wargnier’s Indochine, the visually lavish 1992 drama written for Catherine Deneuve, who gets the film’s epigraphic line about “believing that the world is made of things... Read more... |
Large, Hudson Shad, BBCSO, Gaffigan, BarbicanThursday, 24 November 2016
Has there ever been a more pertinent time to revive the poetic mythologies of Brecht and Weill? The writer said that the good-life-for-dollars city of Mahagonny was not exclusively an American state of mind and should be set in any country where it'... Read more... |
Simplicius Simplicissimus, Independent OperaTuesday, 15 November 2016
“Not as a pleasurable play, but…an urgent message…” So composer Karl Amadeus Hartmann described his caustic chamber opera Simplicius Simplicissimus, receiving its UK premiere at Sadler’s Wells 81 years late. Five years before Brecht used the Thirty... Read more... |
Sunday Book: Zadie Smith - Swing TimeSunday, 13 November 2016
In his lovely memoir My Father’s Fortune, Michael Frayn dubs the Holloway and Caledonian Roads the “Tigris and Euphrates” of his family history. In that case, just a few pages west in the London A-Z (the mystic scripture that baffles an American... Read more... |
Lulu, English National OperaThursday, 10 November 2016
After a day of sheer pain, would it be endless night or cathartic relief at ENO? Both, must be the answer, and much more, all at once. Iconoclastic Frank Wedekind's "earth-spirit" Lulu, exploited as a street-child but now able to turn the tables for... Read more... |
Café SocietyFriday, 02 September 2016
Whatever one thinks of Café Society - and responses to Woody Allen's latest as ever are likely to be divided - few will dispute the visual lustre that the legendary cameraman Vittorio Storaro has brought to this tale of love upended and... Read more... |
Prom 53: Stadler, RLPO, PetrenkoFriday, 26 August 2016
He still looks every inch the golden boy, but Vasily Petrenko has just turned 40, and next month celebrates a decade with the Royal Liverpool Philharmonic. Time well spent, as this impressive evening revealed: after years of Russian immersion under... Read more... |
Swallows and AmazonsMonday, 15 August 2016
If one was going to write the recipe for a classic British children’s film, it would probably include the following: adapt much-loved novel; hire fresh-faced young actors and well-worn comedians; budget for steam trains chugging over viaducts;... Read more... |
The Flames of Paris, Bolshoi Ballet, Royal Opera HouseSaturday, 06 August 2016
The Flames of Paris, in Alexei Ratmansky's 2008 reworking, is a ballet of contrasts. Between the first and second acts, so different in pace and quality, between the naturalistic intimacy of certain pas de deux and the stylised posturing of the... Read more... |
Illuminations, Tynan, Aurora Orchestra, Collon, Snape MaltingsSaturday, 11 June 2016
Nothing galvanises an audience quite like physical risk. As soprano Sarah Tynan rose on a hoop into the darkness, intoning the final words of "Départ" from Britten's song cycle Les Illuminations, you could almost hear her heart race. Beneath, a... Read more... |
theartsdesk in Bilbao: The School of Paris at the Guggenheim MuseumSunday, 29 May 2016
Painted during his first trip to Paris in 1900, Picasso’s Le Moulin de la Galette is an outsider’s view of an exotic and intimidating new world. Men and women are seen as if through some strange distorting lens, their blurred, mask-like faces... Read more... |
John Piper, Pallant House Gallery, ChichesterThursday, 28 April 2016
You wouldn't judge a painting on how it would look in your own home, but textiles are different: in fact it is exactly this assessment that counts. A length of fabric laid flat is a half-formed thing: it needs to be cut, stitched and draped before... Read more... |
