Theatre
Veronica Lee
Take four superb actors - Lucy Cohu, Kerry Fox, Ian Hart and John Simm - cast them in a revival of a play that inspired a haunting film, and what do you get? On the evidence of last night’s opening performance of Speaking in Tongues, a right mess, that’s what.Australian writer Andrew Bovell (who worked with Baz Luhrmann on Strictly Ballroom) and whose latest play, When the Rain Stops Falling, was staged at the Almeida in London earlier this year) adapted his 1996 play five years later as the film Lantana, starring Barbara Hershey, Anthony LaPaglia and Geoffrey Rush. With its interlocking Read more ...
james.woodall
Bertolt Brecht was probably made for them: Deborah Warner directing Fiona Shaw in Mother Courage and her Children is as desirable a coupling, surely, as the Warner-Shaw Richard II or Happy Days, both immensely satisfying showcases for the director's imaginative reach and the actress's fabled versatility. Brecht's saga of the Thirty Years' War demands a challenging cross between Shakespeare's rich historical dramaturgy and Beckett's relentless density; so the must-see urgency of the German-speaking world's best-known play at the Olivier by two such - well, is it rude to call them veterans? - Read more ...
aleks.sierz
Behold the gleaming dark. At one point in this spirited and imaginative revival of Philip Ridley's 1992 play, The Fastest Clock in the Universe, one of the characters says, "We're all as bad as each other. All hungry little cannibals at our own cannibal party. So fuck the milk of human kindness and welcome to the abattoir!" Yes, well. As welcomes go, this is about as pleasant as a razor blade hidden in a cupcake - and perfectly apt for this sharp slice of East End gothic.Set in a disused fur factory deep in darkest London, Ridley's play begins by portraying the tangled domestic arrangements Read more ...
james.woodall
Nine years ago, historian Jan T Gross published a book called Neighbours. It chronicled, and tried to analyse the reasons for, the massacre of 1,600 Jews in a north-eastern Polish village, Jedwabne, in July 1941. That was a month after Hitler’s invasion of the Soviet Union, into which, in 1939, this bit of Poland had been absorbed by Stalin. The unexamined historical assumption had been that, like so many similar east European communities, Jedwabne simply fell victim to the by then efficiently exercised Nazi lust for Jewish annihilation.Gross suggested otherwise – that half of Jedwabne’s non- Read more ...
Veronica Lee
Talent, Victoria Wood’s first play, premiered at the Sheffield Crucible in 1978 and was made into a television drama the following year for ITV. Roger Glossop asked Wood to revisit the work for a festival he runs at the Old Laundry Theatre in Bowness-on-Windermere and last night it transferred to the Menier Chocolate Factory in south London, another delightful small powerhouse that punches well above its weight in the arts world.We are in Bunters, a "niteclub" in Manchester where a talent show is taking place. Ageing, unfunny turns, a seedy compere and talentless musicians all make their Read more ...
aleks.sierz
Richard Bean's monster mainstage play, England People Very Nice, was about immigration to London's East End - and was easily the most controversial play of 2009. He is a son of Hull (b. 1956). He is one of the most prolific and talented playwrights to emerge on the British new writing scene since the start of the new millennium. He is also a late developer: before becoming a playwright, he was a stand-up comic, and before that an occupational psychologist. As a writer, he first came to attention with his play Toast at the Royal Court in 1999, one of his gritty work plays, which he once Read more ...
theartsdesk
“Cricket was very much part of my life from the day I was born,” Harold Pinter once said, only partly joking. “There was a general feeling about cricket. In the 1930s the whole of England loved cricket, I think – that was my impression as a child, anyway, when I was six months old.” Pinter started playing cricket for Gaieties CC in the mid-1960s. The club was the creation of music hall star Lupino Lane. Lane had a residency at the (long since demolished) Gaiety Theatre on The Strand, so when he started a cricket team he naturally named it Gaieties.One school holiday Pinter took his son Daniel Read more ...
Veronica Lee
For someone who until very recently had an avowed dislike of Shakespeare, stand-up comic Lenny Henry makes a decent fist of Othello. It’s an astonishing role in which to make his stage acting debut - complex emotions are expressed in rhetorical gymnastics and he’s rarely off stage - but not for one moment does one believe Henry guilty of hubris. Rather, this is a man who has come to the Bard late (Henry is now 51) and clearly fallen in love with him.When I first saw this Othello (a co-production between Northern Broadsides and the West Yorkshire Playhouse) in Leeds last February, I was Read more ...
aleks.sierz
Can elections cause erections? In Jack Thorne's new 90-minute play, 2nd May 1997, Tony Blair's historic landslide victory over the Tories is the background to three stories about sex and love. As the media pumps out the election results, including the memorable Portillo moment, three very different couples in three very different bedrooms react very differently to the dawning of a new political age.The first couple is seventysomething Tory MP Robert and his wife Marie. He's about to lose his seat and defeat forces him to admit that his career has been less than glorious, while at the same Read more ...
Adam Sweeting
The death of Nirvana frontman Kurt Cobain in 1994 has provided a densely populated field of daydreams for conspiracy theorists, several of whom hotly insist that the troubled avatar of Grunge was murdered. Conversely, he may be playing in a ZZ Top covers band in Peru with Elvis and Jim Morrison. Whatever, playwright Roy Smiles has pursued a more original angle.Picking up on a rumour that there had been somebody with Cobain on the night of his suicide, Smiles exploits Cobain's well-documented fascination with deceased Sex Pistol Sid Vicious, and wonders aloud what would have happened if the Read more ...
Matt Wolf
A beloved if flawed film becomes the latest celluloid icon to stumble on its way to the stage, The Shawshank Redemption on the West End flailing where theatre adaptations of The Graduate, When Harry Met Sally, and Rain Man, among various others, previously led. Devotees of the 1994 Oscar hopeful may bring enough prior affection for the material to see them through the (copious) chinks in the prison cell armour, leaving newcomers to this parable of liberation pondering how it is that a piece so devoted to inspirational uplift should seem so uninspired.Co-authors Dave Johns and Owen O'Neill Read more ...
Jasper Rees
Sir Tim Rice (b. 1944) will always be inextricably known as Andrew Lloyd Webber's original - and best - lyricist. They met in 1965 and promptly wrote a musical - The Likes of Us - which has never been professionally staged. Of the three which have been, Joseph and the Amazing Technicolor Dreamcoat turned 41 this year. After Jesus Christ Superstar and Evita, lyricist and composer parted company when Lloyd Webber started working with T S Eliot. In 1984 Rice went on to collaborate with the male half of Abba on Chess. Though close to his heart, the show has never taken definitive shape. Until now Read more ...