New music
Russ Coffey
There’s a story doing the rounds that, while good, Joan Wasser’s latest fails to hit the highs of her other albums as Police Woman. Don’t believe it; it’s pure snobbery. In a world of MP3s this is a gorgeous warm album that will sound forever vinyl. When first she ditched her violin in favour of becoming a singer-songwriter, Wasser claimed she wanted to create the sound of old Al Green records. Instead, she gave us fragile torch songs that sounded like PJ Harvey and Cat Power learning songwriting from Laurie Anderson. Here, finally, however, is the fruit of that earlier ambition.It is not an Read more ...
joe.muggs
While the world of indie bands is, with a very few exceptions, colonised by posh kids with well-conditioned hair and earnest agendas, this country's pop is feeling more like the voice of those who actually consume it than it has for many years. The Tinchys, the Tinies and the N-Dubzes might make music of variable quality, but they provide something that ordinary young people can aspire to that is not far removed from their own lives, and have added a dose of youthful vim to the charts to boot.Which brings us to Aggro Santos.com – the sound of a cheeky, cheery young rapper grabbing life with Read more ...
Kieron Tyler
Forty-five years ago today, Nancy Sinatra’s risqué “These Boots Are Made For Walking” entered the British charts, beginning its rise to Number One. This country-slanted ode to sex and domination, sung by Frank’s daughter, hasn’t had its impact blunted by repeated exposure on nostalgia radio. The man behind it was Lee Hazlewood, an auteur lauded and covered by hipsters such as Nick Cave, Jarvis Cocker, Sonic Youth, Richard Hawley and The Horrors’ Faris Badwan. Before he moved to Sweden at the end of the Sixties, Hazlewood navigated his way through the peaks of showbiz while seemingly doing as Read more ...
Kieron Tyler
The summer 1976 hit “Don’t Go Breaking My Heart” was Kiki Dee’s chart highlight. The duet with Elton John was inescapable, happy, upbeat, irresistible. A Number One, it peaked a chart run on his Rocket Records that began with her 1973 cover of Veronique Sansons’s “Amoureuse”. “I’ve Got the Music in Me” then hit the Top 20 in 1974. Kiki still plays live and records, but the treasure-filled and essential I’m Kiki Dee - The Fontana Years 1963-1968 – out this week – reveals her musical prehistory for the first time. There’s more to Kiki than the hits.Bradford-born Pauline Matthews signed with Read more ...
howard.male
What’s not to like about this Swiss trio with an unquenchable love of the most obscure American roots music? As well as having the ability to evoke the spirit of early Cajun and rock’n’roll recordings without resorting to staid academic imitation, they are also clearly influenced by the likes of The Clash and the Velvet Underground. This means they’re as focused on producing a satisfyingly physically-present contemporary noise as they are in stimulating a revival of the French migrant/African-American music of deepest Louisiana.There’s a more relaxed, almost baggy looseness to some of their Read more ...
Kieron Tyler
The last album from Brighton’s The Go! Team, 2007’s Proof of Youth, followed the template set by Thunder, Lightning, Strike, their 2004 debut. AD-HD sample-driven songs met Northern soul and hip hop with call-response vocals and melodies that could have graced any Sixties girl group. All at 80 miles an hour with xylophones and brass. Third time round, Go! Team mainman Ian Parton has stretched out without sacrificing what was great in the first place. Rolling Blackouts is The Go! Team’s best album so far.This might be due to a change in Parton’s approach to songwriting. He’s written from Read more ...
Thomas H. Green
This month we have some unjustly hyped rubbish electro-pop, some unjustly ignored brilliant eletcro-pop, some postmodern retro-disco, some dubstep, some grime, some sampledelic New York punk, and, at the top of the pile, one of Britain's brightest young actors proves he's equally adept on the microphone. Thomas H Green and Joe Muggs plough loudly through the lot with glee and the odd barbed word.Riz MC All in the Ghetto (Confirm/Ignore)
So actors shouldn't try to become hip-hop MCs, right? Remember Warren Beatty in Bulworth? Riz Ahmed, however, was an MC long before he made his name with a Read more ...
joe.muggs
Club music has always been hard to keep track of, and never more so than in the current climate of constant genre meltdown and cross-fertilisation. Which is why the DJ's art is more important than ever, particularly in the case of scene figureheads like the indefatigable Gilles Peterson – known for over 20 years as a patron of all things jazzy, but lately proving brilliantly adept at reaching all corners of what he refers to as “left-field dance music”. Shows like his are ideal – necessary, even – for nurturing, contextualising and showcasing new generation genre-agnostic talents like Read more ...
Russ Coffey
The annals of rock’n’roll are littered with complacency, fading stars, and acts who’ve had it and then lost it, forever. So, after 20 years, what makes the Manics different? How come they’re still turning out hit albums? Possibly it’s their hand-on-heart, Welsh-valley principles. Maybe it’s the way they find libraries as interesting a subject as love. Or perhaps it’s the way that they keep recovering from the brink of near self-destruction. Listening to them last night, though, something else became clear.In their souls they still appear to be 19. It showed in their choice of first song, “ Read more ...
Russ Coffey
If you’ve never heard a Gang of Four track, you probably still know their music. Their influence is all over the Red Hot Chili Peppers, Bloc Party, Franz Ferdinand, and R.E.M to name but a few of their fans. And that's just the musical legacy. Because Gang of Four, primarily active from 1978 to 1983, if they changed anything, changed the way bands considered the role of rock music. Paul McCartney may have wanted to fill the world with silly love songs, but Andy Gill and Jon King wanted to jam the airwaves with social injustice, war and disconnected lives.On the phone from his home studio in Read more ...
Kieron Tyler
Luke Haines holds a small cassette player to the microphone, switches it on and the sounds of birds are heard. It’s “Me and the Birds”, one of his new Outsider Music songs. His old Britpop-era band The Auteurs were guitar pop. His next outfit, Baader Meinhof, were edgier, noisier. After that, Black Box Recorder were artier. But this is beyond any of that. He sings of drinking cocktails in the lounge of a Travelodge with the birds he’s heard outside his window. The Suede reunion wasn’t like this.Although The Auteurs cropped up just before Britpop, Haines was more arch than the aiming-high Blur Read more ...
David Nice
Now I know why the BBC Symphony Orchestra slunk so easily into Piazzolla tango mode last Friday: they'd danced it under Latin American instruction four years ago. It's all part of their education department's annual Diverse Orchestras week, where performers from another culture come to open the players' fantasy and the onlookers get to learn something into the bargain. And learning has never been more fun than it was last night in the Tabernacle, Notting Hill's vibrant arts centre, where the Fez Andalusian Orchestra under one of the world's great string players, Mohamed Briouel, set a zinging Read more ...