New music
Russ Coffey
Sometimes it feels as though modern music has lost its magic – that the more that's produced the more ordinary it seems. Last night, however, down the Bohemian end of one British seaside town, the crowd sat expecting something pretty special. They had good reason. These days 67-year-old Emmylou Harris, with her long silver hair not only looks Southern gothic but sounds it too.Harris is over to celebrate the reissue of 1995’s Wrecking Ball. The original was an alt-country landmark in which Emmylou swapped her trademark quavering harmonies for an ageless, spectral sound. U2/ Bob Dylan “ Read more ...
Kieron Tyler
“Somebody had to be Bikini Kill, otherwise we would have culturally starved to death.” The quote typifies the deferential The Punk Singer, a bio-doc on the driven Kathleen Hanna, the feminist front-person of the American bands Bikini Kill, Le Tigre and, most recently, The Julie Ruin.In contrast, Hanna herself was never and isn't deferential. Her vital importance to cultural and rock history is set in stone as, for the former, she initiated the Nineties feminist musical groundswell riot grrrl and, for the latter, she sprayed the words “Kurt smells like Teen Spirit” (a deodorant brand) on Read more ...
Guy Oddy
Neil Young has been pretty much making albums of two types for most of his 45 year solo career. There have been the proto-grunge rockers like 1979’s Rust Never Sleeps and 1990’s Ragged Glory and the more subtle, acoustic folk-rockers like 1970’s After the Goldrush and 1972’s Harvest. All these four albums are titans of their genre but Young has never been the most consistent of artists and his career has not been without its misfires, like 1983’s Everybody’s Rockin’ and 1987’s Life.A Letter Home sits firmly in the folk-blues end of the Young spectrum and sees him accompany his own soft and Read more ...
caspar.gomez
It is only when Peaches turns into King Herod that she really becomes the Peaches the audience recognises. A cheer goes up as she jeers, “Prove to me that you’re no fool/Walk across my swimming pool.” She’s mocking, leering, puffed up in a gold coat, her hair shaved at the sides and swept into a giant bouffant on top. In fact she looks more like the Elvis-ish Pharoah from Rice & Lloyd-Webber’s Joseph and the Amazing Technicolor Dreamcoat than any character from the pair’s self-consciously hip interpretation of the Gospels. She tops it all off by ostentatiously doing the splits to whoops Read more ...
Kieron Tyler
Declaring that your new album can help conquer insomnia seems, initially, self-defeating. If it induces such a calmness that potential listeners drift off to sleep, then there’s the potential it may never be heard in full. Yet this is what lies behind Matt Berry’s fifth album. It was written and recorded at his home studio in the small hours while he was suffering from insomnia. He wanted to create a music which would still his mind so set to devising his own therapeutic soundtrack. Music for Insomniacs is the result.Music for Insomniacs is neither the expected single drone or blandly Read more ...
Matthew Wright
Jazz pianist Chick Corea put a bomb under his reverential “rare solo concert” billing at the Barbican last night, with an outrageously showmanlike variety performance that seemed to take in everyone from Keith Jarrett to Gareth Malone. Corea’s two ECM albums, Piano Improvisations (1971 and 1972), blazed a trail for similar work, music that was cerebral, even austere, from Paul Bley and the arguably even more distinguished Jarrett. Anyone expecting a similar experience last night will have left reeling not just at moments of sublime musicianship, but also at Corea’s multifarious Read more ...
Lisa-Marie Ferla
Nobody ever accused, say, Dylan of having a voice that didn't mature with his songwriting. It’s something that springs to mind every time I try to put my finger on exactly why I’ve never warmed to the country-folk sounds of Conor Oberst’s latter work. Stylistically, the music is beautiful and while the lyrics may not be steeped in the same visceral poetry of Oberst’s Bright Eyes days they’re still a cut above most contemporary songwriting. But the quivering timbre of the voice that gave that band its visceral, emotional core or that wrung itself raw fronting early 00s emo act Desaparecidos is Read more ...
Kieron Tyler
Various Artists: Philadelphia International Records – The CollectionThe O’Jays’ “Love Train”, The Jacksons’ “Show You the Way to Go” and McFadden & Whitehead’s “Ain’t No Stoppin’ Us Now” share an undeniable power. All make the body move and have a potency which could be devotional. Each is also about going forward and could slot into a church service. Despite being products of a musical production line, these were more than simple pop records.All three were issued by Kenny Gamble and Leon Huff’s Philadelphia International Records and are heard on Philadelphia International Records Read more ...
mark.kidel
They say the devil has all the best tunes, but melancholia is another source of musical inspiration. Coldplay’s new album is the product of a period of emotional turmoil in lead vocalist Chris Martin’s life – the much–publicized ‘uncoupling’ from his wife the actress Gwynneth Paltrow.The album was made before the announcement of their separation but it expresses a painful inner journey in anticipation of break-up, the realization of loss, and the mortality of relationships, all of which are the stuff of melancholy moods.There is no trace of anger or vituperation here, no sign of blood on the Read more ...
Thomas H. Green
A little early, this review, as the album’s not out until Monday 2nd June, but if you take a look, everyone from 50 Cent to Clean Bandit has something out that week, so let’s have a listen now or it may fall by the wayside. Jah Wobble, after all, is one of those sturdy but essential periphery figures whose nearly three decades of music, often with a who’s who of alt-pop talent, is almost always worth a look (ie, with John Lydon, Adrian Sherwood, Screamadelica-era Primal Scream, the astounding Sinead O’Connor collaboration “Visions of You, his wife Liao Zilan’s Chinese Dub project, and so on). Read more ...
Guy Oddy
As her rendition of “Double Rainbow”, from recent album Prism, draws to end, Katy Perry announces into her microphone that “It was the music that brought you here! You like the costumes and lights but the music brought you here!” The funny thing is that actually the music is the least of things in the Katy Perry live spectacular. The stage set is loaded with trap doors, moving platforms, dry ice, lights, lazers, a troop of dancers in day-glo costumes that bring more than a sniff of Alice in Wonderland to the proceedings but we are four songs into her set before we see anyone with a musical Read more ...
Russ Coffey
“We're gonna hit the road harder than we've hit it in a long time… There's no bullshit going on.” So said Drive-By Truckers’ co-frontman Patterson Hood last February. From the grin he wore while he took to the stage last night, it was evident this had been no empty promise. Despite a sound quality that was decidedly meh throughout, the band succeeded in filling the Shepherd’s Bush Empire with the atmosphere of an Alabama roadhouse.It helped that support act, Heartless Bastards, kicked off proceedings with some of the most joyous lo-fi stomping you could hope to find this side of Jack Read more ...