New music
joe.muggs
Electronic music, it seems, is finally being seen broadly as something with heritage. Perhaps it's the alienating qualities of sounds that don't emanate from any easily graspable human action, perhaps it's the association with either academia or the subcultures of psychedelia, industrial culture and rave, perhaps it's just that people are naturally conservative, but there has long been a sense in the mainstream that electronic sound-making had to do just with novelty and modernity rather than being part of any deeper cultural flow.If any label can prove otherwise, it's Mute, the label that Read more ...
joe.muggs
Joe and Peter are back with another show of the exotic and out-there, with a heavy leaning towards the Lusophone this time.Music from Brazil, Angola, Cape Verde and Portugal itself features, including some very serious Brazilian disco and a taste of Kuduro. But there's also modern Swedish psyche rock guitar virtuosity, Californian ambience, Congolese ritual, Catalonian post-dubstep, and heartbreaking country & Western balladry with just a hint of West Africa to it, among much, much more. Dive in, we dare you. Tracklist below. The Arts Desk 01/05/14 by Meattransmission on Read more ...
Matthew Wright
The third Emulsion Festival, curated jointly this year by Trish Clowes and Luke Styles, turned out to be more of a collage of original colours, when the second day of programming concluded at Village Underground last night. Yet the varieties of performance all shared a commitment to novel combinations of sound, technique and feeling, and drew collectively on inspiration from Rihanna’s “Only Girl in the World” to the classical chamber ensemble to create an absorbing spectacle of multi-genre music that was both emotionally and technically compelling. The Village Underground itself was the Read more ...
Kieron Tyler
Denmark’s Broken Twin take the lead in the latest of theartsdesk’s regular round-ups of the new music coming in from Scandinavia. Debut album May is melancholy. Minimally arranged, with lyrics addressing the pain brought by the passing of time, bleakness in the form of metaphorical references to weather and what happens after death, this is an affecting album. The sense of a lonely despair is reinforced by the defeated, distant voice of Majke Voss Romme – who is Broken Twin. May might fit clichés about Nordic chill, but the album draws from and sits proudly alongside landmark works of the Read more ...
james.woodall
Caetano Veloso gets more extraordinary. After his 2010 show in London, one critic (me) said that at 67 his “wings seemed a little clipped”. Maybe that show, which was quite short, wasn’t the best he’d ever given. But maybe I was wrong. At 71, this slight man has not a clipped or cramped or confined thing about him. He seems to have got younger. He sounds exactly like he did over four and a half decades ago, when he exploded with Gilberto Gil into Brazilian music with, for the time, a shocking thing called Tropicalismo.Tropicalismo went right across the arts. Its musical bent shocked because a Read more ...
Guy Oddy
Anyone with more than a passing interest in the Radio One playlist will have been aware that 2013 was, without doubt, the year of Rudimental on Planet Pop. Hit singles, a massive album in Home and plenty of well-received festival and live performances followed and the accolades rolled in. In 2014, it looks like it is going to be Clean Bandit’s turn. January’s monster hit single, “Rather Be”, topped the UK charts for four weeks, they have just finished a hugely successful UK tour and it’s not even festival season yet, with its wall-to-wall TV coverage.Clean Bandit have already made significant Read more ...
Aimee Cliff
Whatever “it” is, Alex Turner has it in his bones. From those first excitable live performances passed around online in the early 2000s, before Sheffield’s Arctic Monkeys rocketed to No. 1 success apparently overnight, to 2014’s triumphant Finsbury Park headlining residency, the frontman exudes charisma live. Where that once came from his disarming lyrical dexterity and comparable physical awkwardness, though, he’s now a different character entirely: one with smooth hair and smoother hips, who floats through an hour and a half set in front of a crowd of around 40,000 like a living, breathing Read more ...
Kieron Tyler
Good Morning, Midnight is the 1939 Jean Rhys novel portraying an alienated woman moving through the present while being confronted with, but not necessarily recognising, her own past. In the book, Sasha Jensen wanted to be acknowledged but also unseen. Good Morning, Midnight the album is the first by Becky Becky, the new persona of Gemma L Williams, who previously recorded as Woodpecker Wooliams. She said goodbye to that guise at a show where she performed naked. The novel's alienation reverberates throughout the album.On Good Morning, Midnight, she is joined by Peter Mason, formerly of Fence Read more ...
Lisa-Marie Ferla
Howling Bells have come a long way in the 10 years since they settled on a name and direction for their musical project, both physically - the four-piece uprooted themselves from Sydney, Australia to their adopted hometown of London to record and promote their self-titled debut album - and philosophically. In 2006, their combination of heavy, gloomy guitars and toe-tapping melodies topped with songwriter Juanita Stein’s effortlessly cool vocals deservedly attracted the frenzied attention of the music press and Bella Union boss Simon Raymonde, but that attention died down after a series of Read more ...
Lisa-Marie Ferla
The first thing you’ll notice about Sharon Van Etten’s Are We There is how crystal-clear and clean it sounds. “Afraid of Nothing”, the album’s opening track, fizzes with hope and expectation like the long tail of a firework from its giddy opening lines: “you told me the day that you showed me your face we’d be in trouble for a long time - I can’t wait”. Listen to it on headphones, though, and the component parts of that giddiness will stun you: the interplay between simple piano chords and guitar; the soaring strings that fill the chorus line with anticipation; the booming bass drum you can Read more ...
Kieron Tyler
Oasis: Definitely Maybe“His onstage presence is supernatural, a good looking boy exuding primal sexual allure while standing stock still, hands behind his back, all effort going into his big chested, raw throated pure and essential singing.” The beyond-hyperbolic liner notes to Deluxe Box Set edition of the 20th-anniversy reissue of Definitely Maybe, the first Oasis album, read like a parody. Liam Gallagher may be many things. But supernatural?Elsewhere, they gush that “the holy grail of British pop music is surely a bunch of longhaired boys with guitars playing swaggering, melodic rock Read more ...
Matthew Wright
The veteran South African jazzers Adam Glasser and Pinise Saul transformed the gleamingly elegant Crazy Coqs cabaret den into a throbbing township jazz club last night, with an exhilarating programme of original South African jazz, seasoned with standards and township folk. Joining forces with the percussionist Marcina Arnold, a relative newcomer to their ensembles, they roughed up this venue’s urbanity with unfamiliar fires of passion and yearning.As well as playing piano with a gallery of South African jazz greats, Glasser is noted for his work on the chromatic harmonica, and last night’s Read more ...