In 2017, the BBC Wales team with director Rhodri Huw filmed a Christmas show in the old 1888 Coal Exchange in Cardiff, now a hotel. Tom Jones and Beverley Knight’s Gospel Christmas was an exciting and upbeat show, which ended in an electrifying “Born in Bethlehem”. Knight was jumping around as if she’d had springs fitted, the radio mic on her back somehow staying attached to her.

Fired by the spirit of the MR James ghost stories which used to be a Christmas staple on the BBC, Mark Gatiss conceived this amusing bonne bouche as both a seasonal chiller and a nod to the ghost of broadcasting past. In passing, he also managed to shoehorn in a survey of changes in social and sexual mores which have occurred over the last 40 years.

The author of the original Watership Down novel, Richard Adams, used to insist that it was “just a story about rabbits”, but its eco-friendly theme and warnings about the destruction of the natural environment were impossible to miss. In the 46 years since Adams wrote it, these concerns have become vastly more pressing, and his depiction of displaced rabbits wandering the earth in search of a new home could hardly be more topical. Thus, this new BBC/Netflix adaptation is aptly timed.

The movie musical: money making or true art – or both? This was a programme to sing along to, in the company of Judy Garland and Gene Kelly, Elvis Presley and Cliff Richard.

There was a ruthless logic to the scheduling of The Long Song (BBC One). Broadcast over three consecutive nights, this fleet-footed adaptation of Andrea Levy’s novel set during the era of abolition in 19th-century Jamaica swiftly gathered momentum and proceeded at pace towards (praise be) a charming denouement.

When Bruce Springsteen’s one-man show opened at the Walter Kerr Theatre on New York’s West 48th Street in October last year it was only supposed to run for six weeks. This being Springsteen, however, demand proved almost limitless, so the season was extended twice, and the Boss (as he doesn't like being called) takes his last bow on 15 December.

Welcome to your first day in the afterlife! Everything is fine! Eleanor Shellstrop (a sparkling Kristen Bell) is dead, but hey, that’s cool, because she’s made it into the Good Place. Michael (the divine Ted Danson) is architect of this brightly coloured afterlife with its abnormally high ratio of frozen yoghurt parlours. “People love frozen yoghurt. I don’t know what to tell you,” sighs Michael.

As the priest said, "Understanding comes first, then forgiveness". Thus the rather enjoyable (if slightly overstretched) Mrs Wilson came to a not exactly happy, but certainly forgiving, ending. Ruth Wilson held the screen over three episodes of this period drama, playing her own real life grandmother Alison Wilson.

It was when he was on holiday at his agreeable estate in the Algarve in August 2014 that Cliff Richard got a phone call telling him his Berkshire home was being raided by the South Yorkshire Police. It was the beginning of a four-year ordeal in which accusations of “historical sexual offences” threatened to crush the veteran entertainer, formerly believed to be indestructible.

You wouldn’t turn to Jimmy McGovern for a drawing-room comedy, but there’s no doubting his gift for seizing big issues and turning into them raw, bleeding chunks of drama. You’re either for him or against him, but if you’re against him he’d love to grab you by the throat and shake you into seeing it his way.