Features
Jasper Rees
Very early in 2003 I went to the offices of Faber & Faber in Bloomsbury to meet a first-time novelist. At 41, he looked slightly long in the tooth to be fresh out of the traps, even a bit roughed up by life. With seasoned teeth and capillaried cheeks, he had evidently survived a battle or two. It was his first ever interview. I remember asking him if he had any idea how good his book was. To be taken on by such reputable publishers after half a lifetime of epic underachievement was fairy tale enough. But that year the story moved rapidly on when Vernon God Little by DBC Pierre won Read more ...
Ismene Brown
UPDATE 2015: Four years ago, in January 2011, I wrote this article about the music critic and biographer Michael Kennedy's search for the missing portion of Elgar's life. It identified a Mrs Dora Nelson as the composer's mistress and mother of a lovechild, who might have influenced some legendarily enigmatic aspects of Elgar's compositional output. A new development opened when an Arts Desk reader contacted me, who had taken up Kennedy's and my requests for others to pick up this unsolved mystery. Andrew Baker's work has since identified - unlikely as it may seem - a second Mrs Nelson, who is Read more ...
David Nice
Most of us don't object to experiments in concert presentation - the occasional one-off showcase to lure the young and suspicious into the arcane world of attentive concert-going, the odd multimedia event as icing on the cake. It's only those pundits obsessed with the key word "accessibility" who tell us that the basic concept of sitting (or standing, as they have at the Proms for well over a century) and listening with respect for those around us needs overhauling. It's a typical journalistic conception of "either/or" instead of "all approaches welcome" - a case of what an American academic Read more ...
hilary.whitney
It’s a fairly safe bet that when director Beeban Kidron made her first film, the documentary Carry Greenham Home (1983), she never envisaged that 20 years later she’d be directing a whopping great blockbuster about a Chardonnay-swigging young woman’s desperate quest to get a ring on her finger - Bridget Jones: The Edge of Reason (2004). But then Kidron’s career trajectory has never been predictable.Her CV ricochets from the classic television series Oranges Are Not the Only Fruit (1990) to a documentary about the sculptor Antony Gormley to the film Wong Foo! Thanks for Everything! Julie Read more ...
Russ Coffey
If you’ve never heard a Gang of Four track, you probably still know their music. Their influence is all over the Red Hot Chili Peppers, Bloc Party, Franz Ferdinand, and R.E.M to name but a few of their fans. And that's just the musical legacy. Because Gang of Four, primarily active from 1978 to 1983, if they changed anything, changed the way bands considered the role of rock music. Paul McCartney may have wanted to fill the world with silly love songs, but Andy Gill and Jon King wanted to jam the airwaves with social injustice, war and disconnected lives.On the phone from his home studio in Read more ...
carole.woddis
Do Stanislavski and Lee Strasberg have a lot to answer for? Or can we place the blame, if blame it is, elsewhere? I’m referring to the steady, insidious advance of theatre mumbling. You may have noticed it at a theatre near you. It’s the art that disguises itself in “naturalism”, a kind of quasi “Method” style of acting.It’s not always easy to detect. At first you think you may be mistaken. Isn’t this “great acting” I see before me, the eyes furrowed towards the floor, the voice low, even a little seductive? You blink – and blink again. You wait for something to happen on stage. But wait a Read more ...
Tom Birchenough
Twenty-odd years ago, on the eve of the break-up of the Soviet Union, the country’s cultural world was anticipating cardinal changes – anything from a series of closures to a radical alteration in which the way art would be produced under new economic circumstances. Nowhere more perhaps than in theatre, where the established universal nationwide system of repertory companies faced potential implosion.Despite a subsequent decade of considerable uncertainty, such fears would prove largely unfounded. This month’s visit by Moscow’s Sovremennik Theatre to London offers a chance to see the very Read more ...
charles.hazlewood
Next Friday, my amazing period-instrument orchestra, Army of Generals, begins a new residency at St George’s Bristol. The aim of this unconventional and high-octane series of concerts - which will be performed by what I refer to as my crack squad of period instrumentalists - is to raise the bar for people’s engagement with music and to bring some musical protein to a city which I think is so desperately in need of it.As someone who was born and raised in Somerset, I have for a long time been frustrated by the low provision of music in the West Country. If you drive south and west from London Read more ...
josh.spero
The Egyptian Government is investing in the arts, which would normally be a cause for celebration. However, in building the National Museum of Egyptian Civilisation, it feels like the country’s cultural budget is being spent on another new display case for its past rather than on encouraging a contemporary arts scene. The NMEC, which was first mooted in 1982 (the year after Sadat was assassinated, if that signifies anything today), will open this year in south-east Cairo, after seven years of construction, nine years since the foundation stone was laid.It has been designed as a tour d’horizon Read more ...
joe.muggs
2010 saw some major shifts stirring up the UK club music ecosystem and unleashing some fascinating hybrids and variants of existing sounds out into the wild. As the hefty bass of dubstep muscled its way firmly into the heart of the mainstream, everything else was forced to rearrange its position, with some surprising results. The most aggressive sounds proved to have a sensitive or celebratory side, the hoariest old rhythms were given a new lease of life and – despite the supposed globalisation of the weird wired world – highly localised club scenes were once more at the forefront of Read more ...
fisun.guner
Last year gave us three giants of Post-Impressionism. The Royal Academy promised to unveil the real Van Gogh by showing us the man of letters; Tate Modern delivered a sumptuous survey of Gauguin; and a significantly smaller but nonetheless intelligent and illuminating display at the Courtauld Gallery homed in on just one series of paintings in Cézanne’s oeuvre - the ambitious, masterly and compositionally complex The Card Players.So was 2010 the year of the blockbuster, or the moreishly bite-sized? OK, it's difficult - and a bit pointless - to make comparisons between exhibitions with such Read more ...
Ismene Brown
This year the Eurozone is going to be the big political subject; fragmentation the looming concern. Culturally too, one would think that Europe, with 23 official languages, and another 60 minority languages spoken, is too much of a warren to be able to find any possible unanimity. But two ambitious projects are afoot in Brussels: to enable the translating of major literature across languages, and to join up all the museums, galleries and centres of knowledge in one great cultural cornucopia. And before you mutter that this is as exciting as sprouts, think for a moment of the implications - an Read more ...