memoir
Marina Vaizey
University, anyone? Student days? If you were ever an undergraduate, who does not remember the simultaneous sense of dislocation and excitement, the feeling of the familiar combined with a heady awareness that we might fall off a cliff, metaphorically speaking, at any moment?University life in various guises is at the centre of The Idiot. Elif Batuman is an autobiographical writer whose subject is her own intellectual and geographical adventures, imbued with a sense of discovery and emotional involvement that does not seem to depend on amatory alliances, unless you count the books and authors Read more ...
David Nice
"Generally speaking," writes Evgeny Kissin in one of the many generous tributes to those whose artistry he most admires, "the mastery of [Carlo Maria] Giulini is exactly what is dearest of all to me in art: simplicity, depth and spirituality". The same is true of the personality revealed in this slim but by no means undernourishing volume from one of our time's most fascinating pianists.The reflections on music and literature in the second half are more revelatory than the memoir of his precociously gifted childhood and youth, where Kissin's refusal to be hard on anyone or waspish gives a Read more ...
Liz Thomson
Shelve with Oliver Sacks. In Sound: Stories of Hearing Lost and Found Bella Bathurst has written a fascinating and illuminating book on deafness. Of what it’s like to lose your hearing – and in her case regain it after a 12 long years. On the world of the deaf and the deafened. On loss – not just of the sense of hearing but of much to which it is allied, such as spacial awareness, and which we take for granted. On isolation, the feeling of being “stupid”, and of being consigned to the invisible world of the old.Like Sacks, Bathurst tells stories of deafness in others: the military for example Read more ...
Marina Vaizey
Is it true that the blob of jelly resembling convoluted grey matter that we carry around in our skulls is really what we are? And how we are, and why? This is the profound question that is obliquely omnipresent in Henry Marsh’s second book on his life as a neurosurgeon as he describes his encounters with this physical part of us that seems to be, well, us. As he pithily puts it in his last pages, he does not believe in an afterlife: “I am a neurosurgeon. I know that everything I think and feel, consciously or unconsciously, is the electrochemical activity of my billions of brain cells… When Read more ...
Jasper Rees
After the first preview of Mike Leigh’s play Two Thousand Years at the National Theatre, a young Guardian reporter accosted an audience member for his view of the play. The audience member gave his name as Nigel Shapps, his age as 42, his background as Jewish, and his opinion that it was one of the most brilliant things he’d ever seen. Much to Leigh’s delight, he was quoted in the paper the next day.Nigel Shapps was in fact Nicholas Hytner, the artistic director who commissioned the play. The reporter hadn’t recognised him. An easy mistake. “I have no idea who you are Read more ...
Adam Sweeting
“What’s it like to be a child prodigy?” is a question asked by violinist Min Kym several times in the course of this fascinating, agonising memoir. There’s no simple answer, but this description rings true: “There’s that peculiar sensation of feeling completely normal within yourself, but acutely aware that you are different.”And it’s something you never entirely grow out of. As she says later on, “Talent is a burden you can’t throw off.” Music came to her with ridiculous ease, but other aspects of her life have proved more problematic. The younger of two daughters of a Korean family living Read more ...
Liz Thomson
Yiyun Li’s fiction comes garlanded in praise from authors and journals that don’t ladle it out carelessly, so it feels almost churlish to cavil over a memoir written during the course of two years while the author battled serious mental health issues.Dear Friend, From My Life I Write to You in Your Life – a quote from Katherine Mansfield’s personal journal – is not actually a memoir even in the most broad-brush sense of the term. Rather it’s a collection of essays – meditations one might call them – on depression and life and what makes it worth living. Reading this book you wonder, so don’t Read more ...
Boyd Tonkin
In this, his final book, the late German author and Nobel literature laureate tells us that he used to disgust his children with offal-heavy dishes rooted in the peasant fare of his forebears. As modern kids, they turned their noses up at “pigs’ kidneys in mustard sauce”, “breaded brains with cauliflower” or “chicken gizzards in lightly spiced broth”. Now, our bland tubes of homogenised innards disguise their beastly origins: “Whatever used to grunt, moo, cackle, neigh, is turned into sausage.”You might say that Günter Grass passed the (almost) 70 years of his writing life in a struggle with Read more ...
Arifa Akbar
The 2003 first, Italian edition of La Frantumaglia begins with words from Elena Ferrante’s publisher, Edizioni E/O, about why the book of collected writings was published: “To satisfy the curiosity of [Ferrante’s] exacting yet generous audience, we decided to collect here some letters from the author to Edizioni E/O; the few interviews she has given; and her correspondence with particular readers. Among other things, these writings should clarify, we hope conclusively, the writer’s motives for remaining outside the media circus and its demands, as she has for 10 years.”Even if the writer Read more ...
Liz Thomson
To settle down on a darkening evening with a new volume of Alan Bennett is to be in the company of an old friend. Someone you don’t see as often as you’d like but with whom you immediately pick up where you left off. Midnight will come and go and you’ll still be chatting… or reading.Keeping On Keeping On is the latest volume of diaries and writings from the man who first impinged on public consciousness more than half a century ago, when he stepped out with Peter Cook, Dudley Moore and Jonathan Miller in Beyond the Fringe. Having grown out of the Oxford Revue, it was a success in Edinburgh Read more ...
Adam Sweeting
For decades Brian Wilson was depicted as the mad, lost genius of the Beach Boys, but these days, at 74, he's looking more like one of pop's great survivors. After all, he has comprehensively outlived his brothers Dennis and Carl, and has restored his reputation with deliriously acclaimed performances of Pet Sounds and the salvaged Sixties masterpiece SMiLE. He gets invited to all-star galas and awards ceremonies at the White House.Of course, a lot of care and attention (much of it medical and psychiatric) has gone into bringing Wilson back from the brink. In the opening chapter of this Read more ...
Ismene Brown
In the midst of ferment as the arts world faces fast-shrinking public subsidy, Sir John Tusa, former managing director of the BBC World Service and the Barbican Arts Centre, publishes this week a brisk new book that urges arts and politicians to reject the emotive clichés and lazy token battles and focus on what matters. In Pain in the Arts, Tusa urges that both sides take personal responsibility for an essential part of human life.His title, beyond the dubious pun, refers to the very real, and feared, pain in the long-established arts world right now, caused by current government pressure Read more ...