memoir
Claudia Bull
Joanna Pocock’s second full-length book, Greyhound, tells the story of a single journey made and remade. In 2006, after the death of her sister and several miscarriages, Pocock travelled 2,300 miles from Detroit to Los Angeles by bus. She replicates the trip seventeen years later, curious to see how the States have changed and hoping to catch sight of her former self: “A ragged person running away from loss.”Greyhound synthesises the two trips and represents a blend of aims and genres typical of Fitzcarraldo’s non-fiction list: part memoir, part reportage; a polemic on environmental vandalism Read more ...
Gary Naylor
What a delight it is to see the director, the star, even the marketing manager these days FFS, get out of the way and let a really strong story stand on its own two feet. Like a late one at the Brixton Academy itself, this is a helluva night out.After a transgressive, life changing trip to London from school in Scotland to see Chuck Berry at The Rainbow, Simon Parkes wanted to be a rock’n’roll star. He was soon spitting out the silver spoon (but he never lost the easy charm and ironclad self-confidence that clings to the privately educated, a trait he cheerfully calls upon as and when) and Read more ...
Gary Naylor
I think my problem is that when I should have been listening in school assemblies or RE lessons, I had the Tom Tom Club’s joyous “Wordy Rappinghood” buzzing through my mind. That experience has given me a lifelong aversion to phrases like “The Word was made flesh”, the gospel of St John proving somewhat less than indispensable for me so far. Curiously, that quote, coming very early, marked a high point for two reasons: the novelty of the lip-synch approach had yet to wear off and genuinely interesting insights into the origins, power and unique qualities of speech communication were offered. Read more ...
Markie Robson-Scott
“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by his wife Ray (Gillian Anderson). And this is only the second day of their 630-mile walk, split into two summers, along the south-west coastal path from Minehead to South Haven Point.Raynor Winn’s moving, witty account of their trek, which they embarked on after being made homeless, was a bestseller in 2018. Perhaps inevitably, the eponymous film, in spite of having Tony-award winning theatre director Marianne Elliott at the helm (War Horse, Angels in Read more ...
Sarah Kent
“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring to the genocide perpetrated by the Nazis in concentration camps like Auschwitz-Birkenau, where she was held prisoner.Six million Jews were murdered in the camps, but Lasker-Wallfisch survived because she was a musician. She describes the “welcoming” ceremony in which arrivals were “stripped of every vestige of human dignity”. Stark naked, they had their heads shaved and a number tattooed on their arms.But the woman conducting this identity- Read more ...
Sarah Kent
A traditional Korean house has appeared at Tate Modern. And with its neat brickwork, beautifully carved roof beams and lattice work screens, this charming dwelling looks decidedly out of place, and somewhat ghostly. Go closer and you realise that, improbably, the full-sized building is made of paper. It’s the work of South Korean artist Do Ho Suh (main picture).In 2013, he covered his childhood home in mulberry paper and painstakingly made a rubbing of every single nook and cranny of the exterior. He left the paper in situ for nine months until the drawing had weathered to resemble an old Read more ...
Leila Greening
Mountainish by Zsuzsanna Gahse is a collection of 515 notes, each contributing to an expansive kaleidoscope of mountain encounters. Translated from the German by Katy Derbyshire in Prototype’s English-language edition, a narrator travels in the Swiss Alps across disparate fragments of prose, converging occasionally with five central characters.Gahse captures conversations in mountain refuges, in cars traversing steep cliffs, on journeys to ragged quarries or distant hikes across granite. Many of these notes are gestural. Note 229, for instance, reads, in full, "I am more of an observer of Read more ...
India Lewis
As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist Shon Faye’s second book Love in Exile? In part an examination of her own life, loves, and loss, Faye is exacting and passionate in her dissection of how we, as a society, understand the state of love: an unwieldy term that hides many painful mysterious, and which, too often, is subject to our unquestioning reverence.While Love in Exile takes love as its overarching theme, it is structured more as a series of interlinking essays. These essays routinely Read more ...
India Lewis
Taking on some of the contingent, nebulous quality of its subject, Jacqueline Feldman’s Precarious Lease examines the beginning and the end – in 2013 – of the famous Parisian squat, Le Bloc, thinking through the triumphs and consequences of the unique leniency that Paris had shown towards the preservation of such indeterminate spaces.Le Bloc was one of the last bastions of a loophole that allowed temporary occupancy in exchange for cultural, artistic capital: here iterated in an abandoned, seven-floor ex-governmental building. Its lease was short but chaotic, resulting in the occupants’ Read more ...
India Lewis
The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative journey through northern Europe in the 1980s. However, it is, at heart, a greater tale of his return, to family and to himself. Indeed, his account is perhaps more in tune with the work of Joseph Cornell, that strange artist of travel and nostalgia who never really left New York. Cornell would gather detritus, scraps, and ephemera from his native city and organise his findings into curious boxed collages, telling an oblique tale of inner journeying. Young makes Read more ...
How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedy
Gary Naylor
It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006 memoir differently. My house laughed a lot (me especially) but some see the tragic overwhelming the comic, and the laughs dry up. When it comes to humour, as is the case with mothers, it’s each to their own.It’s an unusual production right from the off when the playwright, who is also a main character, is also acting himself too – but not entirely, as there’s a pre-teen and post-teen version of him too, played by different actors. Got all that? When you add his Read more ...
Issy Brooks-Ward
How do you give voice to a history that is intimate to your own in one sense, whilst being the story of others whom you never knew? This is a question that Ellen McWilliams, in her highly moving and humorous memoir, takes not only seriously but as the stylistic basis of her work. An early rhetorical question she asks haunts the text: ‘who am I to speak?’ The consequences of asking this are twofold and, I think, important. It conjures the anxiety of forcing the tragic narratives owned by others to conform to the pattern of a separate subjective language. But it also carries with it the weight Read more ...