history
Adam Sweeting
It's a strange mixture, this Tudors malarkey. The opening episode of the fourth and supposedly final series spent an age spinning through the back story as if earnestly trying to educate us in the history of the bloodthirsty English ruling family. Then the credits rolled and everything returned to business as usual, in other words murder, lust, sadism, gluttony, treachery and avarice.It makes for a televisual mixture bursting with calories and MSG, especially when combined with the opulent camerawork and Kerrygold Country Irish locations. It's a formula which has plainly rubbed off on other Read more ...
josh.spero
The Egyptian Government is investing in the arts, which would normally be a cause for celebration. However, in building the National Museum of Egyptian Civilisation, it feels like the country’s cultural budget is being spent on another new display case for its past rather than on encouraging a contemporary arts scene. The NMEC, which was first mooted in 1982 (the year after Sadat was assassinated, if that signifies anything today), will open this year in south-east Cairo, after seven years of construction, nine years since the foundation stone was laid.It has been designed as a tour d’horizon Read more ...
Adam Sweeting
Thirty-five years after Rose Buck took what she thought was her final nostalgic stroll through the empty rooms of 165 Eaton Place in Belgravia, where she had served the Bellamy family for four decades, Jean Marsh has brought Rose back home in the BBC’s three-part remake of Upstairs Downstairs. Also aboard for this much-anticipated revival is Eileen Atkins, who was Marsh’s co-creator of the original version for LWT but was prevented by stage commitments from appearing in it. They were going to call it Behind the Green Baize Door and then Below Stairs before the familiar title was finally Read more ...
judith.flanders
The National Portrait Gallery is a national treasure. Not because it has nice pictures (although it does have that too), but because it has the most amazing archive. An archive that is, almost literally, a treasure trove. It is, of course, out of sight and therefore out of mind to the casual visitor. But for a history buff, there is a visceral thrill knowing that there are a million or so objects (the number is give-or-take), many of them only superficially catalogued. Anything may turn up.But even the NPG staff were a little startled to find that they were unknowingly storing part of a Read more ...
fisun.guner
It’s amazing what you might have found in your average bathroom cabinet 100 years ago. For those niggling aches and pains, what could be more effective than a bottle of Bayer’s Heroin Hydrochloride? Or how about a soothing spoonful of Sydenham’s Laudanum? If you’re simply in need of a quick pick-me-up, a sip or three of Hall’s Coca Wine – the “Elixir of Life” (basically liquid cocaine) - might put a jolly spring in your step. Oh, and don’t forget those cocaine eyedrops after a particularly long day staring at the officer ledger.In your great-grandmother’s bathroom cabinet, you’ll find Read more ...
Jasper Rees
It’s taken 20 years for Ken Follett’s doorstopping saga to storm the little screen in the corner of the room. According to Rufus Sewell, playing a stonemason who knows about these things, it takes only 15 to knock up a spanking new Gothic cathedral complete with the latest in flying buttresses. Not that it would be fair to compare The Pillars of the Earth with the pillars of any of the great churches erected in England in the period under observation here. You don’t get lifeless gargoyles of this quality in the Middle Ages.In the restless pursuit of authenticity, a British cast has been hired Read more ...
aleks.sierz
What is with the National and history plays? On the large stages of this theatre, the main fare is historical accounts of contemporary problems. Maybe the programmers here imagine that their audiences, like T S Eliot’s humankind, “can’t bear very much reality”. History always has a nostalgic glow. So instead of commissioning a new play about the current war in Afghanistan, the flagship venue is staging American playwright J T Rogers’s drama about the Soviet Union’s 1980s occupation and the covert war, waged by the CIA, to stop the reds by any means necessary. But does this historical account Read more ...
howard.male
“Do you realise what you’re letting yourself in for?” is surely the worst thing to say to someone in order to put them at their ease, especially when they are about to step into the subconscious unknown. But down-to-earth fireman Neil Clarke took these words from hypnotist Trevor Roberts in his stride. His main concern - if it turned out he had lived a previous life - was that he was “a nice bloke and not some sort of murderer”. But no, this wasn’t a Mitchell and Webb sketch.It was the opening scene of a serious documentary on past-life regression. However, as this half-hour journey into the Read more ...
aleks.sierz
The American Dream is a great subject for theatre. Not only is it a powerful myth that animates millions, but it is also vulnerable to being subverted by generations of playwrights. Like an aged boxer, it is liable to being floored by a well-aimed punch. In Bruce Norris’s new play, which premiered in New York earlier this year and opened in London last night, comedy is the kick that topples the great giant of the American Dream.The theme of Clybourne Park is race and property. As one character says, “The history of America is the history of property.” In the first act, set in 1959, we are Read more ...
josh.spero
By complete coincidence, this afternoon I tuned in to Air Force, Howard Hawks's 1943 propaganda picture: chiselled young airmen fill a B-17 "flying fortress", dropping their payloads over Japan, both a news service and wish fulfilment for domestic audiences. Their sharp, sweaty features glow in the firelight. Their commanders are tough but fair. Their bombs fall crisply, in a noble cause. This is not that film.
In Bombing of Germany, you saw how well Hawks rewrote history. Surviving members of B-17 crews talked about Operation Thunderclap, the all-out air assault on Dresden, Leipzig and Read more ...
Adam Sweeting
The Yesterday channel’s ongoing “Spirit of 1940” season has provoked a giant surge in its viewing figures, another reminder of the grip World War Two still exerts on large chunks of the British public. The Battle of Britain in particular has become a self-contained historical moment emblematic of what the British regard, or at least used to regard, as their finest characteristics – patience, courage, stoicism and a dogged refusal to accept bullying European dictatorships. Maybe we haven’t quite let go of that last part. Perhaps the story of our Boys in Blue in the late summer of 1940 gains Read more ...
Ismene Brown
English National Ballet turns 60 next week, and nowadays just enduring has to be enough. Smelling of greasepaint and tour buses from the very first, it also smelled of stars - Alicia Markova and Anton Dolin who began it, Rudolf Nureyev and Natalia Makarova who created splendid productions for it, and extraordinary late-career performances by Lynn Seymour. Stars have been born in ENB too, even if they burst into full gleam elsewhere - Trinidad Sevillano, Tamara Rojo, and more than likely the young lad who is ENB’s latest find, Vadim Muntagirov, who danced last night in Cinderella.This Read more ...