England
Katherine Waters
Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship during the war combined with the traumatic human toll meant that lone helmets and ravaged trees came to stand easily for the dead, while wrecked landscapes and crumbling buildings questioned the senselessness of such utter destruction.In one photograph the cathedral crouches like an abject creature, low and painful behind a foreground strafed with Read more ...
Adam Sweeting
Some have contended that King Lear is unstageable, and perhaps it’s unfilmable too. Richard Eyre‘s new version for the BBC sets Shakespeare’s most remorselessly bleak tragedy in a pseudo-modern Britain where historic stately homes co-exist with urban squalor and a ruthlessly militaristic nobility, but despite its strength-in-depth cast it ends up as less than the sum of its parts.Although it’s unusual to find King Lear opening with nighttime scenes of a glittering, contemporary City of London, including the Tower thereof, it’s difficult to feel that this setting helps us to better understand Read more ...
Adam Sweeting
There was a time when Hugh Grant was viewed as a thespian one-trick pony, a floppy-haired fop dithering in a state of perpetual romantic confusion. But things have changed. He was excellent in Florence Foster Jenkins, hilariously self-parodic in Paddington 2, and he’s brilliant in A Very English Scandal (BBC One) as smooth, treacherous Liberal leader Jeremy Thorpe. At moments, he even manages to look uncannily like him.Thorpe himself would doubtless have dreamed of pulling off a similar feat of reinvention, but for all his success as a revitalising force in the Liberal Party, his goose was Read more ...
Tom Birchenough
Ian McEwan has said that he decided to adapt his 2007 novel On Chesil Beach for the screen himself at least partly because he did not want anyone else to do so (with earlier works, including Atonement, he was glad not to have taken on the adaptation). The sensitivity of the original lies in its interiority, a quality that moves medium with far more difficulty than most. It’s a moot point whether the challenge could have finally been met by anyone, but somehow Dominic Cooke’s film, his screen debut, never quite attains the perfect, lonely poignancy of the book.That said, Cooke has made a film Read more ...
Jenny Gilbert
Everyone knows that Elizabeth I was a monarch of deep intelligence and sharp wit. Fewer know how good she was at the galliard. This was a virile, proud, demandingly athletic dance, usually performed by the men at courtly gatherings, and the fact that the Queen of England so enthusiastically flouted convention in this way says a lot about her.Will Tuckett’s Elizabeth - revived at the Barbican Theatre following its success at the Linbury Studio two years ago – deliberately avoids quoting the dances and music of the time, but homes in on that independence of spirit and zestful physicality. Read more ...
Tom Birchenough
Simon Napier-Bell’s film has a huge appetite for its subject, which is, of course, the half-century of gay history in Britain that followed the partial decriminalisation of homosexuality brought by the Wolfenden Report in 1967. 50 Years Legal barely slows for a moment over its 90-minute run, concentrating on the wealth of personal testimony of some four dozen interviewees, drawn predominantly from the worlds of entertainment and the arts, its perspective completed by a small rank of politicians and public figures.Everyone was involved – in different ways, at different times – in the history Read more ...
Adam Sweeting
As Aerosmith’s guitarist Joe Perry put it, “there’s a certain amount of fuck you-ness in everything Jeff does.” Perhaps it’s this which has allowed Jeff Beck to achieve the rare feat of surviving into his seventies as what you might describe as a guitar legend without portfolio. He does what he wants when he wants to, is revered by the great and good of the electric guitar universe, and has avoided being trapped into playing The Yardbirds’ greatest hits until the end of time.He isn’t known as an eager interviewee, but the Beck on show here seemed relaxed and vaguely amused to be taking a Read more ...
Matt Wolf
Two fast-rising actors, Jessie Buckley and Johnny Flynn, lend genuine flair to a thriller that needs its mesmerising star turns to rise above the murk. Densely plotted, if sometimes suffocatingly so, TV director Michael Pearce's feature film debut keeps you guessing on matters of culpability right through to the closing exchange. But one can't help but feel in places that less would be more, however pleased one is to clock the continued career ascent of its leading players. The near-ubiquitous Buckley plays the novelistically-named Moll, who has a job as a tour guide that she loathes and Read more ...
graham.rickson
Ealing Studios veteran Basil Dearden may have directed it, but 1944’s They Came to a City is mostly a JB Priestley film, an engaging blend of the mundane and the metaphysical. The work’s stage origins are clear; apart from the newly-written prologue and epilogue, this is predominantly a solemn, talky affair, shot mostly on a studio lot. Though we begin with an exterior shot of a sergeant and a WAAF sat on a hillside overlooking an industrial town, discussing what post-war British society might look like. Priestley himself strolls past and asks for a match, before joining in with the couple’s Read more ...
Marina Vaizey
QCC isn’t the name of a new football club, nor some higher qualification for those toiling at the Bar, but stands for "Queen’s Commonwealth Canopy". Had you heard of it? On the eve of the Commonwealth conference, along came Jane Treays's gently hilarious, and finally rather tender film to fill in the gaps. Its central focus was on the nation’s favourite nonagenarians, the Queen herself and Sir David Attenborough, pottering about and chatting in a garden – that quintessential English idyll – and not just any old garden, but that of Buckingham Palace. Quietly, they talk about saving the Read more ...
David Nice
"What could be more serious than married life?" asked Richard Strauss, whose operas became a surprising pillar of Glyndebourne's repertoire some time after the early days dramatised in David Hare's play. "Honour" might have been the answer of conductor Fritz Busch, who unlike Strauss never made accommodations with the Nazi regime. The two ingredients, personal devotion and public integrity, are interlaced with surprising shafts of depth as well as elegance in the artistic context of The Moderate Soprano. This reviewer certainly didn't leave the Duke of York's Theatre at the end of Jeremy Read more ...
Liz Thomson
For as long as I can remember, and long before I set foot in America for the first time at age 24, I have been intrigued by America – the “idea” of it, conjured up through music, and, as it turned out, the reality – and the common language which (depending on your point of view) binds us, or separates us. I’ve spent time in 10 of its major cities and, over the last three years, a great deal of time in New York where my (crazy to many British friends) proposal for an arts festival was welcomed, as was I – and by officials whose London equivalents would probably not have granted me the time of Read more ...