TV
Jasper Rees
The black stuff. The phrase was patented in the early 1980s by Alan Bleasdale, Liverpool's other small-screen big hitter. But it could just as well describe the drama that issues from McGovern's imagination, with its dark understanding of the Manichean psyche, its intimacy with the curlicues of Catholic guilt, its knowledge that animal instincts pulse insistently beneath the epidermis we call civility.His imagination got a perfect start in childhood. There were already four older siblings when he was born in 1949, and four more would be squeezed into a two-up, two-down in a working-class, Read more ...
Adam Sweeting
Janet McTeer has admitted that she had to read Hugo Blick's screenplay for The Honourable Woman three times before she could understand what was going on. Therefore anybody hoping to drop into this as a casual viewer can expect to find the learning curve slippery and featuring a pronounced adverse camber.McTeer wasn't in this first  episode, but there were still plenty of stellar names to be going on with. Stephen Rea (pictured below right) plays the world-weary Sir Hugh Hayden-Hoyle, the outgoing head of MI6 and a man reduced to microwaving himself solitary suppers in his apartment by Read more ...
fisun.guner
They came, they saw, they conquered. It was the Sixties and London swung, while the suburbs of Melbourne and Sydney dozed in a beery torpor. Clive James recalls the fizz of beer pumps as the dreary soundtrack of Aus, while Germaine Greer just wanted to escape to “a place of beauty”. She believed, she said, in the “great Australian ugliness”. No one mentioned the cultural cringe, at least not in the first part of Howard Jacobson’s two-part homage to his four brilliant Australians. The cringe, nonetheless, hovered in the air, unspoken, pervasive.Greer and James were joined by Barry Humphries Read more ...
Lisa-Marie Ferla
In 40 years’ time, when some suit at the BBC is searching the archives for some suitable footage to illustrate women in music in the early 21st century, will he pull out an image of Miley Cyrus or Rihanna wrapped in fishnets and bondage tape? I ask because it seems as though the central question posed by this women-in-punk-themed edition of The Culture Show - namely, whether the spirit of the fearless femmes of the 1970s lives on today - must be answered not by the many successors to the punk, riot grrrl and grunge acts playing their way through underground venues all over the country, but by Read more ...
fisun.guner
Well, I’ll be damned if subscriptions don’t shoot up this summer. This lovingly made paean to the New York Review of Books, directed by Martin Scorsese and his long-time documentary collaborator David Tedeschi, was better than any advert, though I’d hesitate – but only briefly – to say that it was one long advert. 95 minutes probably makes it an advertorial feature, like those misleading pages you see in magazines and increasingly newspapers. Still, that doesn’t mean I didn’t enjoy it.  One’s attention was drawn early on to that famous masthead: the word “Books”, it was pointed out, is Read more ...
Andy Plaice
Wolverhampton today, tomorrow the world. As unlikely as it was, that was the incentive for aspiring prize-winners in this first of three stories from Channel 4 looking at regional beauty pageants which in turn lead to Miss England and beyond.The events themselves pretend to have moved on from the 1970s when beauty contests were screened live on television, attracting huge audiences in awe at the glamour of it all. Whisper it, but you’re not allowed to call them beauty queens any more. As we saw through the eyes of four young women from the West Midlands, vying to become Miss Black Country, Read more ...
Kieron Tyler
Last Saturday saw the broadcast of the final Wallander on British TV. The new six-episode series has hit DVD within days of the programme being off air. As the distracted, always-troubled detective, Krister Henriksson had asked that for his return to the role after a four-year gap in this third series, it should end with no possibility of a comeback – after series 2, he’d said he wouldn’t play Wallander again yet he did. This time, the series ended with a full stop. There is no chance Wallander will be coming back.The conclusion came with Kurt Wallander developing Alzheimer’s. The final two Read more ...
Adam Sweeting
We last saw Dr Pamela Cox presenting BBC Two's Servants: the True Story of Life Below Stairs. Having done the academic's-eye-view of Upstairs Downstairs, she has now moved on to the world of Mr Selfridge in this three-part survey of the rise of the shopgirl from obscurity to comprehensive takeover.Dr Cox is an enthusiastic and refreshingly informal host, but even these helpful characteristics couldn't entirely banish the whiff of Open University hovering over this programme. There were groaning shelves of facts and statistics to plough through as she demonstrated with exhaustive thoroughness Read more ...
Lisa-Marie Ferla
The BBC might have convinced itself that the only thing that will change in the way it caters to the youth market next autumn is the method of delivery, but Murdered By My Boyfriend makes the case for retaining BBC Three as a channel that can be idly flipped onto on a Monday night. Previews of the short drama, inspired by real-life events, were full of the usual cliches: the story that writer Regina Moriarty told was both “tragic” and “depressingly familiar”. But the fact remains that young women between the ages of 16 and 24 are statistically most at risk of being abused by a partner; and Read more ...
Adam Sweeting
Celebrating the 80th anniversary of opera at Glyndebourne, this 90-minute documentary was fascinating when it delved into the house's history, but started to lose its bearings when it came back to the present day and dwelt at laborious length over this season's new production of Richard Strauss's Der Rosenkavalier. It was as if nobody could decide what sort of film to make, so they made two and cut chunks of them together.What might be called the "origin story" of this most resplendently rural of opera houses took us back to the post-World War One era, when decorated Army captain and Wagner Read more ...
Jasper Rees
“In this world nothing can be said to be certain, except death and taxes.” Given how easily some seem to dodge the latter, Benjamin Franklin’s oft-quoted epigram could do with a little modification. Nothing can be said to be certain, except death and taxis? That, at least, is the premise of A Cabbie Abroad.This series is a spin-off from BBC Two’s show Toughest Place to Be…, in which Brits in everyday professions – midwife, paramedic, binman etc – were sent off to see how their job is done in another part of the world. In series four, they stuck a London cabbie in the middle of Mumbai.Mason Read more ...
Andy Plaice
My heart sank when Lorraine Pascale’s documentary on fostering began with her making cakes with Junior, a 10-year-old boy in care. I feared Bake Off meets Who Do You Think You Are?, but those worries quickly faded as Pascale told her extraordinary story.We know her as a television chef and best-selling cookery author, but her success is all the more remarkable when her circumstances are revealed. Born in Hackney, she was given up at birth and spent the first 18 months of her life with a foster family. Little was known about this period. One hazy photo remained. Possibly the foster mum was Read more ...