sex
Thomas H. Green
Whitney Houston once sang that “the greatest love of all is happening to me-ee-eee.” In 2024, however, the greatest love of all, at least in terms of sheer, outward-expanding volume, is happening to Jennifer Lopez (and, one must presume, Ben Affleck). J-Lo has spent, we are told, $20 million of her own money on a triple-headed monument to the rekindling of her romance with Affleck; a (from the trailer, very camp-looking) feature film, a documentary, The Greatest Love Story Never Told, inspired by letters from Affleck, and this album. The sheer chutzpah is impressive, and the album sometimes Read more ...
Nick Hasted
Piero Schivazappa’s 1969 debut The Frightened Woman toys with living up to its title, suggesting a sadistic test of endurance. Its Italian title, Femina Ridens, though, translates as The Laughing Woman, and this is really an ironically extreme battle of the sexes, carried by extravagant pop art designs and its star Dagmar Lassander’s playful pertness.Dr Sayer (Philippe Leroy) is a wealthy head of a philanthropic institute who spends his weekends sadistically dominating prostitutes. Let down by a regular, he’s delighted when a previously unknown journalist in his press department, Maria ( Read more ...
Adam Sweeting
Following their award-scooping collaboration on 2018’s The Favourite, Emma Stone and director Yorgos Lanthimos return with this mind-bending adaptation of Alasdair Gray’s eponymous novel. Also on board is screenwriter Tony McNamara, who wrote (with Deborah Davis) The Favourite’s screenplay. You might say lightning has struck twice, with Stone collecting the Best Female Actor award at the recent Golden Globes and the film winning for Best Musical or Comedy. More mantelpiece-adornments seem certain to follow.But while it’s not a musical (though it has music in it), is it a comedy? It’s Read more ...
joe.muggs
It was a year of bleak and brutal conflict, ugly and stupid imposition of power, overt Fascism in the mainstream public sphere, decay of infrastructure and apocalyptic weather. So what better than a record of total pleasure? And Janelle Monáe’s fourth album in 13 years really does do exactly what it says on the tin, in every possible ways. Over 14 songs in just 32 minutes, it positively glows with self-confidence, satsifaction, in-the-moment joy, and deeply felt sensualism.And by sensualism I mean complete filth. Its appeal, though, is not just titillation, not by a long shot – and it’s not Read more ...
Gary Naylor
It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same for everyone else scrabbling a living in Bradford – or anywhere north of Watford – and we know what those left-behind places did when presented with a ballot box in 2016 and 2019.Not that such weighty matters concern our two girls, out for a banging (in more senses than one) £1 Thursday night out, living for the sex and booze and rock’n’roll that get them from one week to the next. (Writer, Kat Rose-Martin, wisely keeps other temptations out of arm’s reach, one of many Read more ...
aleks.sierz
The Comedian runs, bounces even, onto the stage. The audience immediately applauds. He seizes the mic and makes self-deprecatory gestures. Then he rubs the mic stand suggestively. We laugh. When he turns around we can see a laughing mouth printed on the back of his shirt. It’s Samuel Barnett – former history boy and star of stage and screen – and the audience instantly warms to him. He’s that kind of guy. Which is just as well because the Comedian who delivers Marcelo Dos Santos’s 65-minute monologue, now at the Bush Theatre after opening last year at the Edinburgh Fringe, is not Read more ...
James Saynor
This seems to be a season for films majoring on bisexuality, with the awards round encompassing Ira Sachs’s Passages, Bradley Cooper’s Maestro and Emerald Fennell’s Saltburn, a story of high-class high jinks in a modern twist on Evelyn’s Waugh’s Brideshead Revisited.Saltburn describes the bad education of an awkward young man, played by the electric Irish actor Barry Keoghan, at an English stately home, and follows in the path of those other two films in not giving bisexuality an especially good name. At least in Brideshead it was allowed a subtle nod and presented as a rite of passage, but Read more ...
Matt Wolf
Rarely has a play's opening been so opportune. Just when it looked as if the West End was slipping into decline, along comes the smart, shrewd Backstairs Billy to allay mounting fears of late that the commercial theatre had lost all sense of quality control. (The offending titles know who they are.)It helps, of course, that Marcelo Dos Santos's royalty-themed play is getting a luxuriant production whose visual allure is evident from our first sight of designer Christopher Oram's spare-no-floral-arrangement recreation of the Garden Room of Clarence House. But just when you think you've heard Read more ...
Adam Sweeting
Derived from the similarly-titled novel by Thomas Mallon and directed by Ron Nyswaner, Fellow Travellers tracks the course of its protagonists through several decades of 20th Century American history. It’s also an account of changing attitudes to homosexuality, and how gay culture emerged from the shadows and went mainstream.Spanning the era from the Joseph McCarthy witch-hunts of the early 1950s to the Aids crisis of the Eighties, the story revolves around the entwined fates of Hawkins Fuller (Matt Bomer) and Tim Laughlin (Jonathan Bailey, familiar from Bridgerton), who meet when both are Read more ...
Gary Naylor
There’s an old-fashioned feel to the story at its outset: Young woman, guitar in hand, Northern accent announcing as much as it always did, who makes a new life in London, all the money going on a room in Camden. One recalls Georgy Girl or Darling, films that were very much of their time. But it's safe to say that, even if you missed the extensive trigger warnings on the way into the Southwark Playhouse auditorium, a volume of swear words to give a Tory backbencher pause is enough to tell you that this show is very much 2023. Maimuna Memon’s song cycle is a deeply personal story of Read more ...
Adam Sweeting
Rock Hudson was built up as a silver screen archetype of heterosexual manhood, with his 6ft 5in frame and muscular physique, but his story has subsequently come to epitomise a Hollywood system built on illusions and delusions. Supposedly the kind of chiselled hunk every swooning female admirer would like to catch her before she hit the ground, Hudson’s private life was based around his coterie of gay friends and his gay agent, Henry Willson. In this documentary, director Stephen Kijak explores Hudson’s double life with revealing thoroughness, not least through interviews with Hudson’s close Read more ...
Gary Naylor
A flea bites a rat which spooks a horse which kicks a man and… an empire falls?James Fritz has won writing awards already in his developing career, but he has set himself quite the challenge to weave a thread that can bear that narrative weight. Two and a half hours later in this retelling of the late 19th-century Cleveland Street scandal, the empire survives, the fall guy takes the inevitable tumble and we’re a little punchdrunk. Here is a play that beats you up with its sheer volume of artistic choices but also dips into stretches of unnecessary exposition that drain energy away: there’s a Read more ...