rock
Tim Cumming
There’s plenty going on in Ronnie Wood’s world, with Mike Figgis’ feature documentary, Somebody Up There Likes Me, a mini tour with his band The Wild Five – London, Manchester and Birmingham – and this platter, subtiled "A Live Tribute to Chuck Berry", that was recorded live last year at The Tivoli in Wimborne, Dorset. I know the venue well, dear readers, as the local flea pit of the 1960s and 1970s. Its last screening as a cinema was Led Zep’s The Song Remains the Same in 1977 (there were plenty of grebos in the Wimborne area), before its divine resurrection as a music venue, thanks to the Read more ...
Thomas H. Green
Massively successful Irish trio The Script could, loosely speaking, be called a rock band. But they aren’t really, are they? Their sixth album is an indictment of the kind of music they play. It’s packed with over-produced post-Coldplay anthem-pop featuring lyrics calibrated for a generation gnawed by social media anxiety. Listening to it is an edgeless, squeaky clean experience. The buzz, if there is one, is all sugar rush and no sharp edges. Who could have known a quarter century ago that a key genetic ancestor of 21st century “rock” would be the Benidorm-friendly Euro-cheese of Read more ...
Nick Hasted
After the bleakness in the parts of Skeleton Tree touched directly by his son Arthur’s death, and the desolate grief of the accompanying documentary One More Time with Feeling, this is Nick Cave’s statement of faith. Ghosteen is unlike any record he’s made before, often sung in a desperate, reckless, heedless, loving voice unheard till now. If his heart has had to be torn open to reveal its varieties of vulnerability – the bereft croon and shaking falsetto on “Spinning Song”, the absolutely lovelorn, unabashed full-heartedness of “Bright Horses” – they remain remarkable sounds. The Read more ...
Nick Hasted
Neil Young’s prolific, patchy output rejects the very notion of major releases, though only a major artist would be given so much rope. His thirtieth album of the century (new or archive) still stirs anticipation as his first with Crazy Horse in seven years, with Nils Lofgren back in the band he last passed through in 1971, in place of the retired Frank “Poncho” Sampredo. They crank up unsteadily in the first seconds of opener “Think Of Me”, like an old jalopy startled awake.The trademark Horse sound soon stretches “She Showed Me Love” past 13 minutes, as feedback flies in slow-motion from Read more ...
Lisa-Marie Ferla
As frontman and lyricist of US rockers The Hold Steady, Craig Finn specialises in vivid storytelling featuring larger than life characters. It’s a writing style that he has carried with him into his solo work too even if, as he says, the stories are “more vulnerable and maybe a little more personal” than fans of his other band may be used to.It’s been a busy year for Finn. Fourth solo album I Need A New War, released in April, completed what he has described as a trilogy of records with producer Josh Kaufman. It’s musically spacious and lyrically dense, its bright spots of harmonica and Read more ...
Mark Kidel
PJ Harvey is not just a consummate rock musician but a multi-talented artist, who has re-invented herself throughout her career. She paints and makes sculpture, has participated with Artangel in an ambitious art installation, and written and performed theatre and film music. The music for the stage version of Joseph L. Mankiewicz’s classic Hollywood blockbuster and Betty Davis vehicle All About Eve is the latest of her accomplishments.The exciting Belgian director Ivo Van Hove made a shrewd choice, as Harvey has shown herself to be expert at evoking the inner turmoil of women in conflict – Read more ...
Ellie Porter
Having exploded on to the scene like a cross between Queen and My Chemical Romance, Derby’s young glam-rock upstarts the Struts are on top of the world. They've cracked America, supported the Rolling Stones, the Who, Mötley Crüe, Foo Fighters and Guns N’Roses and delighted a home crowd at 2018's Download festival, and are currently thrilling audiences on their own ludicrously entertaining headline tour.Tonight they hit London, and judging by the fevered crowd jammed into the Kentish Town Forum there’s a good night to come. The lights go down and the band saunter on, fully aware that it’s Read more ...
Richard Hawley, Barrowland, Glasgow - black clad crooner's songs remain full of atmosphere and heart
Jonathan Geddes
When Richard Hawley arrived onstage, he had a confession to make. “I like to talk”, he declared, before adding “and play rock n’ roll”. Both were delivered in ample supply during the ensuing performance, the black clad quiff wearing troubadour a natural fit for one of Scotland’s most famed rock n’ roll locations.Yet if the Sheffield native’s persona of a somewhat bruised crooner can flourish in his songs, then his regular chatter tended towards the lighter side. Anecdotes regarding his manager being asked if he had Viagra outside the venue, declarations that he fancied a move to Scotland Read more ...
Nick Hasted
These horribly remarkable times can shake the strongest souls. Since the popular acceptance of The Seldom Seen Kid, Elbow at their worst have sometimes resembled their friends and supporters Coldplay, offering anthemic placebos to vaguely generalised ills, as Guy Garvey’s big, sentimental heart buried the odder, proggier band they once were. But this sixth album mourns the death of Garvey’s dad and close friends during a period of nihilistic national trauma, from Brexit to Grenfell. Bruising and unravelling marks its music.“Dexter and Sinister” is about lost faith and death’s certain Read more ...
Thomas H. Green
The Ol’ Black Eyes is Back Tour celebrates Alice Cooper’s 50 years using his stage name. He’d been around under other names before 1969 but Alice Cooper – originally the title of the band rather than the man – achieved success as the Seventies began by combining trash-glam drag with stompin’ riffy music. He’s famed for his theatrical shows but needed to be on especially fine form tonight to match support acts who are both riveting.First on are MC50, a supergroup iteration of Sixties Detroit countercultural rockers MC5, consisting of original MC5 guitar warrior Wayne Kramer, Soundgarden Read more ...
Jonathan Geddes
The onstage arrival of Two Door Cinema Club was heralded by a tongue-in-cheek video countdown that reached zero and then flashed up an error message, before asking the crowd to “try again”. In truth, the band’s own performance was never likely to hit any hitches, being the sort of well-honed and slick display that you would expect from a group who have been touring steadily for the past several months. That is both a positive and a negative.The trio, augmented by synths man Jacob Berry and drummer Benjamin Thompson, started fast, though. They write songs well suited to the weekend, to Read more ...
Kieron Tyler
The Hollywood Stars were not shy. In 1976, in keeping with their assertive handle, they sang “some last a year, then disappear as if they were magicians, but while I’m here no need to fear at the top I’m a pop musician, they call me the Houdini of rock 'n' roll because I’m number one on the radio...what is the secret they want to know.” The song, a crunchy riff-laden glam-indebted pop-rocker, was titled “Houdini of Rock 'n' Roll”. Instead of getting to number one on the radio, it wasn’t heard.“Houdini of Rock 'n' Roll” is one of ten tracks The Hollywood Stars recorded in 1976 for what’s Read more ...