psychedelia
theartsdesk
Nick Cave & the Bad Seeds: Nocturama, Abattoir Blues, The Lyre of Orpheus, DIG!!! LAZARUS, DIG!!!Howard MaleThere’s something just not right about having to reassess a bunch of Nick Cave & the Bad Seeds albums in August, just as the sun is finally making a concerted effort to do its job. Cave is generally either icily cold or autumnally melancholic with the only heat being issued from the fiery hell awaiting some of his vividly conjured protagonists.The first three of these rather swiftly re-released albums - Nocturama, Abattoir Blues, and The Lyre of Orpheus (2003, 2004, 2004 Read more ...
Kieron Tyler
The sacred word 'om' is spoken in different ways according to its context. Elongated, it can be stretched over multiple syllables. As a musical unit, OM work with building blocks that are similarly minimal, yet drawn out for maximum effect. And like the origins of their name, their heady, psychedelic music is heavily indebted to cultures which lie to the east.California’s OM were originally vocalist/bassist Al Cisneros and drummer Chris Hakius. Both used to be in drone/metal outfit Sleep. After a late-2007 five-hour live set in Jerusalem, Hakius left and was replaced with Emil Aros. Although Read more ...
theartsdesk
Various Artists: Sound System - The Story of Jamaican MusicThomas H Green This is lovely, a box-set celebration of Jamaican music, marking 50 years of the country’s independence. In a brooks-no-argument fashion, it reminds the forgetful that the Caribbean island punches so, so far above its geographical weight that gobs remain fully smacked over 30 years after the death of the man who gave reggae a global profile in the first place, Bob Marley (who is, incidentally, absent). Aside from the music, though, Sound System’s eight CDs arrive in a chunky 12 x 12in box that contains a coffee table Read more ...
Adam Sweeting
Naturally it couldn't be anything as straightforward as a mere album. Rather, Smashing Pumpkins supremo Billy Corgan would have it that Oceania is "an album within an album", and that its 13 songs form a subset of the ongoing Teargarden by Kaleidyscope project, part of which appeared in digital download format in 2009. But prune away all the baggage and Oceania stands up as a very plausible specimen of Pumpkinness. It also marks the arrival of a brand new line-up, namely drummer Mike Byrne, guitarist Jeff Schroeder and the band's latest female bassist/vocalist Nicole Florentino, but as ever Read more ...
Russ Coffey
The end had long been nigh for The Cult, when it first came in 1995. It wasn’t just the booze and the arrival of grunge. It was as much that smart-arse Brit Pop was never going to have much truck with a man who called himself Wolf Child and wrote lyrics like, “Cool operator with a rattlesnake kiss”. More fool them. But yet, for all the brilliance of Love, Electric and Sonic Temple there was no denying things went seriously downhill after the fourth album. Still, fans have long believed in one last Memphis hip shake from the old peace dogs. And finally, on their second comeback, we now have Read more ...
Kieron Tyler
For a Brit navigating Denmark’s annual showcase of home-grown music, it’s impossible to eradicate thoughts of the Danish TV seen in the UK recently. Obviously, detecting Borgen-style intrigue while wandering around is unfeasible. But something else might be more obvious. However bright the sun, the wind is cold and warmish clothing is essential. Yet no one sports a Sarah Lund jumper. It’s a reminder that TV drama isn’t a guidebook. SPOT’s cutting-edge crowd has no idea about foreign notions of what might constitute Danish. Over the head-spinning three days of the festival, the 121 separate Read more ...
theartsdesk
Small Faces: The Decca Album (Deluxe Edition), From The Beginning (Deluxe Edition), The Immediate Album (Deluxe Edition), Ogden's Nut Gone Flake (Deluxe Edition)Kieron Tylertheartsdesk’s reissues round-up is usually dedicated to three unrelated CDs, but these spiffy Deluxe Editions of the first four Small Faces’s albums derail that for a week. This quartet – preceding the posthumous Autumn Stone – are testament to a band developing at lightning speed during the headlong rush towards their inevitable fragmentation. One of Britain’s greatest, they created accessible, zeitgeist-infused hit Read more ...
Kieron Tyler
Choosing such a loaded name is wilful. Scottish trio Haight-Ashbury are going to be identified with psychedelic-era San Francisco whatever they do. Should they wish to extend their musical wings, diversions into drum and bass or metal aren’t going to be easily accommodated. It's just as well then that Haight-Ashbury are top-drawer practitioners of a terrifically attractive dark psychedelia.Their second album (released under the name Haight-Ashbury 2, but they still trade as Haight-Ashbury too) opens with hand percussion, a jangling sitar and a keening, modal vocal line. Rhythm is Mo Tucker Read more ...
Thomas H. Green
Richard Norris has been mucking about making strange noises and joining the dots (and sometime microdots) in electronic dance music’s shadowy regions for 25 years. He's had multiple incarnations, from NME writer to creator of proto-acid house with Psychic TV’s Genesis P Orridge (on the 1988 M.E.S.H. single and Jack The Tab album). He was one half of The Grid (with Soft Cell’s Dave Ball) and is one half of Beyond The Wizard’s Sleeve (with DJ Erol Alkan); he also worked with Joe Strummer, not to mention having some part in the whole narcotic band-gang messiness that resulted in Screamadelica. Read more ...
Joe Muggs
Londoner Yemi Olagbaiye is the model of a new generation musician for whom the dissolution of genre categories means not homogenisation but an opportunity for greater individuality. Olagbaiye grew up playing guitar music, then moved on to drum'n'bass, but really found his voice when he moved into a fusion of electronic and organic instruments, inspired on the one hand by UK garage and its offspring (dubstep, grime, funky), and on the other by the neo-psychedelia of Radiohead, Four Tet and Caribou. Watch Blacksmif's "...And the Sun Rose Out"His productions are lush and immersive, but Read more ...
Kieron Tyler
One of last year’s finest surprises was the debut album from Rayographs, a fractured, psychedelic excursion that remains enthralling. Paper Dollhouse is the solo guise of Rayographs’s Astrud Steehouder. While A Box Painted Black isn’t quite the shock Rayographs was, it beguiles.As Paper Dollhouse, Steehouder (pictured right) sustains Rayographs’s spookiness. A Box Painted Black‘s “I Dreamt You More Than Ever” uses the cross-talking effect of vocals cutting in and out that's so effective with Rayographs. Their Amy Hurst contributes a photo to the album's booklet. Nina Bosnic is, on a couple of Read more ...
Joe Muggs
Against all the odds, I find myself going into 2012 with a strong sense of optimism. And the reason? I am a born-again rave zealot. I saw it at Outlook Festival in Croatia, I saw it at Sónar in Barcelona, and I saw it at the Big Chill where I was running a stage; participatory, constructive, creative partying, where the crowds go not just to be entertained but to plug into something bigger, to be part of something.Now, I love Kanye West's music with all my heart, but the sight of his latest whining pseudo-breakdown on stage at the Big Chill just seemed like the latest peeling away of the Read more ...